The limits of the landscape are always the same, because they do not understand political borders, but geographical features. A line that separates the sea from the sky, mountainous waves that cut across the sky. Regardless of where you are, these limits follow the same pattern. This film proposes as a starting point the use of these limits to create a sort of landscape collage, to reconstruct the image of the landscape by combining space and time from the capture of the image; from the present, and not from the subsequent construction in post-production, hence the key role of the analogue image. (Laura Moreno Bueno)

The limits of the landscape are always the same, because they do not understand political borders, but geographical features. A line that separates the sea from the sky, mountainous waves that cut across the sky. Regardless of where you are, these limits follow the same pattern. This film proposes as a starting point the use of these limits to create a sort of landscape collage, to reconstruct the image of the landscape by combining space and time from the capture of the image; from the present, and not from the subsequent construction in post-production, hence the key role of the analogue image. (Laura Moreno Bueno)

The limits of the landscape are always the same, because they do not understand political borders, but geographical features. A line that separates the sea from the sky, mountainous waves that cut across the sky. Regardless of where you are, these limits follow the same pattern. This film proposes as a starting point the use of these limits to create a sort of landscape collage, to reconstruct the image of the landscape by combining space and time from the capture of the image; from the present, and not from the subsequent construction in post-production, hence the key role of the analogue image. (Laura Moreno Bueno)

The limits of the landscape are always the same, because they do not understand political borders, but geographical features. A line that separates the sea from the sky, mountainous waves that cut across the sky. Regardless of where you are, these limits follow the same pattern. This film proposes as a starting point the use of these limits to create a sort of landscape collage, to reconstruct the image of the landscape by combining space and time from the capture of the image; from the present, and not from the subsequent construction in post-production, hence the key role of the analogue image. (Laura Moreno Bueno)

Voivode Michael the Brave travels through time, together with his wife, discovering, deeply touched, the new world.

A man and a woman with a gun run into a Genie and comedy ensues.

In a waiting room, people exchange glances, bump into each other and become impatient with the situation before starting the dance. This film translates onto the screen the choreographed tensions between the characters, overcome by panic or madness.

In this homage to film noir, a wheelchair bound (Jim Metzler) paraplegic fantasizes about the new blonde (Andrea Thompson), who moves into the house across from him..

When her cheating husband has a debilitating stroke, a woman invites her lover to move in with them.

This series tells the daily life of a couple : Jean and Alexandra. From easy cases: in bed, in the living room, in the kitchen, by phone... to rare ones: lost on an island or in the country, in Hong Kong, during a wedding... Jean and Alexandra's life is not exactly a long, quiet river.