失去了一条腿后，前警察迪兹把重心放在培训他心爱的三只警犬上。他那已分居的妻子佳娜在当地体校任校医，并与前途无量的游泳运动员—17 岁的学生罗伯兹谈起了恋爱。在一次幽会之后，迪兹的车撞上了一只得了狂犬病的野猪，最终迪兹的狗染上了病毒。这起事故让迪兹暗起疑心，妒火中烧。迪兹只顾着找佳娜的秘密情人寻仇，忽略了他被感染狂犬病的狗日益严重的异常行为和攻击性。就在这段三角恋恶化的同时，三只警犬也逃了出去威胁着当地小镇。面对生活和事业的惨败，迪兹决定将命运掌握在自己手中。

故事就是从范蠡与时任楚国菊潭邑令的文种一道，为施展“扶越助楚”的报复，依然投奔弱小的越国开始 　　当时，吴国已在南方崛起，为谋霸业，四面征讨，而国力弱小的越国，地处强吴后院，自为强吴眼中之钉，肉中之刺…… 　　双方几经交战，吴越便已成刀俎鱼肉之势，吴国大军围困，越国危在旦夕 为保越国基业，以图东山再起，是为越国上大夫的范蠡，苦心规劝越王勾践，委曲求全，并巧计乞和。遂有越王勾践，入吴为奴，为吴王放马执蹬…… 　　三年为奴，范蠡一面忠心侍奉越王勾践，一面苦思逃生之策，以超人心智逃过了一次次生死劫难，终于设局骗得吴王妇人之仁。主仆二人大难不死回到越国…… 　　战后越国，千疮百孔，百废待兴。越王勾践心灰意冷。范蠡巧献“卧薪尝胆”复国方略，并与文种一起忠心辅佐勾践，颁布实施各种安邦利民的法令，着力医治创伤。修养生息，韬光养晦，励精图治。同时，面对强敌当前，以巧计周璇。贡奇珍、换粮谷、盈其宫、空其仓。送美女西施，丧气志、虚其体；假君臣之隙，断其臂膀、削其左右…… 　　十年之后。吴国已成强弩之末，越国却日趋强盛，就在吴王举兵发齐，黄池结盟时，越国乘虚攻占吴国都城，吴王夫差带着盟主的光环回师都城。竟被三千越甲一举歼灭。面对昔日曾为阶囚的范蠡与勾践，面对曾为娇宠的西施和豪华的宫殿，吴王夫差痛恨交织，拔剑自刎 　　“飞鸟尽，良弓藏，狡兔死，猎狐烹……” 　　扶越助楚，大业已就，越王勾践登上霸王宝座，范蠡却弃官出走，从此隐姓埋名……

身为豪门私生子与被弃大小姐，他和她皆不容小觑。岑阮三年前捡的 　　“弟弟”，将她占有，三年后重逢，“弟弟” 强势出击，誓要将她牢牢困住，开启一段禁忌又热烈的情感纠葛。

美艳佛系女星岑阮旅游中睡了男模弟弟，落跑三年后， 他伪装成助理贴身攻略，从娱乐圈到豪门，展开一场强取豪夺的极致推拉，双疯批一边发糖一边打脸。

一个还未曾恋爱过的同性恋剧作家盖百列（Christian Campbell 克里辛•坎贝尔 饰），自从和室友瑞奇一起住以后，就烦恼不断。瑞奇和女友朱迪有着频繁的性生活，搞得盖百列几乎夜夜都要躲到外面有家不能回。这晚，又被赶出家门的盖百列跑到了同性恋酒吧去喝闷酒，就在这一晚，他遇到了go-go boy——马克(John Paul Pitoc 约翰•保罗•皮托克饰)。两人一见钟情，决定来一晚一夜情，可惜，他们没有地方。 　　于是，他们沿着街头行走，一次又一次，他们的计划总是被各种各样的事情打扰，笑话连连。但是，两人也随着接触的时间增长，慢慢熟悉了对方，一段爱情就这样慢慢滋长。

一个还未曾恋爱过的同性恋剧作家盖百列（Christian Campbell 克里辛•坎贝尔 饰），自从和室友瑞奇一起住以后，就烦恼不断。瑞奇和女友朱迪有着频繁的性生活，搞得盖百列几乎夜夜都要躲到外面有家不能回。这晚，又被赶出家门的盖百列跑到了同性恋酒吧去喝闷酒，就在这一晚，他遇到了go-go boy——马克(John Paul Pitoc 约翰•保罗•皮托克饰)。两人一见钟情，决定来一晚一夜情，可惜，他们没有地方。 　　于是，他们沿着街头行走，一次又一次，他们的计划总是被各种各样的事情打扰，笑话连连。但是，两人也随着接触的时间增长，慢慢熟悉了对方，一段爱情就这样慢慢滋长。

When Tum (Lalita Panyopas) gets laid off from her secretarial job during the opening moments of Pen-Ek Ratanaruang's 6ixtynin9 (Ruang talok 69), it doesn't take long for things to go from bad to worse. A mysterious package is inadvertently left in front of the door of her Bangkok apartment containing $25,000, and in short order all manner of dead bodies start piling up, most of them in Tum's apartment. 　　This exciting 1999 film from Thai director Pen-Ek Ratanaruang (Last Life in the Universe) is in the Quentin Tarantino/Danny Boyle vein, with copious bits of sudden violence nestled between darkly comic situations. Revealing too many details would take the fun out of this one, but the message that money most definitely does not buy happiness is the theme here, with the bloody misadventures of the quiet and serious Tum—who crosses paths with a crooked boxing promoter, murderous henchman, a handsome policeman, a nosy neighbor, and an evil crime lord—moving unpredictably as mercury. What that really means is that Pen-Ek Ratanaruang does not shy away from dispensing with secondary characters at a moment's notice, and the film moves along rapidly with carefully constructed abandon. 　　There is a real sense of freshness in the way Pen-Ek Ratanaruang tell the story (even if we've seen vaguely similar plots like this before) by utilizing some interesting dream and transitional sequences, and I was constantly surprised by the bouncy quickness that minimized any measurable dead spots, and that made 6ixtynin9 just fly by. Lalita Panyopas, who seems to carry the weight of the world in her expressively stoic face as the woeful Tum, spends the majority of the film looking worried, pensive, or frightened, and yet she is still able to display a deftly macabre comic timing, even as she's sawing the leg off of a dead body. 　　6ixtynin9 is one of those definitive sleeper titles, the type that never gets the audience it truly deserves, and being a foreign film doesn't help its marketability much, considering that subtitled films generally never achieve the same kind of broad Western appeal. That is certainly unfortunate and near-sighted thinking, because Pen-Ek Ratanaruang has made the kind of bloody tragicomedy that never takes the obvious way out, and the mix of humor and violence blends together seamlessly.

A woman, fired from a financial corporation during the Asia crisis, returns home with no money. However, she finds a box with a fortune in front of her door, and decides to keep it. However, the people that left it there soon want it back.

失业后，这名女子在公寓门口发现了一个神秘包裹，而她的生活也开始变得更糟。