'Boris Babaev, an Orthodox Jew from Tajikistan, meets a secular Jewish Mexican-American filmmaker in Poland. This documentary is the result, a lyrical and contemplative piece, which captures Boris's struggle to find his place in the world. When Boris encounters young Poles who are discovering their Jewish roots, he decides to prepare them a Kosher Tajikian dish, which means putting his skills as a Shochet or ritual slaughterer to the test. But before he can do so, he has to find a sheep...' Written by Anonymous

In 1998, seven years after the independence of the country, autocratic president Kazakh Noursoultan Nazarbaiev decides to move the capital of Almaty to Astana, the barren plains of the north. Vertiginous towers of glass rise above ground, financed by oil exports. A presidential speech in 1997 on the future of Kazakhstan opens the film, praising the “three social levels, the rich, the middle class and the poor”, and the infinite promises of the market. 　　Christian Barani and Guillaume Reynard see the birth of a new social level, in the standardized tinsel and foil of richness. Attempting to represent “the fiction which in each scene seems to have preceded reality”, until a change of scene by writer Darejan Omirbaev, they also venture backstage, a hut on a site of a recently expropriated maisonnette. A portrait of a melancholic person and poetic globalization through the ex-Soviet oligarchy, in full expansion.

Norman这个犹太人对巴勒斯坦人的同情，站出来替弱小的巴勒斯坦出头，戳穿犹太组织和以色列的谎言等。 他在美国被犹太势力排挤，被学校变相开除后，他的DePaul University学生和大学同事们组织起的“学术自由”抗议的，他本人还是放弃了自己喜欢的教学，后来到处去演讲的。

《有一个青年》是中央电视台第一部实景拍摄的单本电视剧。 　　当年，扮演顾明华的张铁林和扮演徐薇的方舒进入北京电影学院七八级表演班学习不到一年。此剧播出后，在社会上引起强烈反响，当时在全国歌坛上崭露头角的殷秀梅关贵敏为这部电视剧配唱了一首非常有名的插曲《青春啊，青春》更被年轻人传唱一时，成为经典，而本剧也荣获了全国优秀电视剧评一等奖。

首部在加沙拍摄的纪录片，追踪贾巴利亚难民营一个家庭的日常生活：祖辈被驱离家园，滞留在军事统治的加沙地带40多年，一家大小活在瓦砾、贫困和恐惧之中，小孩不知何处是家。加沙难民的人道困境如何造成？谁又需要负责？始作俑者侃侃而谈，军人视之为理所当然，交错对比着加沙居民每天面对的无力现实，勾勒出战争在巴勒斯坦人身上留下的沉痛后遗。

首部在加沙拍摄的纪录片，追踪贾巴利亚难民营一个家庭的日常生活：祖辈被驱离家园，滞留在军事统治的加沙地带40多年，一家大小活在瓦砾、贫困和恐惧之中，小孩不知何处是家。加沙难民的人道困境如何造成？谁又需要负责？始作俑者侃侃而谈，军人视之为理所当然，交错对比着加沙居民每天面对的无力现实，勾勒出战争在巴勒斯坦人身上留下的沉痛后遗。

俄罗斯总统弗拉基米尔·普京称，苏联解体是二十世纪最大的政治灾难。持有这个观点的不止有他一个人。许多俄罗斯人渴望苏联及其属地的稳定。他们希望俄罗斯在世界舞台上再起风云。2014年2月克里米亚独立也提高了普京在本国的支持率。 　　但俄罗斯的胜利，给邻国带来了恐惧。这些国家往往被俄罗斯或苏联长久统治，或者像乌克兰那样有大量俄语族群。自罗马时代以来，它们就处于欧洲和俄罗斯的边界地带，并且被双方多次蹂躏。这些国家将面临一个挑战：投靠欧洲而不惹怒俄罗斯。在节目中你将看到这是否会成为可能。 　　俄罗斯吞并克里米亚是柏林墙倒塌后欧洲最重要的地缘政治事件。问题是这将带来什么后果。我们要走向新的冷战吗？还是俄罗斯将向西方开战呢？强大的俄罗斯和其他前苏联国家的关系如何？俄罗斯是不是真的是一个如此激进的国家，普京是否通过金钱和有时甚至通过武器控制了前苏联国家的亲俄组织呢？他们如何看待周边国家最近的事态发展？我们如何看待在他们国家的俄罗斯少数族群？俄罗斯人和他们的邻居在对方眼中都是什么样的形象？ 　　Jelle Brandt Corstius揭示了这些问题的真相，并且在八集纪录片中深入了解了这些夹在欧洲与俄罗斯边界之间的国家的现状。在这趟从波罗的海到黑海，向东涉足哈萨克斯坦草原的旅程中，Jelle向居民们了解了他们所看到的真相与现实。

一个年轻的作曲家出发前往格鲁吉亚的几个城市旅行，非常希望能够采集各地的民谣。但是他的同伴却相信，他是受到一个革命组织派遣，为的是计划未来的行动。影片一开始便笼罩着一股不祥的预兆，像是暴风雨前的宁静。导演与摄影师微妙地在消极的安详和积极的罪行之间，营造出令人不安的张力。这种宁静的张力持续着，但是诡异的气氛却悄悄地扩散，爆炸、火灾、逮捕行动，直到恶运扩及全国。人物的奔走并不意味他们准备反抗，纯粹只是慑服于恐惧的状态中。他们想逃离，却缺乏勇气与时间。他们在等待一个领袖的出现… 　　This Russian drama is set in 1907 just before the Revolution erupted and centers upon a young musician who is trying to record all of the folk songs in his big country. His journey leads him to encounter all types of people. The only shadow is the threat of Czarist troops looking to exterminate those who seem to threaten the crumbling monarchy. The musician finds himself pursued when his map is mistaken by soldiers for a list of possible radicals. All those the musician visited are executed and as the story ends, a community religious celebration becomes a massacre when the troops suddenly move in to seize them en masse 　　改编自Otar Chkeidze小说《无名的风》（Veter, kotoromu net imeni） 　　1986 柏林影展最佳导演奖 　　1985 苏联影展最佳影片、最佳摄影两项大奖

Stephen Dedalus is a young man growing up in Ireland in the early part of the twentieth century. His search for knowledge and understanding, and the decline of his family's circumstances, lead him to revelations on the nature of art and politics. His personal renaissance makes him feel unwelcome in his own country, and forces him to decide whether to leave and accept exile, or to stay and fight.

Stephen Dedalus is a young man growing up in Ireland in the early part of the twentieth century. His search for knowledge and understanding, and the decline of his family's circumstances, lead him to revelations on the nature of art and politics. His personal renaissance makes him feel unwelcome in his own country, and forces him to decide whether to leave and accept exile, or to stay and fight.