At the Mosaik art studio in Berlin, artists with disabilities are absorbed in their work. Sabine Herpich observes the artists in the course of creation and directs her gaze at the institution itself: its processes, staff and spaces. The film succeeds in maintaining its focus on the art itself rather than the handicaps of its creators. It is around these works that the institution takes form, thus coming into view first and foremost as an institution for art, not one for people with disabilities. The idea of art becomes holistic, encompassing the people who make it as well as the places where it is created; it means looking at the works, and talking about them, but also art as work, complete with working hours and wage. The filmmaker herself is not invisible. She asks the artists about their thoughts, ideas, methods. As the artists before the camera meet the gaze of the filmmaker, a heightened sense of attention and sensitivity is produced – for the moods of the works, their creators and observers, as well as for this film about art itself, with its gentle, yet not timid, precise yet non-restrictive form.

At the Mosaik art studio in Berlin, artists with disabilities are absorbed in their work. Sabine Herpich observes the artists in the course of creation and directs her gaze at the institution itself: its processes, staff and spaces. The film succeeds in maintaining its focus on the art itself rather than the handicaps of its creators. It is around these works that the institution takes form, thus coming into view first and foremost as an institution for art, not one for people with disabilities. The idea of art becomes holistic, encompassing the people who make it as well as the places where it is created; it means looking at the works, and talking about them, but also art as work, complete with working hours and wage. The filmmaker herself is not invisible. She asks the artists about their thoughts, ideas, methods. As the artists before the camera meet the gaze of the filmmaker, a heightened sense of attention and sensitivity is produced – for the moods of the works, their creators and observers, as well as for this film about art itself, with its gentle, yet not timid, precise yet non-restrictive form.

In the not too distant future, a very smoggy and overpopulated Earth government makes it illegal to have children for a generation. One couple, unsatisfied with their substitute robot baby, breaks the rules and gets in a lot of trouble. (Z.P.G. stands for Zero Population Growth).

In the not too distant future, a very smoggy and overpopulated Earth government makes it illegal to have children for a generation. One couple, unsatisfied with their substitute robot baby, breaks the rules and gets in a lot of trouble. (Z.P.G. stands for Zero Population Growth).

影片讲述年轻偶像和老戏骨合作出演一部电影，为进入角色两人一同生活，逐渐相互吸引。老戏骨的女友也察觉到二人的改变。在戏剧和现实之间，欲望展开了一场危险的拉锯战。

影片讲述年轻偶像和老戏骨合作出演一部电影，为进入角色两人一同生活，逐渐相互吸引。老戏骨的女友也察觉到二人的改变。在戏剧和现实之间，欲望展开了一…

凯奇饰演前神枪手演科尔顿·布里格斯，现在经营着一家杂货店，和家人一起平静地生活。当一帮歹徒残忍地杀害了他的妻子，布里格斯回到家，发现他的世界在燃烧。他掏出手枪，和一个意想不到的人——他12岁的女儿组队一起寻求复仇。

凯奇饰演前神枪手演科尔顿·布里格斯，现在经营着一家杂货店，和家人一起平静地生活。当一帮歹徒残忍地杀害了他的妻子，布里格斯回到家，发现他的世界在燃烧。他掏出手枪，和一个意想不到的人——他12岁的女儿组队一起寻求复仇。

马克，一个有着躁郁症和偏执型人格障碍的电影人，不能容忍制片人对目前的项目吹毛求疵。在剪辑员的帮助下，他偷偷把拍摄素材送到了姨妈家，设法完成他心中的电影。然而，成片时间仍被不断推迟，因为他制造了无穷无尽的转折和僵局，在滑稽和彻头彻尾的焦虑之间交替出现。

马克，一个有着躁郁症和偏执型人格障碍的电影人，不能容忍制片人对目前的项目吹毛求疵。在剪辑员的帮助下，他偷偷把拍摄素材送到了姨妈家，设法完成他心中的电影。然而，成片时间仍被不断推迟，因为他制造了无穷无尽的转折和僵局，在滑稽和彻头彻尾的焦虑之间交替出现。