What happens inside a Poké Ball with space and time? This is one of several questions we face in a tale told in amphetamine-fuelled voice-over. The repeated act of zooming into a multi-purpose residential skyscraper breaks open modern family domestics to reveal increasingly bizarre tableaux. A papier-mâché Pikachu stares ahead, knowing all the answers.

What happens inside a Poké Ball with space and time? This is one of several questions we face in a tale told in amphetamine-fuelled voice-over. The repeated act of zooming into a multi-purpose residential skyscraper breaks open modern family domestics to reveal increasingly bizarre tableaux. A papier-mâché Pikachu stares ahead, knowing all the answers.

近未来の東京。車は列なり、電車が走り、ひっきりなしに人々が行き交う、何気ない日常の光景が繰り広げられている。街の上空に突如現れる黒い点。その点は見る見る大きさを増していき、街を飲み込んでいく。車も、電車も、そして人々も――。東京は直径数十キロもの黒いドーム、ブラックポイントに覆われた。拡大を止めたブラックポイントの間近。ギリギリ飲み込まれるのを免れたスカイツリーが屹立している。異様な光景を前に呆然としている人々。――と、ブラックポイント中から何かが近づいてくる。いつ果てるとも知れない絶望の中で、人々はブラックポイントより来たりし者を『Zillions of enemy X』、ゼクスと呼んだ―

近未来の東京。車は列なり、電車が走り、ひっきりなしに人々が行き交う、何気ない日常の光景が繰り広げられている。街の上空に突如現れる黒い点。その点は見る見る大きさを増していき、街を飲み込んでいく。車も、電車も、そして人々も――。東京は直径数十キロもの黒いドーム、ブラックポイントに覆われた。拡大を止めたブラックポイントの間近。ギリギリ飲み込まれるのを免れたスカイツリーが屹立している。異様な光景を前に呆然としている人々。――と、ブラックポイント中から何かが近づいてくる。いつ果てるとも知れない絶望の中で、人々はブラックポイントより来たりし者を『Zillions of enemy X』、ゼクスと呼んだ―

The story is set in the not-so-distant future. Five "Black Points" suddenly appeared around the world as portals to parallel worlds. Immediately after, strange creatures began their invasion from these portals. These creatures are the inhabitants of five worlds—the same worlds in different timeframes. In order to ensure their own future timeframe survives, each of the five invasion forces battle to wipe the other future timeframes out. The key is one card-shaped device.

故事的背景是在不太遥远的未来。世界各地突然出现五个 "黑点"，作为通往平行世界的门户。紧接着，奇怪的生物开始从这些门户入侵。这些生物是五个世界的居民--不同时间段的相同世界。为了确保他们自己的未来时间框架能够生存下去，五支入侵部队各自为战，将其他未来时间框架消灭掉。关键是一个卡片状的装置。

A family find themselves terrorized by their eight-year-old son's imaginary friend.

A 1999 Kannada film

Z 　　22m 　　Mysterious underground hospital plagued with zombies. 　　Directors 　　Dong-Hak AhnHana Hwang 　　Writers 　　Dong-Hak AhnHana Hwang 　　Star 　　Kim Tae-hoon

影片概述 . . . . . . 　　二十多个同学的回顾，追溯了三十年的个人历史；一个个随机截取的普通日子，对应着自然和生命的四季。1978年，当这些大都是矿工后代的同学，从陕西铜川三里洞煤矿中学毕业时，他们即将展开的人生之路与中国的改革开放同步。沉浮在大时代的变革中，有着太多的理想失落与妥协，也有着不屈不挠的挣扎和坚守。三十年后，林鑫再次走近当年的同学们，记录了他们当下各自不同的生存状态和生命历程。平淡中的安逸、喧嚣中的孤独、富足后的厌倦、贫困里的无奈，都一一绽放在这群鲜活的生命中，成为这一时期中小城市大多数普通人生活的一个缩影，同时也辉映着这样一个高歌猛进的时代。 　　Twenty plus classmates look back into the past, tracing back through a 30 year history. One after another adapts to the random events that come to shape their lives, to the four seasons of life and nature. These descendants of mine workers graduated in 1978 from Tongchuan Coal Mine Middle School in Sha’anxi. The years they were about experience coincided with the reforms and opening up of China. Floating in the changes of the new era, some experience compromises and the loss of ideals, whilst some keep struggling ahead with great determination. Thirty years later, Lin Xin encounters his old classmates, and records their individual lives and history; the ease of monotony, the loneliness of　success, the weariness of a life of plentiful, the helplessness of poverty… all come forth in the lives of these group of people, becoming an epitome of the lives of ordinary people in small to middle-sized cities in this era, and at the same time reflecting on a generation that advances forward undefeated. 　　导演阐述 . . . . . . 　　作为铜川三里洞煤矿中学高七八级的一员，一直挣扎在谋生与艺术创作冲突的双重疲惫中。大多数同学依然生活在这座城市，并拥有各自不同的人生际遇和命运。时代的烙印凝成个体生命的轨迹，岁月的沧桑蒙在曾经青春的脸上，我再次和他们一一相遇。我的预期在拍摄中不断地被现实修正，生活带给我的震撼超出了我的想象。我接受命运的摆布，在这些偶然或必然相遇的同学的普通一天中，记录下他们的生活经历与生存状态，感知着生命的柔弱和坚韧。他们的欢乐和痛苦、希望和无奈，都不断加深着我对生活的理解，以及对这个时代的认知。 　　As as a 1978 grade student at the Sanlitong Coal Mine Middle School of Tongchuan, I struggled between the twofold consuming conflict of making a living and artistic creativity. Most of my old classmates still live in that same city, each living their spells of good and bad fortune and their different destinies. The imprints of the era congeal into individual trajectories, and the vicissitudes of life come to put a veil on their once young faces… I once again come to meet with each of them. My expectations are constantly rectified by reality during the filming, many things exceeding my imagination. I come to accept the manipulation of fate. Whether fortuitously or inevitably, I’ve come to meet them again and record their life experiences and their situations, perceiving through this the frailty and tenaciousness of life. Their happiness and sorrows, hopes and despair, all continually deepen my understanding of life, as well as my knowledge of this generation. 　　获得奖项 . . . . . . 　　第六届中国纪录片交流周