The Print is the third and final book in The Ansel Adams Photography Series--the seminal guides fully revised by Ansel Adams shortly before his death in 1984. The Print, now available in paperback like the other volumes in the series, belongs on every photographer's shelf. It covers the entire printmaking process, from designing and furnishing a darkroom and experimenting wit...(展开全部)

The Print is the third and final book in The Ansel Adams Photography Series--the seminal guides fully revised by Ansel Adams shortly before his death in 1984. The Print, now available in paperback like the other volumes in the series, belongs on every photographer's shelf. It covers the entire printmaking process, from designing and furnishing a darkroom and experimenting wit...(展开全部)

Ansel Adams produced some of this century's truly memorable photgraphic images and helped nurture the art of photography through his creative innovations and peerless technical mastery. This handbook - the third volume in Adam's celebrated series of books on photographic techniques - has taught a generation of photographers how to explore the artistic possibilities of printmaki...(展开全部)

Ansel Adams produced some of this century's truly memorable photgraphic images and helped nurture the art of photography through his creative innovations and peerless technical mastery. This handbook - the third volume in Adam's celebrated series of books on photographic techniques - has taught a generation of photographers how to explore the artistic possibilities of printmaki...(展开全部)

罗伯特·达恩顿（Robert Darnton），1939年出生，美国艺术与科学院院士，著名欧洲史专家，文化史、阅读史研究的领军人物，出版著作有《拉莫莱特之吻：文化史的反思》《法国大革命前的畅销禁书》等。 丹尼尔·罗什（Daniel Roche），1935年出生，法兰西学院教授，法国旧制度末期文化史权威专家，出版著作有《启蒙运动中的法国》《外省的启蒙运动》等。 汪珍珠（译者），北京师范大学副教授，译有《法国大革命中的政治、文化和阶级》《法国人民：四个世纪、五个地区的历史》。

内容（「MARC」データベースより） デザイナー皆川明により設立されたファッションブランド、ミナペルホネンのプリント集。柄を通して残したいのは、自分から生まれる想像の世界と、それを楽しみながら絵にしているときの空気感。

He was the enfant terrible of graphic design in the nineties. His tortured typography prompted a vocal camp of critics to accuse him of being flippant and of destroying the communicative basis of design. But now the techniques of David Carson (and those of his countless imitators) dominate advertising, design, the Web, and even motion pictures. With 35,000 copies of the origina...(展开全部)

汉娜•亭蒂，美国文学杂志《一个故事》创始人之一，《动物怪谭》获选为2003年美国悬疑小说，海明威文学奖次奖，被翻译成17国语言.长篇小说《THE GOOD THIEF》获《纽约时报》年度好书,被誉为“第二个爱伦坡”。