On election day in the capital, it is raining so hard that no one has bothered to come out to vote. The politicians are growing jittery. Should they reschedule the elections for another day? Around three o'clock, the rain finally stops. Promptly at four, voters rush to the polling stations, as if they had been ordered to appear. But when the ballots are counted, more than 70 pe...(展开全部)

On election day in the capital, it is raining so hard that no one has bothered to come out to vote. The politicians are growing jittery. Should they reschedule the elections for another day? Around three o'clock, the rain finally stops. Promptly at four, voters rush to the polling stations, as if they had been ordered to appear. But when the ballots are counted, more than 70 pe...(展开全部)

How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. "Seeing comes before words. The child looks and recognizes before it can speak." "But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the s...(展开全部)

In this extended answer to the question, "Can one's consciousness survive after one dies?"-asked by philosopher Thomas Reid in 1775 and Joe King, a disabled country singer, in 2003-Humphrey concedes he is working to "develop a concept of consciousness which we, as theorists, can do business with." He argues perception is neither solely nor necessarily a product of sensation, an...(展开全部)

Unknowingly, too many of us operate from an inward mindset—a narrow-minded focus on self-centered goals and objectives. When faced with personal ineffectiveness or lagging organizational performance, most of us instinctively look for quick-fix behavioral band-aids, not recognizing the underlying mindset at the heart of our most persistent challenges. Through true stories and si...(展开全部)

This exciting addition to a highly acclaimed series of art titles focuses on how artists use light in their paintings. Showcasing some of the most famous and best-loved artists of all time, the book shows how their paintings use dramatic light, mysterious light, cold light, hot light, dappled light, rainy light, and other forms of light. Gillian Wolfe's interactive technique en...(展开全部)

During the first half of the twentieth century, China saw sweeping changes in the material conditions and practices of communication, transforming the volume, velocity, variety, veracity, and value of information. Encountering the new abstract matter of information, a generation of Chinese writers faced a crisis of literary identity: What made literature distinct from other inf...(展开全部)

Why is the cinema 100 years old, and not 120 or 150 years old? Why do Kodak film stocks have such trouble capturing non-Caucasian skin tones? Why did professionals wait thirty years and more before widely adopting 16mm film? Technologies of Seeing is a breakthrough in analysis of the idealogical and aesthetic forces central to the historical development of film and television...(展开全部)

We recognize the artistry of Mona Lisa's elusive smile, but is there an underlying science? In this groundbreaking study, Harvard neurobiologist Margaret Livingstone explains how vision works. She tells us how great painters fool the brain: why Mona Lisa's smile seems so mysterious, Monet's "Poppy Field" appears to sway in the breeze, Mondrian's "Broadway Boogie Woogie" blinks ...(展开全部)

In Vision and Art, Harvard neurobiologist Margaret Livingstone demonstrates that how we see art depends ultimately on the cells in our eyes and our brains. In this new expanded edition Livingstone thoroughly updates this groundbreaking study with the latest findings gathered from her research, with 32 additional pages of new text and images, including 3 brand new chapters. She ...(展开全部)