弗雷德里克·刘易斯·艾伦，研究美国20世纪前半时期的知名历史学家。曾任《世纪》杂志和《哈珀》杂志主编。 其最为著名的著作就是人们津津乐道的“美利坚帝国成长三部曲”系列：《大繁荣时代》（Only Yesterday）、《大衰退时代》（Since Yesterday）和《大转型时代》（The Big Change ）。此外，他还著有《保罗·R.雷诺兹》、《伟大的摩根》、《万物之灵》、《看美国》等书。

“昨日种种，如死，如烟，如碧波涟漪；今日种种，如生，如芽，如羽化破茧。 凡经一日夜，便是一轮回。我与席宗鹤跨越了千百轮回，方才在“爱”之一字上修成正果。”

“昨日种种，如死，如烟，如碧波涟漪；今日种种，如生，如芽，如羽化破茧。 凡经一日夜，便是一轮回。我与席宗鹤跨越了千百轮回，方才在“爱”之一字上修成正果。”

By the author who inspired Wes Anderson’s 2014 film, The Grand Budapest Hotel Written as both a recollection of the past and a warning for future generations, The World of Yesterday recalls the golden age of literary Vienna—its seeming permanence, its promise, and its devastating fall. Surrounded by the leading literary lights of the epoch, Stefan Zweig draws a vivid and intima...(展开全部)

By the author who inspired Wes Anderson’s 2014 film, The Grand Budapest Hotel Written as both a recollection of the past and a warning for future generations, The World of Yesterday recalls the golden age of literary Vienna—its seeming permanence, its promise, and its devastating fall. Surrounded by the leading literary lights of the epoch, Stefan Zweig draws a vivid and intima...(展开全部)

努尔·乌纳哈，1997年出生于巴基斯坦首都卡拉奇，成长于历史名城塔塔城，现在在卡拉奇工作和生活。巴基斯坦当代艺术家、诗人。2015年起在ins上更新自己手写的诗歌，配以手绘插画。身为穆斯林，她的诗与画既承载复杂多样的文化和社会背景，也深具当代女性的独立精神，充满力量和深度，吸引了上百万读者，在全球范围内掀起了instapoetry艺术创作风潮。《昨日我是月亮》在粉丝的呼声中集结而成，向全世界展现一个巴基斯坦女孩成长背后的历史碎片、宗教信仰和生命思考。越来越多的读者接收到这面纱屏蔽不了的女性声音，她和她的作品穿越战争、宗教和家庭的阻碍， 打破桎梏，穿越地域，直击人心。

Childhood friends use time travel to try to avert tragedy in this bittersweet book about growing up, love, and loss–by the creators of the light novel and manga series The Tunnel to Summer, the Exit of Goodbyes that inspired an anime film (also from Seven Seas). After disturbing experiences in the city, seventeen-year-old Kanae flees back to his childhood home on a remote islan...(展开全部)

Nostalgia has a bad reputation. Its critics dismiss it as mere sentimentality or, worse, a dangerous yearning for an imagined age of purity. And nostalgia is routinely blamed for trivializing the past and obscuring its ugly sides. In Yesterday, Tobias Becker offers a more nuanced and sympathetic view. Surveying the successive waves of nostalgia that swept the United States and ...(展开全部)