In a documentary about Samuel Fuller, the spectator gets different impressions about the Hollywood director and his films. The film is divided into the three sections: The Typewriter, the Rifle and the Movie Camera. The first segment covers Fuller's past as a newsman where he began as a copy boy and ended as a reporter. Part two describes Fuller's experiences in World War II, in which he participated as a soldier. The last section focuses on Fuller as director. Tim Robbins interviews Samuel Fuller revealing the director's own memories and impressions. Beside the interview, Jim Jarmusch, Martin Scorsese and Quentin Tarantino accompany the documentary with their comments. Written by Gerhard Windecker {[email protected]}

明治末年，大正初期，十市是一名将家安在河边的船夫，他每天的工作是划船接送形形色色的人过河。为了方便村民的出行，一座横跨河两岸的桥即将落成。村民兴高采烈地讨论着桥落成后的便利，只有十市对此有着复杂的感觉。某日，他从河里救了一名受伤的神秘年轻女子。无处可去的她最终只能返回十市家中，这次邂逅开始改变了十市的生活。小田切让首次执导长片，入选威尼斯电影节威尼斯日单元，浅野忠信、苍井优、永濑正敏亦有参与演出。

明治末年，大正初期，十市是一名将家安在河边的船夫，他每天的工作是划船接送形形色色的人过河。为了方便村民的出行，一座横跨河两岸的桥即将落成。村民兴高采烈地讨论着桥落成后的便利，只有十市对此有着复杂的感觉。某日，他从河里救了一名受伤的神秘年轻女子。无处可去的她最终只能返回十市家中，这次邂逅开始改变了十市的生活。小田切让首次执导长片，入选威尼斯电影节威尼斯日单元，浅野忠信、苍井优、永濑正敏亦有参与演出。

This simple story of a mother and daughter finds them struggling to find work and food in Paris. Micheline Bezancon is the expressionless young mother who alone worries about the future of her and her daughter. Filmed in black and white, the directorial approach is as simple as the title. She engages in a poignant narrative about her daily life. Half of the time the screen is black, evoking a feeling of despair that permeates the feature. 　　Shot in 16 mm in Paris & its suburbs and co-produced by French television on a very low budget. This was inspired by an item on the back page of a newspaper. The essence of the film is captured by its first person voice-over commentary, and was considered "one of the few genuine masterpieces in the entire history of cinema" by film theorist Noel Burch. The film is not available in English translation, either dubbed or subtitled. But it works very well in simultaneous translation, if prepared in advance.

This simple story of a mother and daughter finds them struggling to find work and food in Paris. Micheline Bezancon is the expressionless young mother who alone worries about the future of her and her daughter. Filmed in black and white, the directorial approach is as simple as the title. She engages in a poignant narrative about her daily life. Half of the time the screen is black, evoking a feeling of despair that permeates the feature. 　　Shot in 16 mm in Paris & its suburbs and co-produced by French television on a very low budget. This was inspired by an item on the back page of a newspaper. The essence of the film is captured by its first person voice-over commentary, and was considered "one of the few genuine masterpieces in the entire history of cinema" by film theorist Noel Burch. The film is not available in English translation, either dubbed or subtitled. But it works very well in simultaneous translation, if prepared in advance.

1940年代末黎巴嫩即将陷入战争时，一对兄妹埃米莉和埃米尔逃往巴西。他们在亚马逊的马瑙斯市开始新生活。埃米莉爱上了商人奥马尔，而埃米尔因嫉妒而挑起事端。在一次争吵中，埃米尔受伤，被奥马尔带往亚马逊丛林寻找巫医救治。埃米尔康复后，埃米莉与奥马尔成婚。而此时，一场悲剧也同时发生。这部电影不仅是对移民过程的描绘，更是对记忆、激情和偏见的深刻探讨。

1940年代末黎巴嫩即将陷入战争时，一对兄妹埃米莉和埃米尔逃往巴西。他们在亚马逊的马瑙斯市开始新生活。埃米莉爱上了商人奥马尔，而埃米尔因嫉妒而挑起事端。在一次争吵中，埃米尔受伤，被奥马尔带往亚马逊丛林寻找巫医救治。埃米尔康复后，埃米莉与奥马尔成婚。而此时，一场悲剧也同时发生。这部电影不仅是对移民过程的描绘，更是对记忆、激情和偏见的深刻探讨。

本片将电视影像糅合进动画里，讲述了一个老实本分的普通人成为罪犯的过程。 　　精神萎靡的Vasily Vasilievitch打死两个喋喋不休的妇人，招来邻居围观，他们都不相信他会杀人。警察赶过来，讲了昨天发生的事：Vasily Vasilievitch一如往常上下班回到家，坐在阳台读报时，楼下四个赌博的男人发出巨大的噪音，不过他仅当这为生活中不协调的奏曲；看一部电影时，不知多少层的楼上传来极吵的电视机播放拳击比赛的声音，忍受不了的他上楼有礼貌地和人交涉，无果；再然后，调好闹钟上床休息时，各种奇怪的声音接踵而至，他终变得对些微风吹草动都异常敏感；而好不容易入睡后，一声厉响传入他的耳朵。

第一集：黏土的故事。了解英国从都铎王朝至今的家用陶器的历史，考察它能告诉我们前几代人是如何生活的。 　　第二集：韦德伍奇时代。讲述斯托克-翁-特伦特(Stoke-on-Trent)从赤贫到暴富再到衰落的史诗故事，这座城市建立在黏土之上，曾是英国一度称霸世界的陶瓷帝国的中心。 　　第三集:陶艺家的故事。了解在 19 和 20 世纪，伯纳德·利奇等工匠如何通过创建工作室陶艺运动来打破陶瓷工厂的垄断。

本剧是以山西省长治市人民医院妇产科医生赵雪芳为原型，成功地塑造了人民的好医生赵雪芳在身患多种疾病的情况下，全心全意为人民服务，忘我工作的感人事迹。 　　赵雪芳由上海人艺著名演员奚美娟扮演，是一部弘扬时代精神，倡导主旋律的好作品，她没有陷于简单地记录好人好事，而是努力开拓赵雪芳的优秀事迹及人物内心世界的内涵，从而塑造了一位有血有肉，感人至深的人民好医生的艺术形象。