纪录片《唐顿庄园中的礼仪》由《唐顿庄园》的历史顾问Alastair Bruce讲述《唐顿庄园》如何准确还原爱德华时期的人们的生活，包括餐桌礼仪、婚姻、行为举止、着装等。

纪录片《唐顿庄园中的礼仪》由《唐顿庄园》的历史顾问Alastair Bruce讲述《唐顿庄园》如何准确还原爱德华时期的人们的生活，包括餐桌礼仪、婚姻、行为举止、着装等。

步入晚年的女演员被起诉，原因是她毁弃婚约，而她雇用来为她打官司的律师居然是她的旧情人，可她却不知道律师仍然爱着她。此刻他们两都意识到，赢得官司保卫自己财产的唯一方法是自毁名声，他们两该何去何从呢？

Karel Bursík (Lukás Vaculík), as a child called Kajda, recalls his childhood spent in Prague - Zizkov. His father (Vladimír Mensík), a shoe-maker, moved there his wife and three children hoping they would escape a country poverty. He soon threw his daughter Vera (Zlata Adamovská) out of home; he did not like her relationship with a married man. The competition of Bata factory was unsurpassable for a minor craftsman Bursík and his neighbours owed him for minor services. The desperate Bursík sent Kajda to sell his mother's dresses to get money for food. In a second-hand shop, Kajda met his first love.

Karel Bursík (Lukás Vaculík), as a child called Kajda, recalls his childhood spent in Prague - Zizkov. His father (Vladimír Mensík), a shoe-maker, moved there his wife and three children hoping they would escape a country poverty. He soon threw his daughter Vera (Zlata Adamovská) out of home; he did not like her relationship with a married man. The competition of Bata factory was unsurpassable for a minor craftsman Bursík and his neighbours owed him for minor services. The desperate Bursík sent Kajda to sell his mother's dresses to get money for food. In a second-hand shop, Kajda met his first love.

步入晚年的女演员被起诉，原因是她毁弃婚约，而她雇用来为她打官司的律师居然是她的旧情人，可她却不知道律师仍然爱着她。此刻他们两都意识到，赢得官司保卫自己财产的唯一方法是自毁名声，他们两该何去何从呢？

1975年经典影片《灰色花园》因讲述了一对古怪母女的生活点滴而大卖，曾风靡一时。影片从午夜场直到百老汇音乐剧。影片制作人追溯剧情，创作了第二部《灰色花园的比尔母女》献给那些不屈不挠的女性，以及原纪录片广大的忠实影迷，是他们让此片成为反美国主流文化的冰山一角。

1975年经典影片《灰色花园》因讲述了一对古怪母女的生活点滴而大卖，曾风靡一时。影片从午夜场直到百老汇音乐剧。影片制作人追溯剧情，创作了第二部《灰色花园的比尔母女》献给那些不屈不挠的女性，以及原纪录片广大的忠实影迷，是他们让此片成为反美国主流文化的冰山一角。