「一小时后的6点45分将发生地震。」图书馆管理员筱崎鲇美(贯地谷诗穗梨饰)接到了一通神秘来电。原以为这只不过是恶作剧，但挂掉电话的一小时后，这个神秘的预言却应验了。这时神秘男人再次来电，他自称为「风间」，为了改变命运，他从未来回到了过去，所以未来的事他都知道。 「风间」将这个时空穿越称之为「REPEAT」，并邀请鲇美成为自己的客人。 　　通过「REPEAT」，人们能回到10个月前。在10个月前，操纵大家所不知道的“未来记忆”，以回避失败或赚取金钱。除了鲇美，参加「REPEAT」的还有夜总会服务员－－毛利圭介(本乡奏多饰)，咖啡厅老板天童太郎(ゴリ饰)等8位男女。这八位男女都分别怀抱对过去的懊悔。而该剧的三位主人公则为了得到选择幸福人生的第二次机会而决定进行「REPEAT」。然而，「REPEAT」成员却接二连三地发生了危险的事情……

「一小时后的6点45分将发生地震。」图书馆管理员筱崎鲇美(贯地谷诗穗梨饰)接到了一通神秘来电。原以为这只不过是恶作剧，但挂掉电话的一小时后，这个神秘的预言却应验了。这时神秘男人再次来电，他自称为「风间」，为了改变命运，他从未来回到了过去，所以未来的事他都知道。 「风间」将这个时空穿越称之为「REPEAT」，并邀请鲇美成为自己的客人。 　　通过「REPEAT」，人们能回到10个月前。在10个月前，操纵大家所不知道的“未来记忆”，以回避失败或赚取金钱。除了鲇美，参加「REPEAT」的还有夜总会服务员－－毛利圭介(本乡奏多饰)，咖啡厅老板天童太郎(ゴリ饰)等8位男女。这八位男女都分别怀抱对过去的懊悔。而该剧的三位主人公则为了得到选择幸福人生的第二次机会而决定进行「REPEAT」。然而，「REPEAT」成员却接二连三地发生了危险的事情……

讲述戳爷扮演的凯莱布是南佛罗里达的一名高三学生，在他即将开始人生的新篇章时遇到了HIV感染的风险，与此同时，他也经历了一场新的爱情之旅。

炎热席卷而来的夏天，20代后半的开发员未来肚子不舒服。怀疑是宿醉引起的未来，知道自己怀孕中的事实后，感到慌张。在从来没深思过的生育问题前，未来陷入彷徨之中，家人和恋人，国家都分别提出不同的方向， 时间就如光的速度飞逝。

炎热席卷而来的夏天，20代后半的开发员未来肚子不舒服。怀疑是宿醉引起的未来，知道自己怀孕中的事实后，感到慌张。在从来没深思过的生育问题前，未来陷入彷徨之中，家人和恋人，国家都分别提出不同的方向， 时间就如光的速度飞逝。

讲述戳爷扮演的凯莱布是南佛罗里达的一名高三学生，在他即将开始人生的新篇章时感染了艾滋病，与此同时，他也经历了一场新的爱情之旅。

Based on Somerset Maugham's The Letter. A lawyer is preparing to defend a rich, respected man's wife, who killed a friend of the family who was attempting to sexually assault her. The scenario changes abruptly for all involved when the lawyer discovers a love letter from the woman to the murdered man.

Based on Somerset Maugham's The Letter. A lawyer is preparing to defend a rich, respected man's wife, who killed a friend of the family who was attempting to sexually assault her. The scenario changes abruptly for all involved when the lawyer discovers a love letter from the woman to the murdered man.

Juli moves to the big city in order to take up a job in a factory, and on the very same day the foreman János asks her to marry him. Alas, communication between the two is rough going from the very start – their visions of how life together is supposed to look divide them. János can’t find it in his heart to accept Juli’s yearning for independence or her past. In raw images that portend an almost predetermined conclusion with their social-realist tone, the film shows Juli’s resistance with all of its consequences – she decides to have her baby all on her own. In the end, we witness the actual delivery of Juli’s (in reality of course actress Lili Monori’s) child, the first birth to be shown in a film in Europe. Nine Months was honoured with the Fipresci Prize (Parallel Sections) in Cannes in 1977. 　　Since my first film « Cati », I have been obstinately inquiring about women with well defined personalities, able to make decisions in an independent manner, although at that time « feminism » was not really in vogue. It has now become so. The heroine of my film is one of these women. She is lucid, self-relying, and responsible. She tells the man who loves her that he must accept her as she is, with her past life, her experiences, her already formed personality. - Marta MESZAROS

Juli moves to the big city in order to take up a job in a factory, and on the very same day the foreman János asks her to marry him. Alas, communication between the two is rough going from the very start – their visions of how life together is supposed to look divide them. János can’t find it in his heart to accept Juli’s yearning for independence or her past. In raw images that portend an almost predetermined conclusion with their social-realist tone, the film shows Juli’s resistance with all of its consequences – she decides to have her baby all on her own. In the end, we witness the actual delivery of Juli’s (in reality of course actress Lili Monori’s) child, the first birth to be shown in a film in Europe. Nine Months was honoured with the Fipresci Prize (Parallel Sections) in Cannes in 1977. 　　Since my first film « Cati », I have been obstinately inquiring about women with well defined personalities, able to make decisions in an independent manner, although at that time « feminism » was not really in vogue. It has now become so. The heroine of my film is one of these women. She is lucid, self-relying, and responsible. She tells the man who loves her that he must accept her as she is, with her past life, her experiences, her already formed personality. - Marta MESZAROS