15 years have passed and Roberto is still in love with his neighbor, but she prefers to hide ashamed of her body. With his art and an old clothesline as the only ways of communication, Roberto has a plan to push his beloved to face her monsters at once.

Documental que analiza la figura del escritor de culto chileno Roberto Bolaño. Pese a ser una de las figuras más influyentes de la literatura hispanoamericana de los últimos tiempos, su vida no fue la de un escritor de éxito. Este trabajo dirigido por José Luis López-Linares indaga en la realidad del chileno a través de entrevistas a sus allegados. Bolaño pasó sus últimos años en España, donde llevó una vida de austeridad cercana a la pobreza. A diferencia de los escritores del 'boom' literario de la novela sudamericana de los años 60 y 70, que se convirtieron en estrellas mediáticas, la vida de Bolaño se acerca más a la de los grandes escritores malditos de comienzos del siglo XX que a la que se puede asociar con un escritor de culto y reconocido. Este documental analiza su papel como escritor, pero también como personaje extraño que crea su propia leyenda; desvela lo que hay de cierto y de mentira en su propia autobiografía.

中文名：圣保罗足球宝贝

The first real film from a director who went on to do a lot of interesting work in the 1970's and 80's before his tragic death by drowning in 1986. 　　An avowed homage to Eyes Without a Face, the film unquestionably creates its own atmosphere and goes in a very different direction from its more famous model. Mulot's film has great cinematography, an interesting script construction and a very melancholic mood that marks it out from most low budget shockers of the period. Although not a costume piece as such, it is probably closer to the classic Mill of the Stone Women than to Franju's film. 　　The acting and direction are of a uniformly high standard. Anny Duperey and Philip Lemaire impart real depth to their characterizations and it's great to see Euro legend Howard Vernon once again. The film was sold as a mixture of sex and horror and the sex is provided by a bevy of stunning Euro babes including Valerie Boisgel and Michele Perello who went on to feature in Morgane et ses Nymphes before disappearing into the hinterlands of porn. 　　Well worth more than a passing look for any fan of classy Euro horror, this one has probably improved with age and repays repeated viewings. 　　Was the above comment useful to you?

The first real film from a director who went on to do a lot of interesting work in the 1970's and 80's before his tragic death by drowning in 1986. 　　An avowed homage to Eyes Without a Face, the film unquestionably creates its own atmosphere and goes in a very different direction from its more famous model. Mulot's film has great cinematography, an interesting script construction and a very melancholic mood that marks it out from most low budget shockers of the period. Although not a costume piece as such, it is probably closer to the classic Mill of the Stone Women than to Franju's film. 　　The acting and direction are of a uniformly high standard. Anny Duperey and Philip Lemaire impart real depth to their characterizations and it's great to see Euro legend Howard Vernon once again. The film was sold as a mixture of sex and horror and the sex is provided by a bevy of stunning Euro babes including Valerie Boisgel and Michele Perello who went on to feature in Morgane et ses Nymphes before disappearing into the hinterlands of porn. 　　Well worth more than a passing look for any fan of classy Euro horror, this one has probably improved with age and repays repeated viewings. 　　Was the above comment useful to you?

Young men from all over the world have been meeting at the Blue Boy Bar in Berlin for forty years. According to their website, this is where the city's lonely hearts, business people and tourists go.