《一个无政府主义者的意外死亡》讲述了一个意大利警局的故事，警察局长及警员将一个在押的无政府主义分子刑讯致死。局长找来一个疯子编排无政府主义分子的死亡过程，以期掩盖其死亡真相。最后这批想玩疯子的警察结果都被疯子玩进去了。

《一个无政府主义者的意外死亡》讲述了一个意大利警局的故事，警察局长及警员将一个在押的无政府主义分子刑讯致死。局长找来一个疯子编排无政府主义分子的死亡过程，以期掩盖其死亡真相。最后这批想玩疯子的警察结果都被疯子玩进去了。

AMERICAN ANARCHIST tells the story of one of the most infamous books ever written, The Anarchist Cookbook, and the role it has played in the life of its author, William Powell, who wrote it at 19 in the midst of the countercultural upheaval of the late 1960s and early ’70s. Academy Award-nominated filmmaker Charlie Siskel (FINDING VIVIAN MAIER) tracks down Powell, now 65 and a schoolteacher, for an intimate and thought-provoking conversation as he revisits the work and the influence it continues to have. A cautionary tale of youthful rebellion and unforeseen consequences, AMERICAN ANARCHIST is a universal and all-too-human story of a man at the end of his life wrestling with his past, his identity, and the repercussions of his youth.

AMERICAN ANARCHIST tells the story of one of the most infamous books ever written, The Anarchist Cookbook, and the role it has played in the life of its author, William Powell, who wrote it at 19 in the midst of the countercultural upheaval of the late 1960s and early ’70s. Academy Award-nominated filmmaker Charlie Siskel (FINDING VIVIAN MAIER) tracks down Powell, now 65 and a schoolteacher, for an intimate and thought-provoking conversation as he revisits the work and the influence it continues to have. A cautionary tale of youthful rebellion and unforeseen consequences, AMERICAN ANARCHIST is a universal and all-too-human story of a man at the end of his life wrestling with his past, his identity, and the repercussions of his youth.

故事发生在1937年的马德里，胡斯托（胡安·迭戈·波托 Juan Diego Botto 饰）本是一位精明强干的律师，有着无量的前途和一位美丽的妻子曼纽埃拉（玛利亚·瓦沃德 María Valverde 饰）。西班牙内战爆发了，爱国心切的胡斯托果断的放弃了事业，加入了共和军，走上了战场。 　　胡斯托就此音信全无，曼纽埃拉带着两个孩子帕洛玛（伊万娜·巴克罗 Ivana Baquero 饰）和拉斐尔过着提心吊胆东躲西藏的日子。在一场意外中，拉斐尔不幸身亡，在巨大的绝望之中，曼纽埃拉却依然坚信着丈夫并没有死，并以此为精神支柱，将帕洛玛抚养成人。一晃眼几十年过去，某一日，曼纽埃拉在一张集中营的照片上瞥见了丈夫的身影。

故事发生在1937年的马德里，胡斯托（胡安·迭戈·波托 Juan Diego Botto 饰）本是一位精明强干的律师，有着无量的前途和一位美丽的妻子曼纽埃拉（玛利亚·瓦沃德 María Valverde 饰）。西班牙内战爆发了，爱国心切的胡斯托果断的放弃了事业，加入了共和军，走上了战场。 　　胡斯托就此音信全无，曼纽埃拉带着两个孩子帕洛玛（伊万娜·巴克罗 Ivana Baquero 饰）和拉斐尔过着提心吊胆东躲西藏的日子。在一场意外中，拉斐尔不幸身亡，在巨大的绝望之中，曼纽埃拉却依然坚信着丈夫并没有死，并以此为精神支柱，将帕洛玛抚养成人。一晃眼几十年过去，某一日，曼纽埃拉在一张集中营的照片上瞥见了丈夫的身影。

本剧1995年11月于台湾首演。 　　全剧叙述一个看似神经病，但自称是“生活中扮演各种角色”的无厘头演员，被逮捕在某警察分局后假扮为各种不同身份的人，嬉耍分局警员，而同时警局正逢一群众运动头子在局中神秘的“意外死亡”。主角千变万化的造形，配合上机智逗趣的言语，仿佛融合了福尔摩斯的智慧和孙悟空的造形幻化于一身，在快速疯狂的喜剧中步步逼出了一层一层的社会真相。

A colorful and provocative survey of anarchism in America, the film attempts to dispel popular misconceptions and trace the historical development of the movement. The film explores the movement both as a native American philosophy stemming from 19th century American traditions of individualism, and as a foreign ideology brought to America by immigrants. The film features rare archival footage and interviews with significant personalities in anarchist history including Murray Boochkin and Karl Hess, and also live performance footage of the Dead Kennedys.

Fernando Pessoa's paradoxical 1922 short story is styled as a Platonic dialogue between a wealthy banker and his colleague, in which the banker explains the strictly logical path that led him step-by-step from an anarchist youth to being the only true and consistent anarchist. The tale playfully undermines many of the founding texts of political 'enlightenment' (Descartes, Hobbes, Locke, Malthus, Rousseau, Smith, Spinoza), as well as making a devastating critique of revolutionary psychology and of 1917 Bolshevism. Like magic, the sleight of hand is transparent, apparently convincing us of the banker's inexorable logic, while the plot challenges us to discover the flaw in the shocking twist of the wealthy banker's logic.

In 1998 Marco Pantani, the most flamboyant and popular cyclist of his era, won both the Tour de France and Giro d'Italia, a titanic feat of physical and mental endurance that no rider has repeated since. He was a hero to millions, the saviour of cycling following the doping scandals which threatened to destroy the sport. However, less than six years later, aged just 34, he died alone, in a cheap hotel room, from acute cocaine poisoning. He had been an addict for five years. This is the story of the tragic battles fought by the most important Italian cyclist of his generation; man verses mountain, athlete verses addiction, Marco Pantani verses himself.