在Real Events, Real Fantasy中，表演者们解构并重新演绎了几段对话：它们看似再日常不过，但性别主义与刻板印象的影子在其中若隐若现。 　　来自不同国家的表演者在不同的情境中直面彼此，试图教对方用自己的母语说一些简单的内容。他们从音节开始，一遍又一遍地练习每一个单词，直到句子变得连贯。在男性表演者之中，可以观察到一丝危险的欲望；而女性表演者们更倾向于以一种保护性的方式和彼此互动。这似乎是不同性别之间的普世相处法则，但它背后蕴含的不安却无法被忽视。

IDOLFACTORY制作 ，改编自作者 Naoto 同名小说 一名年轻人因与黑手党老大儿子的女友约会而惹上麻烦，为了安全起见，他被迫转学。他的父亲没有送他出国，而是将他安置在一个农村，由当地村长和他严厉的孙子照顾。面对新的挑战和严格的纪律，他很快意识到，他最终可能失去的不仅仅是他叛逆的天性，甚至可能是他的心。

由 IDOLFACTORY 制作，改编自作者 Naoto 的同名小说。故事中，一名年轻人因和黑手党老大儿子的女友约会而陷入麻烦。为确保安全，他被迫转学。他的父亲没有把他送出国，而是把他安置在了一个农村，由当地村长和其严厉的孙子照料。在新环境里，他面临着新挑战和严格纪律，很快便意识到，自己最终可能失去的不只是叛逆的天性，甚至还有自己的心。

Alexander Rodnyansky is a self-confessed “man of many lives” but now, three years after being forced to flee his home in Moscow for being a vocal critic against the war in Ukraine, the Kyiv-born producer is returning to his documentary roots. The Leviathan and Loveless producer and former founder of Ukraine’s first indie TV network 1+1, has nearly wrapped filming a new documentary, Notes of a True Criminal, which he produced and directed. 　　“It’s called that because I’m a criminal now,” quips Rodnyansky, referring to the eight-and-a-half year sentencing in absentia he received from a Moscow court last year for spreading anti-war sentiments. 　　The project, he says, will combine elements of doc movies he shot at the end of the Cold War coupled with more recent footage from the war in Ukraine and WWII footage obtained by his family.

艺伎，字面上的含意为"以艺术为生"。每个艺伎都要经过严格的训练，学习茶道、书法、乐器、舞蹈、礼节等等。男人们用餐时，她们跪在旁边斟酒上菜，微笑着和他们聊天。待到酒过三旬后，艺伎开始表演以活跃气氛，不论是弹奏乐器或是演唱情歌。最令人称赞的是艺伎的谈话艺术，无论是国际新闻，还是花边消息，她们都了若指掌。 但是艺伎这一古老的文化行业，是否能够在现今充满竞争、科技日新月异的现代日本社会保存下来？十九世纪20年代是艺伎行业的全盛期，有将近80,000名的艺伎，而今却剩下不到1,000名。 　　艺伎的世界始终保持着一种神秘感。她们浓妆的脸上几乎看不出喜怒哀乐，她们是日本文化与艺术的缩影，这也是她们为之骄傲的。艺伎一生就是为了服侍日本上流社会中的达官显贵、富商阔佬，人们只能在那些豪华的茶店酒楼和隐密的日本料亭中看到她们的身影。所以基于上述的种种原因，艺伎一直被笼罩在一层神秘的面纱之下…… 　　 　　Dismissed by Western society as little more than high-priced call girls, the Japanese women known as Geisha are part of a centuries-old tradition that made them a vital part of that country's society. See how they were trained from childhood in music, the arts, conversation and "massaging the male ego," and visit with modern-day Geisha, in this revealing program.

This iconic, Emmy-nominated series is a Tinseltown institution in its own right for its compelling stories from the world of entertainment

讲述马泰尔饰演的男孩Paul跟父亲住在纽约乡下，过着与世隔绝的生活，因为患有稀有的天生多毛症，身上很多地方会长出长长的毛发，Paul很难交到朋友。而13岁生日那天，他收到一份神秘礼物，因此逃出了家门，想去寻找自己从不知道是谁的母亲。

This iconic, Emmy-nominated series is a Tinseltown institution in its own right for its compelling stories from the world of entertainment

Roza (Lucyna Winnicka) marries a promising young architect, Juliusz (Roland Glowacki); for a few months, they have a blissful life together. Then World War II breaks out and within weeks Juliusz is deported to a concentration camp. Months, and then years go by, until Roza abandons any hope that her husband might return. She meets and falls in love with another man, and tries to put her life back together, but one day, unexpectedly, Juliusz does return - a shattered, mere ghost of his former self, physically crippled and tormented by memories of the camps. First out of duty, then out of pity, Roza starts to care for him, but her feelings slowly are transformed into a kind of revulsion. Kawalerowicz here takes up a theme that would be frequently addressed by later Polish films: the lingering psychological and emotional scars wrought by the war, a kind of weight from the past impeding the creation of any kind of future.

讲述马泰尔饰演的男孩Paul跟父亲住在纽约乡下，过着与世隔绝的生活，因为患有稀有的天生多毛症，身上很多地方会长出长长的毛发，Paul很难交到朋友。而13岁生日那天，他收到一份神秘礼物，因此逃出了家门，想去寻找自己从不知道是谁的母亲。