天才数学家雷纳托·卡乔波利是一个性情古怪的人，他的哥哥法官卢伊季和嫂子艾米丽亚试图让他过上正常的生活，不再酗酒和放纵。雷纳托是一个饱受痛苦的人，孤独、不幸。他什么也不相信，对工作没兴趣，对政治失望，与妻子的婚姻失败。他与妻子安娜分居多年，安娜与他见面时承认自己怀上了别人的孩子，但她打算去做人流。她请求雷纳托原谅自己，重新开始生活。雷纳托拒绝了她，因为他们彼此伤害太深了。为了帮助安娜，他给了她一张巨额支票。雷纳托厌倦了生活，在大学里教书和考试都成为他的负担和烦恼。晚上他长时间在拿波里的穷街陋巷里游荡、酗酒，以此打发最后的时光。他还去疗养院看望了姑母，巴库宁的女儿，姑母劝他别再喝酒了。后来他在一个深夜拿出手枪自杀了。参加他的葬礼的有教授、学生和政治家们，安娜独自在一旁哭泣。

带着对学问自由的渴望而脱北的天才数学家李学成（崔岷植）隐藏自己的身份和背景，在聚集了全国1%英才的高中当上了警卫，学生们看到表情冷漠的学成纷纷躲…

网络系列《一个国家的觉悟：札连瓦拉园》，以猎人委员会虚构成员坎蒂尔·萨尼（Kantil Sahni）的视角，探寻札连瓦拉园大屠杀背后的矛盾冲突与触发因素。

DJ Spooky's "Rebirth of a Nation" is a film project based on a remix of D.W. Griffith's infamous 1915 film "Birth of a Nation." The original film was based on a novel and theater play by Thomas Dixon entitled "The Clansman" -- essentially what DJ Spooky is doing is applying DJ technique to cinema in a way that parallels, deconstructs and remixes the original. Thus "Rebirth of a Nation." DJ Spooky's "Rebirth of a Nation" has been touring for several years and has drawn acclaim around the world. From the Herod Atticus Theater at the base of the Acropolis in Greece, to the London IMAX - Europe's largest movie screen -- DJ Spooky has presented the remix as an engagement with film, music, and contemporary art. He likes to think of it as "film as found object" in the same sense that artists such as Marcel Duchamp, Jeff Koons, Andy Warhol, and David Hammons, amongst many others, have fostered creative investigations into the idea of found objects, cinema, and "appropriation art." 　　http://www.rebirthofanation.com/ 　　“Silent film scores were grandiloquent, meant to heighten what we saw on screen. Mr. Miller's score, by contrast, deflects our responses, then alters them. A hip-hop drum beat pulses. (It sounds African and urban American.) A wash of industrial sound is joined by bells and cymbals; a dissonant violin; blues fragments. These are the sounds of history and racial complexity that Griffith tried to suppress. ” 　　– Margo Jefferson, New York Times, July 8, 2005

《一个国家的觉悟：札连瓦拉园》是一个网络系列，通过猎人委员会虚构成员Kantil Sahni的眼睛探索札连瓦拉园大屠杀背后的摩擦和触发因素。

《一个叫做家的地方》，穿越上海的苏州河上，有一座老铁桥叫新闸桥。桥堍是一片旧居民区，蛰伏着弯弯曲曲的大小弄堂。弄堂里此起彼伏的声响和毫无顾忌的笑骂交织一片——这样的场景，令人感到回到了过去的某个年代。丑丑是李阿姨代人照管的一个男孩，抱来时，才一个半月大，五岁时，父母离了婚，父亲在服刑，母亲没有稳定的生活，丑丑一直跟着李阿姨生活，今年九岁了。家门口的老铁桥拆了要建新的，这一片旧居民区眼看也要动迁，人们的生活方式都将发生变化，而丑丑的未来呢？这河这桥和生活在这里的人们，正如铁皮罐里那丛顽强生长的青葱，表现出生生不息的生命意志和面向未来的乐观态度。

一个年轻的作曲家出发前往格鲁吉亚的几个城市旅行，非常希望能够采集各地的民谣。但是他的同伴却相信，他是受到一个革命组织派遣，为的是计划未来的行动。影片一开始便笼罩着一股不祥的预兆，像是暴风雨前的宁静。导演与摄影师微妙地在消极的安详和积极的罪行之间，营造出令人不安的张力。这种宁静的张力持续着，但是诡异的气氛却悄悄地扩散，爆炸、火灾、逮捕行动，直到恶运扩及全国。人物的奔走并不意味他们准备反抗，纯粹只是慑服于恐惧的状态中。他们想逃离，却缺乏勇气与时间。他们在等待一个领袖的出现… 　　This Russian drama is set in 1907 just before the Revolution erupted and centers upon a young musician who is trying to record all of the folk songs in his big country. His journey leads him to encounter all types of people. The only shadow is the threat of Czarist troops looking to exterminate those who seem to threaten the crumbling monarchy. The musician finds himself pursued when his map is mistaken by soldiers for a list of possible radicals. All those the musician visited are executed and as the story ends, a community religious celebration becomes a massacre when the troops suddenly move in to seize them en masse 　　改编自Otar Chkeidze小说《无名的风》（Veter, kotoromu net imeni） 　　1986 柏林影展最佳导演奖 　　1985 苏联影展最佳影片、最佳摄影两项大奖

今年8月23日，以色列完成了撤离西岸两个犹太人定居点。至此以方已全部撤出加沙和西岸25个犹太人定居点。为防止局面失控引发流血冲突，以军方和安全部队调动了1万多名兵力，进驻西岸萨努尔和胡迈什两个犹太人定居点，但仍遭到约2000名居民及反对者的抵抗。凤凰大视野特此推出《以色列―一个国家的传奇》, 与观众一起探讨持续半世纪的以色列问题。究竟一个长期面对困局的国家，能否走出矛盾、流血、报复及仇恨而最终迈向和平

根据短篇《一个废物艺术家的供状》（Confessions of a Crap Artist）改编。它不是一部科幻作品，更像是充满了混乱的PKD自传。