303讲述了两个大学生Jule（Mala Emde）和Jan（Anton Spieker）各怀心事，在一场老露营后离开柏林，踏上了前往南方旅途的故事。他们对世界进行哲学的思考和热烈讨论，导演汉斯·温格特纳与两位年轻演员在非常惊险的背景下保持着自然亲密的接触。温格特纳曾为“情系电影德国09”以及“13国家短片大赛”做出巨大贡献，并且于2006年担任GWFF最佳特征奖评委会成员，此次这部《303》是他在柏林电影节的第二次回归。

303讲述了两个大学生Jule（Mala Emde）和Jan（Anton Spieker）各怀心事，在一场老露营后离开柏林，踏上了前往南方旅途的故事。他们对世界进行哲学的思考和热烈讨论，导演汉斯·温格特纳与两位年轻演员在非常惊险的背景下保持着自然亲密的接触。温格特纳曾为“情系电影德国09”以及“13国家短片大赛”做出巨大贡献，并且于2006年担任GWFF最佳特征奖评委会成员，此次这部《303》是他在柏林电影节的第二次回归。

來自東南亞的新移民，落地生根在台灣。多年之後，生養了第二代。幼嫩的台灣之子，身處在怎樣的生活環境？ 　　在桃園一所國小的三年三班，有三個孩子，父母分別來自泰國、緬甸和印尼。這兩個女孩一個男孩，乍看之下開心活潑，卻也承襲了移民父母的心事。 　　透過本片的鏡頭，他們將告訴觀眾屬於他們的童年故事，他們的歡樂和擔憂，他們眼中的自己，和從眼中看到的大人世界。 　　三個十歲的孩子，他們覺得自己是誰？哪一國人？有甚麼宗教信仰？他們的父母，給了他們甚麼樣的影響？ 　　本片歷經兩年的拍攝，伴隨影片中三個孩子的成長，訴說在台灣角落的動人故事。

一个英国士兵空降在敌军战线后面，发现自己被一个德国兵以一弹击中倒下...

《新冠肺炎：与魔鬼的战斗》是由五洲传播中心与美国Discovery探索频道、bilibili联合出品的抗击疫情纪录片。影片以中国国家治理疫情方策为核心，以不同行业、不同身份的人物故事为线索，以更贴近现实工作或生活的影像，展示这个特殊时期每个人的闪光之处，包括道义、道德、人性之美，以及中国人集体与病毒斗争的自信和勇气。在整个抗击疫情的过程中，中国不仅为世界提供抗击疫情的新标准和新经验，同时也展现了中国的制度优势和大国担当。

维多利亚是一名单身母亲，和女儿阿丽娜过着相依为命的生活。维多利亚买下了一套苏联时期的高层公寓，这间公寓地段好房型好装修好价格还低，为了得到这套公寓，维多利亚不惜向老板借了一笔巨款，发誓以后天天做牛做马来还债。 　　实际上，在这间公寓里，住着一个家养小精灵（彼得·纳塔罗夫 Pyotr Natarov 饰），房产经纪人利用小精灵的存在来赶走买下公寓的人，再用低价将公寓专卖出去，如此往复，牟取暴利。维多利亚母女两入住没多久，小精灵就开始了他的捣乱，但是善良的阿丽娜并没有将小精灵视为邪恶的化身，而是始终以童真的单纯的眼光看待他，久而久之，小精灵被阿丽娜感化了。

Another amazing find from our friends at Cine-Clasico, "Vier um die Frau" is a 1921 Fritz Lang film found in the Brazilian film archives. The period intertitles are in Portuguese but the plot is not difficult to follow, particularly with the assistance of the invaluable Herr Graf Ferdinand Von Galitzien, whose blog entry on the film (link) follows : 　　The merchant Yquem buys his dear wife a beautiful jewel with matching earnings in a place where the city's underworld trades in fake and stolen jewelry. By chance, Yquem spots a man with whom his wife had an affair in the past. Yquem follows him to a hotel where he will write him a letter imitating his wife's hand writing. The letter invites the man to a public place where Yquem can spy on them and try to discover whether there is still something between them. 　　This early Fritz Lang film, "Vier Um Die Frau" (Four Around a Woman) was found by chance some years ago at the "Cinemateca De Sâo Paulo", a great present for the German aristocracy and even for the longhaired moviegoers, because it prefigures much of "Dr. Mabuse", (corruption in the upper class-a very habitual practice-unscrupulous upstarts, blackmail, low class criminals, social tension.) and in the opinion of this German aristocrat, provides one of the most outstanding titles of Lang's first period. This film has excellent editing that gives vigour, speed and emotion to a story of an underworld rife with treachery and betrayal as well as a complex tale of unrequited love. The film builds to a crescendo of narrative strength that reminds one of episodes of "Die Spinnen" made by Herr Lang a year before. 　　The acting is exceptional and the performers resist the temptation to overacting that might be expected in such melodrama. As the heroine, Carola Toelle is especially good and admirably conveys the doubts, secret desires and frustration that her character suffers. An excellent counterpoint is provided the character of her friend and confidant, a perfect vamp, who provides bad advice and is without scruples, quick to use flirting to build up her social position... Rudolf Klein-Rogge has to be mentioned, as his performance makes one recall the exceptional character Dr Mabuse, that he will immortalise two years later. The excellent main actors are given equally good support in the minor roles. 　　It is worth mentioning as well the great photography of Otto Kanturek and the film production by Ernst Meiwers and Hans Jacoby. The importance of "Decla-Bioscop"'can be seen in the first rate production values that are so abundant in the film (great manors, hotel lobbies, the stock exchange, etc) and on the other hand the realistic depiction of less auspicious surroundings: ragged and wretched slums streets filled with the kind of characters you might expect in such places. A minor point but also a real curiosity is the inclusion of a poster for another "Decla Bioscop" production that can be glimpsed in a theater lobby.

在德国统治的艰难岁月里，孩子们结束了无忧无虑的生活，帮助着游击队员们。大人为他们的勇敢行为感到十分高兴，并鼓励他们严守秘密，团结更多的孩子。大人们看到了新一代革命者在茁壮成长。本片反映了处于水深火热中的儿童逐渐接受革命思想，并开始成长为革命战士。战火浇灭了孩子们的童年幸福，但却洗涤了新一代的革命少年，使之为捍卫祖国和土地而奋斗不息。

Set in New Zealand in 1864, follows the story of a crucial conflict of the nation's first land warfare, fought between Maori and colonial soldiers against insurmountable odds.

Set in New Zealand in 1864, follows the story of a crucial conflict of the nation's first land warfare, fought between Maori and colonial soldiers against insurmountable odds.