Design the New Business is a film dedicated to investigating how designers and businesspeople are working together in new ways to solve the wicked problems facing business today. Design and business can no longer be thought of as separate activities with individual goals. The film examines how they are joining forces by bringing together an international collection of design service providers, education experts and businesses that have incorporated design as a part of their core approach. Design the New Business features inspiring case studies and insightful discussions, helping to illustrate the state of the relationship and how it needs to continue evolving to meet tomorrow's challenges.

The documentary maps more than a hundred years of Czech visual culture, offers stories of well-known and lesser-known brands and shows that top graphic art is still being created in the Czech Republic today. The film is guided by Nicho Lowry, an American native with Czech roots, an avid collector and graphic design lover who embarks on an adventurous journey in the footsteps of the best of Czech visual culture. During his journey, he meets a number of contemporary graphic designers, as well as the legacy of icons who have passed away, many of whom have succeeded abroad. The film will lead Nich to his own roots through the uncovering of Czech identity and will introduce Czech graphic design to those who do not know the Czech Republic.

Eli, a 15-year-old teenager, gets ready in the school restroom to go on her first date with someone she has never seen before. She goes on the date, waits for hours, and no one shows up. She walks to home and buys herself some ice cream.

Eli, a 15-year-old teenager, gets ready in the school restroom to go on her first date with someone she has never seen before. She goes on the date, waits for hours, and no one shows up. She walks to home and buys herself some ice cream.

Emma feels responsible for the accident that caused her mother's death.

It’s been roughly 30 years since the desktop computer revolutionized the way the graphic design industry works. For decades before that, it was the hands of industrious workers, and various ingenious machines and tools that brought type and image together on meticulously prepared paste-up boards, before they were sent to the printer. 　　The documentary, Graphic Means, which is now in production, will explore graphic design production of the 1950s through the 1990s—from linecaster to photocomposition, and from paste-up to PDF.

该剧是一部描绘家族和结婚的笑中带泪的喜剧作品，香取在剧中饰演在文具制造公司工作的39岁单身男大介，对独身生活无任何不满，上野树里则饰演离过一次婚的32岁单身女熊谷，住在同一栋公寓的两人从见面起就争吵不段

该剧是一部描绘家族和结婚的笑中带泪的喜剧作品，香取在剧中饰演在文具制造公司工作的39岁单身男大介，对独身生活无任何不满，上野树里则饰演离过一次婚的32岁单身女熊谷，住在同一栋公寓的两人从见面起就争吵不段

当天分手，他和她各行各路。十四个寒暑之后，大家已忘了离别的过程。记忆，是如此不可靠；遗忘，保护了要守卫的心灵价值，但也为重塑和修补创造了条件。从旧侣的真实访问开始，彼此错摸的思絮掀动了层层叠叠的图像，记忆之浪随而翻起，同时催生下一波图像。冰湖、船坞、森林、美术馆⋯⋯地域此去彼来，留下的足迹掺杂矛盾的线索。翻开无言的诗篇，乃觉你中有我，我中有你。遗忘并非记忆的对立，而是相反，没有遗忘的记忆，遗忘只是记忆其中一种方式。