本辑收录“E.M.福斯特、弗朗索瓦丝.萨冈、奥尔德斯.赫胥黎、哈罗德.品特 、豪尔赫.路易斯.博尔赫斯、艾萨克.巴什维斯.辛格、E.B.怀特、巴勃罗.聂鲁达、约翰.斯坦贝克、库尔特.冯内古特、胡里奥.科塔萨尔、唐.德里罗、苏珊.桑塔格、伊恩.麦克尤恩、诺曼.梅勒、大江健三郎。

“作家访谈”是美国文学杂志《巴黎评论》（Paris Review）最持久、最著名的特色栏目。自一九五三年创刊号中的E.M.福斯特访谈至今，《巴黎评论》一期不落地刊登当代最伟大作家的长篇访谈，最初冠以“小说的艺术”之名，逐渐扩展到“诗歌的艺术”“批评的艺术”等，迄今已达三百篇以上，囊括了二十世纪下半叶至今世界文坛几乎所有的重要作家。作家访谈已然成为《巴黎评论》的招牌，同时树立了“访谈”这一特殊文体的典范。 一次访谈从准备到实际进行，往往历时数月甚至跨年，且并非为配合作家某本新书的出版而作，因此毫无商业宣传的气息。作家们自然而然地谈论各自的写作习惯、方法、困惑的时刻、文坛秘辛……内容妙趣横生，具有重要的文献价值，加之围绕访谈所发生的一些趣事，令这一栏目本身即成为传奇，足可谓“世界历史上持续时间最长的文化对话行为之一”。

A Picador Paperback Original How do great writers do it? From James M. Cain's hard-nosed observation that "writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational," to Joan Didion's account of how she composes a book—"I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets ...(展开全部)

Peer review is supposed to ensure that published work, in philosophy and in other disciplines, meets high standards of rigor and interest. But many people fear that it no longer is fit to play this role. This Element examines some of their concerns. It uses evidence that critics of peer review sometimes cite to show its failures, as well as empirical literature on the reception...(展开全部)

AA Book: Projects Collection & Portfolio 2009 is presented this year in a thicker, heftier print form than ever before. In its 496 full-colour pages you will find a complete record of the AA’s 2008/09 academic year, including commissioned texts, photo-journalism, reviews, graphics, photographs and, most importantly, projects selected from across the entire School. 《英国建筑联盟学院作品集2...(展开全部)

Peer review is supposed to ensure that published work, in philosophy and in other disciplines, meets high standards of rigor and interest. But many people fear that it no longer is fit to play this role. This Element examines some of their concerns. It uses evidence that critics of peer review sometimes cite to show its failures, as well as empirical literature on the reception...(展开全部)

A Picador Paperback Original How do great writers do it? From James M. Cain's hard-nosed observation that "writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational," to Joan Didion's account of how she composes a book—"I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets ...(展开全部)

AA Book: Projects Collection & Portfolio 2009 is presented this year in a thicker, heftier print form than ever before. In its 496 full-colour pages you will find a complete record of the AA’s 2008/09 academic year, including commissioned texts, photo-journalism, reviews, graphics, photographs and, most importantly, projects selected from across the entire School. 《英国建筑联盟学院作品集2...(展开全部)

Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely crafted literature. From William Faulkner's determination that a great novel takes "ninety-nine percent talent . . . ninety-nine percent discipline . . . ninety-nine percent work," to Gabriel García M...(展开全部)

With an Introduction by Salman Rushdie For more than fifty years, The Paris Review has brought us revelatory and revealing interviews with the literary lights of our age. This critically acclaimed series continues with another eclectic lineup, including Philip Roth, Ezra Pound, Haruki Murakami, Marilynne Robinson, Stephen Sondheim, E. B. White, Maya Angelou, William Styron and ...(展开全部)