Award-winning speaker and consultant Dianna Booher shows how to master dozens of small and significant things that work together to convey presence. She details how body language, manners, and even your surroundings enhance credibility and build rapport.

The world shows up for us - it is present in our thought and perception. But, as Alva Noe contends in his latest exploration of the problem of consciousness, it doesn't show up for free. The world is not simply available; it is achieved rather than given. As with a painting in a gallery, the world has no meaning - no presence to be experienced - apart from our able engagement w...(展开全部)

Award-winning speaker and consultant Dianna Booher shows how to master dozens of small and significant things that work together to convey presence. She details how body language, manners, and even your surroundings enhance credibility and build rapport.

The world shows up for us - it is present in our thought and perception. But, as Alva Noe contends in his latest exploration of the problem of consciousness, it doesn't show up for free. The world is not simply available; it is achieved rather than given. As with a painting in a gallery, the world has no meaning - no presence to be experienced - apart from our able engagement w...(展开全部)

WINNER OF THE GRAND PRIX DE L'ACADEMIE FRANÇAISE A SELECTION OF THE KIRKUS REVIEWS BEST BOOKS OF THE YEAR A SELECTION OF THE LOS ANGELES TIMES BEST NONFICTION OF 2000 The life of Arthur Rimbaud, the “considerable passerby” (Mallarmé), a man who gave up literature at the age of 25, remains as legendary as his poetic work. From the enigmatic poet's very first ...(展开全部)

让－吕克·斯坦梅茨，法国诗人，文学评论家兼南特大学文学教授。他于1989年编撰出版了兰波作品全集（三卷本），还撰写了《斯特凡·马拉美传》、《贝特吕斯·博雷尔传》以及论述诗歌理论的多篇著作。

让－吕克·斯坦梅茨，法国诗人，文学评论家兼南特大学文学教授。他于1989年编撰出版了兰波作品全集（三卷本），还撰写了《斯特凡·马拉美传》、《贝特吕斯·博雷尔传》以及论述诗歌理论的多篇著作。

WINNER OF THE GRAND PRIX DE L'ACADEMIE FRANÇAISE A SELECTION OF THE KIRKUS REVIEWS BEST BOOKS OF THE YEAR A SELECTION OF THE LOS ANGELES TIMES BEST NONFICTION OF 2000 The life of Arthur Rimbaud, the “considerable passerby” (Mallarmé), a man who gave up literature at the age of 25, remains as legendary as his poetic work. From the enigmatic poet's very first ...(展开全部)