影片根据台湾著名女作家李昂的同名小说改编。《暗夜》是一部描写权力、金钱、欲望与道德冲突的小说，导演但汉章将小说搬上了银幕，表现了股票记者、商人、商人之妻三个人间的爱欲纠缠。

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

《暗夜》一个恐怖的故事，发生在夜里，血腥、残暴、癫狂只要是能刺激你眼球的东西一样不少。而且全部都是用动画表现出来。 　　Malena 和 Pablo 兄妹俩旅行到阿根廷，发现了一本日记记载了20年前发生的罪案。这一晚一个家庭随着日记的历史重演被谋杀了，这个 Malena 和 Pablo 去查处究竟什么是真实的，什么不是真实的？……

Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema.

纳斯塔娅随未婚夫伊万返回他的故乡，准备拜访亲友并随后举办两人的婚礼。但入住之后，纳斯塔娅渐渐感受到周遭的诡异，挂满恐怖照片的房间、行为反常的亲友、不寒而栗的异象以及随后失踪的伊万...

老齐、汪强、占全、小曾四人，都在本县长大，是几十年的好朋友。老齐的老婆去年死了，如今独自经营着一个茶馆，生意清淡。他们有一个异想天开的发财梦：想找个女人结婚，再给新娘买保险，接着制造“意外”，以获得保险赔偿。他们准备共同来“投资”交投保费，在事后分享一大笔的赔偿金。单身的老齐被大家一致推选为新郎的人选。然而，事情的发展逐渐让所有人陷入困境……

维迪亚出生在一个贫苦的家庭之中，虽然生活非常的拮据，但是维迪亚拥有家人对她无私的爱护。然而，维迪亚一家人的命运仍然非常的不幸，父亲去世之后，强势的叔叔和婶婶霸占了维迪亚家的房子，而维迪亚和她善良的母亲则沦为了家中的佣人。当地的名门望族塔克家族正在给他们的继承人赛格寻找新娘，最终，他们相中了维迪亚，虽然维迪亚的叔叔和婶婶对于这门亲事百般的阻挠，但是最终维迪亚还是和赛格步入了婚礼的殿堂。 　　在新婚之夜上，维迪亚第一次见到赛格，让她无比震惊的是，赛格竟然是一个疯子。过门没多久，疼爱维迪亚的公公也去世了，临死之前，他将所有的财产都留给了维迪亚。