Two Portuguese American twin brothers living in the Azores, face the challenge of their powers of predicting the future and read the minds of others and the mystery of the family past.

The only escape from the polluted city is to go into nature, where every step through the misty forest landscapes is a step into the unknown, leading to the realization that the world changes when we can’t see it fully, remaining mysterious and introspective.

The fight of Hace Ahmed Yesevi, who was sent to Baghdad by Yusuf Hemedani.

After the end of civilization, an aged man undergoes a mysterious journey through space and time that takes him through memories, visions, and historical events, ultimately transcending the limitations of the senses and into a new cosmic rebirth.

“小足”和它的朋友这次又有新的冒险了。在“小足”所居住的大峡谷外，有一块曾是干燥地，现今却变成沼泽的“神秘地”。在那里，有不少新的生物因为水分的供养而纷纷出现。“小足”和朋友原先都很安乐地住在大峡谷内，直到“小足”的爷爷因病而必须吃“神秘地”内的金色夜合花，为拯救爷爷的性命，“小足”和5只小恐龙得进入神秘地和坏蛋力拼，并及时采得夜百合。

A forgotten avant-garde masterpiece by a forgotten avant-garde director Brumes d'automne (1929, Dimitri Kirsanoff) is the best avant-garde short film, and one of the best films of any kind, that I have ever had the pleasure of seeing. There are so many positives to it, and no negatives. It is even better than Man Ray's Le Retour à la Raison, which I previously believed to be the gold standard for the quality of experimental short films. The title translates to Autumn Mists, which the film is filled with. Unlike most experimental works, Brumes features a clear protagonist. This unnamed character is played by the absolutely gorgeous Nadia Sibirskaïa. When we first meet this woman, she is burning papers in a fireplace. The papers are presumably letters from a lost love. Sibirskaïa's work here is a perfect example of how to act through body language. Through slight facial gestures and movements, she says so much more than words ever could. Her eyes tell her story for her. Paul Devred's score is mesmerizing, and works perfectly with the tone of the film. It's also a very beautiful musical composition in its own right. However, the single best aspect of the film is the cinematography by Jean de Mieville. The shots that feature water remind one of what Ralph Steiner's experimental short H2O could have been, and should have been. This film should be seen by all. There is a real tragedy, far worse than the one in the film, and that tragedy is that there probably are not a thousand living people who have even heard of the film. It is a true forgotten masterpiece. I will go as far as to call it the best film of the 1920s. (author: Matt McGraw (WhenTheRadiatorBurst) from Florida at imdb.com)

是谁传下这诗人的行业？且听那宇宙的游子，在梦土上为你朗读―― 《如雾起时》以郑愁予同名诗作为向导，从已然失落的第一本诗集，切入诗人的生命。曾在港口工作、熟稔于水手与离别，煮酒焚叶星座聚首的烫热年代，到爱荷华时期的冲激，以及任教于耶鲁后的静定与博观，他始终守着这美的行业，高高举起风灯，在世界的脸上镶嵌光影。

电影将以上世纪1950和1980年代的双时间轴呈现，故事以张云林（张艾嘉饰）为核心开始，观众将看到以倒叙手法回忆1950年代年轻的张云林（李心洁饰）在二次世界大战后的生活。妹妹张云红（林宣妤饰）的过世使张云林陷入罪恶感之中，此时，她也遇见了日本籍园艺师中村有朋（阿部宽饰），协助她打造纪念花园，并开启一段揪心的爱情故事。

本片改编自畅销奇幻小说，从亚瑟王身后以精神信仰操控国家兴亡的三位女性的 观点，一窥在亚瑟王传奇背后的众多阴谋门争。在片中，安洁莉卡休斯顿饰演迷雾之城亚法隆的主祭司－薇薇安，她是一位大湖女神，以维亚法隆的崇高地位 ，为其终身职志；茱莉安娜玛格莉丝饰演摩可儿，为钦定祭司继承人；琼安艾伦饰 演凶残的摩可思，企图夺取王位，接掌千秋盛业。在重重的迷雾及流言诡计纷扰之下，国家存亡的局势已悄然底定……

特洛伊战争后，奥德修斯与同伴飘泊于茫茫大海，塞壬女妖的以歌声诱惑他们，突然又有飞行的怪兽来袭，船毁人散。醒来之后奥德修斯一行发现自己来到一座死亡之岛，那群怪兽就住在岛上，更有一神秘女子被囚在岛上，原来是冥后珀尔塞福涅……