Using footage from Cocteau's Orphée, Mary Helena Clark optically prints an interstitial space where the ghosts of cinema lurk beyond and within the frames.

After his father’s demise at the hand of Gaya Hotel Group, Han Yi Soo (Kim Nam Gil) has lived for one thing only: Vengeance. Ready to hatch a plan to bring down his nemesis once and for all, Yi Soo goes to extremes in not only changing his identity, but also his face. But there's a huge obstacle in Yi Soo's way: his inconvenient love for Jo Hae Woo (Son Ye Jin), the heiress to Gaya Hotel Group. Along with being enmeshed within an ill-fated love, Yi Soo's cover gets blown, which has him running for his life like his father once did. You either sink or you swim, but what if the water is full of sharks?

A study of Tennessee Williams's life and work as a whole, ranging from his youth in Mississippi and in St. Louis to success and acclaim, followed by the final difficult years. Includes some of the most celebrated scenes from film adaptations of Williams' work, among them extracts of A Streetcar Named Desire (1951),Cat on a Hot Tin Roof (1958), Night of the Iguana, The (1964), and Suddenly, Last Summer (1993) (TV). Contains footage of Williams being interviewed, including conversations with David Frost, 'Edward R. Murrow (I)', and Melvyn Bragg, as well as reminiscences from people who knew and worked with him, among them Edward Albee, Gore Vidal, and his lifelong friend, Lady Maria St. Just. Features readings from Elia Kazan's Notebook by Kim Hunter.