末世顶级大佬风浅浅，因为世界毁灭，在系统的帮助下，穿到一本古早玛丽苏漫画中，成为被所有人狂虐，最后被四个男主喜欢上的女主。风浅浅表示，这样的剧情走不了一点，她可以接受四个出身顶级贵族的男主，但受虐，不存在的。按照剧情规定，风浅浅成为F4公寓的管家，料理四个男主的衣食住行，也开启了她的驯狗文学。

墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。 　　A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest. 　　Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. 　　Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. 　　MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.

墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。 　　A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest. 　　Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. 　　Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. 　　MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......

导演保罗·普罗文萨和制片人潘·吉列特制作出了最有趣的影片，因为没有一部电影像《贵族》一样能集合这么多的搞笑高手。历时长达三年的拍摄，走访100多位著名脱口秀主持人和喜剧明星，从100多个小时的胶片中精心提炼出1个半小时的影片，保罗·普罗文萨和潘·吉列特亲自提着DV摄像机四处拍摄并在家里的苹果机上完成了剪辑。在这些走访的明星中，他们拍摄到了之前任何电影制作人没有触及到的领域，使我们看到那些专业演员和主持人在幕后的真实一面。 　　 　　影片是至诚的、隐私的、从独特的角度切入了明星的另一面。其中包括保罗·普罗文萨捕捉到的超级喜剧明星向其他喜剧明星展示搞笑技能--其实有些并不搞笑，还有每个人的即兴表演。我们看到过艺术家绘画过同样的裸体，音乐家演奏过同样的曲目，表演家饰演过同样的莎士比亚戏剧，但却从未见过喜剧演员说着同样的笑话。这次保罗·普罗文萨和潘·吉列特就令他们做到了。 　　 　　《贵族》出现于上世纪初的"综艺集锦秀"时期，是流传在喜剧行业内部的笑话，所以你肯定对此一无所知。它是笑话领域之内的秘密握手，也是你听到过的最"肮脏"的笑话。它污秽、下流、恶心，比你听过的任何笑话都要过分，它挑战了人类的道德极限。没有听过此笑话的人第一次听必定"晕倒"，除了震惊之外只能用"笑"来防卫心里受到的伤害与打击。影片《贵族》就征集了100多位世界最能逗乐，最具喜剧天赋的人来讲述他们各自版本的笑话"贵族"。 　　 　　◆幕后花絮 　　影片最早亮相于今年1月份的圣丹斯电影节，当时就受到了媒体以及评论界的广大关注。虽然片中无任何色情裸露镜头，但它的言辞之猥亵激烈堪与一切顶级情色片相提并论。也正因为如此，美国(也是全球)第二大院线连锁集团AMC宣布，他们不会在旗下3500所院线的任何一所放映《贵族》，尽管他们此前答应发行方ThinkFilm会在亚特兰大和芝加哥做局部放映。AMC的发言人称，作出此决定的是集团的老板，由于《贵族》是一部未分级影片，所以都要通过上级审查。但老板在看过影片之后就以"商业决定"义正严词地拒绝了该片，不过美国最大的院线连锁集团Regal则支持该片，影片仍将于7月29日在纽约和洛杉矶局部放映，并于8月12日扩展到全美范围放映。 　　对于AMC作出的决定，发行方ThinkFilm表示深感遗憾，他们认为AMC的决定根本与商业无关，而是出于道德尺度的限制。ThinkFilm的发言人说道："AMC说《贵族》是小片，但它并不比AMC正在放映的其他影片小。现在的问题是有人站在自己的立场上来决定什么该看，什么不该看。" 　　 　　◆影片简评 　　如果你曾经想过要讲述最下流的笑话，太晚了。但你仍然可以将自己的版本添加到这个喜剧世界里遗传下来的最富想像力的故事《贵族》里。 　　导演保罗·普罗文萨和制片人潘·吉列邀请了100多位喜剧表演家来在大银幕上讲述这个经典故事，展示长达87分钟的污秽语言集合！每个喜剧演员都用自己的方式来讲《贵族》，有些根本不讲，有些讲到令人毛发直竖的细节，还有些讲到一半就大笑不止，因为他们惊讶于自己的谈吐。这样的种种不同令影片变得如此有趣，因为当其他喜剧演员大笑时，你就完成任务了。像鲍伯·萨格特(Bob Saget)，他还没有讲完自己的故事，就已经笑的喘不过气来了。当然，他的版本也十分下流和淫秽......

It is winter in a prestigious all boys' boarding school, where children continue to practice age-old rituals and codes bound by years of hierarchy of the popular norm. Shay is picked at constantly, the main perpetrators being Arjun, the tall athletic sports captain and his best friend Baadal. Shay and Prithi, the spunky daughter of the new Junior School Principal are cast as Bassanio and Portia in the Founders Day production of Merchant of Venice. Murali, the charismatic drama teacher unknowingly adds salt to Baadal's wounds by casting him as Shay's understudy. Indignant, Baadal vows to get Shay's part at any cost and turns to his buddy Arjun for help. Events take a sinister turn when Shay walks in on Arjun, Baadal and their cronies on a debauched night.