In the last forty years, the reputation of the aesthetic of reception has spread throughout continental Europe and North America. Jauss, the most prolific proponent of the aesthetic of reception, has attempted to develop categories to channel conventional literary history into a history of aesthetic experience. In these collected essays, he explores the relation of art history ...(展开全部)

For centuries, Chinese critics have acclaimed Du Fu (712–770) as “China’s greatest poet.” He has exerted tremendous influence both as a model poet and as a cultural icon. In The Reception of Du Fu (712-770) and His Poetry in Imperial China, Ji Hao provides modern readers with a general picture of the reception of Du Fu and his work from the Song to the Qing. He also explores ma...(展开全部)

In his Symposium, Plato crafted a set of speeches in praise of love that has influenced writers and artists from antiquity to the present. Early Christian writers read the dialogue's 'ascent passage' as a vision of the soul's journey to heaven. Ficino's commentary on the Symposium inspired poets and artists throughout Renaissance Europe and introduced 'a Platonic love' into com...(展开全部)

In his Symposium, Plato crafted a set of speeches in praise of love that has influenced writers and artists from antiquity to the present. Early Christian writers read the dialogue's 'ascent passage' as a vision of the soul's journey to heaven. Ficino's commentary on the Symposium inspired poets and artists throughout Renaissance Europe and introduced 'a Platonic love' into com...(展开全部)

Tao Yuanming (365-427), although dismissed as a poet following his death, is now considered one of China's greatest writers. Over the centuries, portrayals of his life - some focusing on his eccentricity, others on his exemplary virtue - have elevated him to iconic status. This study of the posthumous reputation of a central figure in Chinese literary history, the mechanisms at...(展开全部)

This 2005 study traces the development of Surrealist theory of visual art and its reception, from the birth of Surrealism to its institutionalization in the mid-1930s. Situating Surrealist art theory in its theoretical and discursive contexts, Kim Grant demonstrates the complex interplay between Surrealism and contemporary art criticism. She examines the challenge to Surrealist...(展开全部)

The period from Kant to Hegel is one of the most intense and rigorous in modern philosophy. The central problem at the heart of it was the development of a new standard of theoretical reflection and of the principle of rationality itself. The essays in this volume, published in 2000, consider both the development of Kant's system of transcendental idealism in the three Critique...(展开全部)

The period from Kant to Hegel is one of the most intense and rigorous in modern philosophy. The central problem at the heart of it was the development of a new standard of theoretical reflection and of the principle of rationality itself. The essays in this volume, published in 2000, consider both the development of Kant's system of transcendental idealism in the three Critique...(展开全部)

This book aims to understand the different readings of Castiglione's Cortegiano or Book of the Courtier from the Renaissance to the twentieth century.