In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance r...(展开全部)

In this widely anticipated book, two leading contemporary art historians present a stunning reconsideration of the problem of time in the Renaissance. With intellectual brilliance, Alexander Nagel and Christopher S. Wood reexamine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts...(展开全部)

In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance r...(展开全部)

海因里希·沃尔夫林（Heinrich Wolfflin，1864-1945年），瑞士著名美术史家，著名学者雅各布·布克哈特的高足，被认为是继温克尔曼、布克哈特之后第三位伟大的艺术史家。沃尔夫林的艺术史研究关注普遍的风格特征，而不是对单独艺术家的分析，他把作品形式分析、心理学和文化史结合起来，力图创建一部“无名的艺术史“。主要著作有：《文艺复兴与巴洛克》（1888年）、《古典艺术》（1899年）、《艺术史的基本原理》（又译《艺术风格学：美术史的基本概念》，1915年）和《意大利和德国的形式知觉》（1931年）等。

This book offers a wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century. Drawing on a rich range of sources, from inventories and guild regulations to poetry and chronicles, it examines everything from panel paintings to carved altarpieces...(展开全部)

I will seek Vengeance upon those who betrayed my family. I am Ezio Auditore da Firenze. I am an Assassin...' Betrayed by the ruling families of Italy, a young man embarks upon an epic quest for vengeance. To eradicate corruption and restore his family's honour, he will learn the art of the assassins. Along the way, Ezio will call upon the wisdom of such great minds as Leonardo ...(展开全部)

海因里希·沃尔夫林（Heinrich Wolfflin，1864-1945年），瑞士著名美术史家，著名学者雅各布·布克哈特的高足，被认为是继温克尔曼、布克哈特之后第三位伟大的艺术史家。沃尔夫林的艺术史研究关注普遍的风格特征，而不是对单独艺术家的分析，他把作品形式分析、心理学和文化史结合起来，力图创建一部“无名的艺术史“。主要著作有：《文艺复兴与巴洛克》（1888年）、《古典艺术》（1899年）、《艺术史的基本原理》（又译《艺术风格学：美术史的基本概念》，1915年）和《意大利和德国的形式知觉》（1931年）等。