PNYC: Portishead - Roseland New York 　　Portishead concert in the Roseland Ballroom, New York City, on the 24th July 1997 with tracks from the albums "Dummy" and "Portishead" played by the band and a 30 piece orchestra.

有天赋却被人误解的工程师乔治奥跌入了人生谷底，他被解雇了，父母也不和他讲话，并且在他意外令自己和女友被捕后（说来话长…），女友抛弃了他。厌倦了…

一场车祸使罗斯塔（波莉雀娅·彭娜妮可 Preechaya Pongthananikorn 饰）意外获得超能力，只要触碰玫瑰就能预知未来。罗斯塔凭借此能力迅速成名。有一次，她在媒体前预言当红男星特鲁斯（吉拉宇·唐思苏克 Jirayu Tangsrisuk 饰）会让一个女人怀孕生子，这一预言给特鲁斯惹了不少麻烦，两人因此结下仇怨。 几年后，罗斯塔和特鲁斯以及另外三位明星一同参加一个节目，节目要求罗斯塔再次为他们占卜命运。令罗斯塔没想到的是，她在特鲁斯的未来中看到了自己，两人似乎陷入了爱河。震惊之余，罗斯塔保守了这个秘密，没告诉任何人。

自从Rosita（ 波莉雀娅·彭娜妮可饰）出了车祸之后，她突然有了超能力，当她碰到玫瑰时，她可以预见未来发生的事。她成为了著名的占卜师。有一天，她在公开场合向记者预言：著名演员Theeruth（ 吉拉宇·唐思苏克饰）会让一个女人怀孕并且秘密生下孩子。从那天起，那个预言就让Theeruth陷入困境，他们的关系变得对立。几年后，在一场慈善活动上，主持人邀请Theeruth和四位名人作为特别嘉宾，还邀请Rosita预测他们的命运。五个名人选择了不同的玫瑰，然后将玫瑰给Rosita。Rosita触碰到玫瑰后，就看到了Theeruth和自己拥抱、亲吻并深爱彼此的甜蜜场景，她感到很震惊。她的反应很奇怪，五位名人对她所看到的感到很好奇。Rosita没有告诉任何人，并声称她什么也没看见，但是所有人都不相信她。那天过后，她遇到了一件奇怪的事。她遭到袭击，嫌犯是她预言过的五位名人之一。最大的嫌疑人是Theeruth，他一直是她的死对头。但是有一天，Theeruth碰巧将她从罪犯手中救了出来，还主动提出让她和自己同居，对她来说这是最安全的地方，因为每个人都认为他们是死对头。从那天起，在许多危险的情况下，他们的关系逐渐缓和，以找到想要杀死Rosita的真正罪犯。

A bunch of stories, portraits and images about people of amazing destinies, including Parajanov and Tarkovsky, merging into a non-traditional and polemic image of Armenia.

女主人公Nikki Black（Nathalie Press 饰）自小被母亲遗弃，那些美丽的童话是她唯一的安慰，但Nikki没有办法像一般女孩子那样去爱，取而代之的是对母亲的恨。而这种恨，让她下定决心要去生母Phyllis Lovage（Janet McTeer 饰），她要见一见这个当自己还是个襁褓中的婴儿时就狠心抛弃了自己的女人，她要杀了她。因此Nikki踏上复仇之旅，来到了遥远的苏格兰小岛。在那里，她不仅见到了自己的母亲，还意外地发现自己有个弟弟Calum Mcleod（Colin Morgan 饰），和Nikki相反，Calum心地善良并非非常温柔。但他俩都很爱听那些童话故事，一段时间的相处的确让Nikki感受到了从未有过的温暖，但她仍然无法放下对母亲的恨……

女主人公Nikki Black（Nathalie Press 饰）自小被母亲遗弃，那些美丽的童话是她唯一的安慰，但Nikki没有办法像一般女孩子那样去爱，取而代之的是对母亲的恨。而这种恨，让她下定决心要去寻找生母Phyllis Lovage（Janet McTeer 饰），她要见一见这个当自己还是个襁褓中的婴儿时就狠心抛弃了自己的女人，她要杀了她。因此Nikki踏上复仇之旅，来到了遥远的苏格兰小岛。在那里，她不仅见到了自己的母亲，还意外地发现自己有个弟弟Calum Mcleod（Colin Morgan 饰），和Nikki相反，Calum心地善良并非非常温柔。但他俩都很爱听那些童话故事，一段时间的相处的确让Nikki感受到了从未有过的温暖，但她仍然无法放下对母亲的恨……

女主人公Nikki Black（Nathalie Press 饰）自小被母亲遗弃，那些美丽的童话是她唯一的安慰，但Nikki没有办法像一般女孩子那样去爱，取而代之的是对母亲的恨。而这种恨，让她下定决心要去寻找生母Phyllis Lovage（Janet McTeer 饰），她要见一见这个当自己还是个襁褓中的婴儿时就狠心抛弃了自己的女人，她要杀了她。因此Nikki踏上复仇之旅，来到了遥远的苏格兰小岛。在那里，她不仅见到了自己的母亲，还意外地发现自己有个弟弟Calum Mcleod（Colin Morgan 饰），和Nikki相反，Calum心地善良并非非常温柔。但他俩都很爱听那些童话故事，一段时间的相处的确让Nikki感受到了从未有过的温暖，但她仍然无法放下对母亲的恨……

A metaphor of a nightmare in Argentina. This exellent film regarding a seclusion place where mentally instable characters live, is undoubtely a special vision of a curious situation that is typical in Argentina. Furthermore if we notice the year it was filmed in, and we realize that there was a dictatorship at that moment, we begin to interchange more personally with those characters relating their story with that of a "Caligari" of a "Brazil" situation, in the sense that one can express oneself under such terrible situations only by showing characters that go mad. In other words, the normal people of reality are really the questioned ones in such a authoritarian context. Mr Doria had already filmed two features that had strong problems with a terrifying censorship and in this movie he still finds the strength to film interesting and good quality stories. It is outstanding that this artist always stood firm in his creative convictions, even through those black years. His following career proves his authenticity as a master of moviemaking. 　　Lita Stantic is one of the most important producers working in the "New Argentine Cinema", responsible for the debut films of some of the most critically well regarded new argentinian filmmakers such as Lucrecia Martel, Pablo Trapero, and Israel Adrián Caetano. She has been working in the Argentine cinema since she was hired as an assistant director for the film Diario de campamento (1965). Stantic then began making short films in the mid 1960s, but then changed her focus to advertising. She remained active in Argentine cinema via the "Cine Liberacion," an underground production and distribution collective that secretly showed films that would have otherwise been banned in Argentina by the military government. During the politically tumults 1970s in Argentina, Stantic worked on over a dozen films including Alejandro Doria's La isla (1979), which was the first Argentine film to be a box-office hit during the dictatorship. During the 1980s she established GEA Cinematografica, her own production company. Then, later, Lita Stantic Productions. When the "New Argentine Cinema" began in the late 1990s, she has produced films which have been critically widely acclaimed. Films such as A Red Bear, La Ciénaga, Bolivia, The Holy Girl and others.