Oh Soo Min is a former doctor, but he is now a Catholic priest. He performs exorcisms. Meanwhile, Ham Eun Ho is a doctor in the emergency room of a hospital. One day, Oh Soo Min goes to the hospital where Ham Eun Ho works. She gets involved with him.

In a lonely desert town a suicidal priest makes a decision that kicks into motion a series of strange and comedic events leading him to an unexpected discovery.

Even though a monk doesn`t encourage gambling, he unwittingly becomes the "lottery number predicter" for the gamblers that visit his temple when he keeps accidentally guessing the winning numbers.

People commit variety of ugly crimes these days. However, they forgive themselves by giving testimony every week. They believe that they can repent just by having faith. But the truth is that they have faith to repeat the sins again and again without remorse. These people atone for their evil deeds just to feel comfortable and carefree. It is not about the victims who are suffering because of them. They say every people are equal before the religions. But it is time to discriminate people who only uses them for their interest. Screening if they are really good people, punishing if they deserve to be punished, and defending justice is needed for modern day religion. A priest with this sense of justice teams up with a detective and a prosecutor. They try to solve the mysterious death of an elderly priest and serve justice.

Detective sergeant Timo Harjunpää of the Helsinki Violent Crime Unit loses his daughter in a tragic way. Despite the support of his closest colleague, Constable Onerva Nykänen, Harjunpää is unable to recover from the loss of his family. He seeks revenge against his daughter's killer, while in his work he investigates strange deaths in the Helsinki metro that turn out to be the work of a serial killer.

Pacific Overtures is a musical with music and lyrics by Stephen Sondheim, a libretto by John Weidman, and additional material by Hugh Wheeler. The musical is set in 1853 Japan and follows the difficult Westernization of Japan, through the lives of two friends caught in the change. The title of the work is ironic, nodding toward "overture" as a musical form, noting that the initiatives of the Western powers for commercial exploitation of the Pacific nation were anything but "pacific" (or peaceable) overtures. Built around a quasi-Japanese pentatonic scale, the music contrasts Japanese contemplation ("There is No Other Way") with Western ingenuousness ("Please Hello," "Pretty Lady"). 　　The original Broadway production of Pacific Overtures in 1976 was presented in Kabuki style, with men playing women's parts and set changes made in full view of the audience by people dressed in black. It opened to mixed reviews and closed after six months, nevertheless being nominated for ten Tony Awards. According to Steven Suskin, the score is "uniformly interesting" and contains "some of Sondheim's finest writing".

Pacific Overtures is a musical with music and lyrics by Stephen Sondheim, a libretto by John Weidman, and additional material by Hugh Wheeler. The musical is set in 1853 Japan and follows the difficult Westernization of Japan, through the lives of two friends caught in the change. The title of the work is ironic, nodding toward "overture" as a musical form, noting that the initiatives of the Western powers for commercial exploitation of the Pacific nation were anything but "pacific" (or peaceable) overtures. Built around a quasi-Japanese pentatonic scale, the music contrasts Japanese contemplation ("There is No Other Way") with Western ingenuousness ("Please Hello," "Pretty Lady"). 　　The original Broadway production of Pacific Overtures in 1976 was presented in Kabuki style, with men playing women's parts and set changes made in full view of the audience by people dressed in black. It opened to mixed reviews and closed after six months, nevertheless being nominated for ten Tony Awards. According to Steven Suskin, the score is "uniformly interesting" and contains "some of Sondheim's finest writing".