A rich man with good intentions – Stefan Alström Jnr – wants to make his mark on history by saving the world. Instead, he almost ends it by threatening to start a world war.

Taking inspiration from 20th-century avant-garde experiments in graphical sound generation, the entire image in O/S functions as an optical soundtrack. Abstract motion becomes sound. What you hear is what you see.

At first glance, Serro Azul may seem like just another typical inland town, quiet and surrounded by mountains, where technological advances such as internet and cell phones have not yet arrived. A place where anyone who passes does not pay much attention, not knowing what is missing, after all, a city that is near Greenville and Tubiacanga could not fail to have its peculiarities. The main one is a source with curative and rejuvenating properties, which is the outermost part of a gigantic aquifer, a huge reservoir of what is becoming the most precious possession of the Earth: water. This source is protected by seven guardians whose mission is to ensure that this wealth does not reach the wrong hands.

On a quiet evening, the spectral White Lady Slavěna and her ghostly painter beloved Tomáš shelter the orphaned cook Fanynka from pursuing robbers, despite the enchanted knight Slavoj’s powerless protests. When robber chief Borek infiltrates the castle in disguise and uncovers the truth, he vows to destroy the ghosts and claim the fortress for himself.

The Titanic disaster as seen through the eyes of one couple in each of the three classes on board.

El Chino Fernando and el Puma, two old friends who have not seen each other for some time, go out with their ex-girlfriends for a sailing trip. As a reminder of their "ex" status, differences soon surface and they decide to end the ride early. However, on the way back they are surprised by a storm that throws them off course, leaving them adrift in the middle of the widest river in the world.

The world as a plaything for a giantess from outer space. A Godzilla-imitation on the way to herself: the giantess from outer space in the streets of a big city, fooling around, producing destruction, copulating with the Eiffel Tower. An orchestra of big feelings, the melodrama, defamed in infantile sounds and absurd costume, in make-up-persiflage and grotesque body-art-performances.

The world as a plaything for a giantess from outer space. A Godzilla-imitation on the way to herself: the giantess from outer space in the streets of a big city, fooling around, producing destruction, copulating with the Eiffel Tower. An orchestra of big feelings, the melodrama, defamed in infantile sounds and absurd costume, in make-up-persiflage and grotesque body-art-performances.

Sequel of 2013 blockbuster Boss.

After her mother's death, Lada lives alone with her father, the king, who prefers to spend time with the ladies of the court and has no time for his daughter. And when she protests, he decides to marry her off. So Lada runs away disguised as a boy to a neighboring kingdom. Lada – or Láďa – enters the service, that is, the kitchen, of the young king. And because the young king is celebrating his eighteenth birthday, Lada attends his ball...