A tacky version of the lake sequence in "Zodiac".

《围城随笔》纪录片系列是在远方的阿伦独立拍摄制作的风景人文自驾旅行纪录片，该系列以省份地区以及地理坐标为划分，记录城市、村落、田野、旅行、生活。 　　从上海的围城到日渐沉寂的东北铁道小镇，从家乡重庆的悬崖脱贫天路到贵州黔东南的自然村落......阿伦的旅途不停，记录也不曾停止，因为他相信【浪迹山河湖海，记录大国小民】，在这个娱乐又时尚的年代依然是宝贵且有意义。

由@在远方的阿伦 独立拍摄制作完成的以省份地区或者地理坐标为划分的风景人文旅行纪录片系列。他用独特的视角和语言解构中国的人文地理，既发现旅途中的“山河湖海”，也记录在路上的“大国小民”； 既有关城市、村落、田野，也有关旅行和生活。

难以入睡的年轻人被一个神秘的声音吸引着步入森林。他跟随声音穿过河流，穿过森林与重重阴影，最终来到了一个巡回的葬礼表演舞台的红色幕布前。令人着迷的哀悼仪式徐徐展开，梦幻般地邀请人们遁入感官的体验。

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

中国传媒大学2021届（2017级）动画联合创作

难以入睡的年轻人被一个神秘的声音吸引着步入森林。他跟随声音穿过河流，穿过森林与重重阴影，最终来到了一个巡回的葬礼表演舞台的红色幕布前。令人着迷的哀悼仪式徐徐展开，梦幻般地邀请人们遁入感官的体验。

We don't have an overview translated in English. Help us expand our database by adding one.

暂无英文版的简介，请添加内容帮助我们完善数据库。