After a grizzly-bear poacher named Hanaghan kills her fiance and fellow Fish & Wildlife Deptartment officer, Julie Clayton sets out to track the killer down and discover why the FBI is keeping its case secret from her. She is joined in her quest by Rollins, a police detective fresh out of alcohol-dependency rehabilitation.

Ferit is the cherished heir apparent of one of the well-established families of Antakya. Ayse, on the other hand, is a lively young girl living in Istanbul who has managed to stand on her own feet. Ferit, who is about to marry Hande, the daughter of the Varoglu Family, confronts the facts before the wedding and his world turns upside down.

Kobe in the Showa era.Within the Hamasei-gumi, a branch of the Yamaga-gumi, there were two men known for charging ahead purely on emotion—the Okanaka brothers. The older brother, Hirokazu (Hitoshi Ozawa), and the younger, Ryuji (Yasukaze Motomiya), shared the same family crest, but if something rubbed them the wrong way, they wouldn’t hesitate to beat even their own allies half to death. One day, Ryuji causes trouble by wrecking a gambling den run by the Umeda-gumi, leaving him with no place left in Kansai. Hirokazu takes responsibility for the incident and leaves the yakuza world, becoming a civilian… but fate is far from done with the brothers.

While Hirokazu (Hitoshi Ozawa) has retired from the yakuza life and Ryuji (Yasukaze Motomiya) is serving time in prison, the Miyachi-gumi—where Ryuji once belonged—falls apart. After his release, a boss who leads a fiercely militant faction of the Yamaga-gumi approaches Ryuji. Tasked with putting his life on the line for the Yamaga-gumi’s expansion into Tokyo, Ryuji throws himself into the fight once more. But true to form, his reckless, headlong style only leads him further downhill. Unable to watch any longer, Hirokazu makes a decision—to step back onto the path of blood and violence once again, solely to support his younger brother.

Mary Crow Dog, daughter of a desperately poor Indian family in South Dakota, is swept up in the protests of the 1960s and becomes sensitized to the injustices that society inflicts on her people. She aids the Lakota in their struggle for their rights: a struggle that culminates in an armed standoff with US government forces at the site of an 1890 massacre.

Mary Crow Dog, daughter of a desperately poor Indian family in South Dakota, is swept up in the protests of the 1960s and becomes sensitized to the injustices that society inflicts on her people. She aids the Lakota in their struggle for their rights: a struggle that culminates in an armed standoff with US government forces at the site of an 1890 massacre.

Two sound artists play and listen into the large hole of the Garzweiler open-cast mine as a self-experiment. The camera observes the conflict at the hole, looks and listens into it. All attempts to alleviate or stop the wounding of the landscape seem fragile, helpless and perhaps even futile.