이명박 정부 초기인 2008년부터 현재까지 총 20여명의 언론인이 해직되었다. 　　해직 언론인 대부분이 노조 간부가 아닌 것은 물론, 　　그 중 상당수는 평범한 언론사의 직장인으로서 생활하던 이들이다. 　　자신이 다니던 언론사가 권력에 의해 망가지는 모습을 견디지 못했던 그들은 　　공정방송이란 상식적인 요구를 하였으나, 돌아온 것은 해직통보였다. 　　7년의 시간이 흐른 지금, 　　자신이 몸담았던 언론사에 대한 권력의 통제는 이미 관성이 되어버렸고, 　　그런 현실을 바라보는 그들의 시선도 착찹하기만 한데… 　　그들은 돌아갈 수 있을까? 　　만약 돌아간다면 그 곳은... 　　그들이 간절히 원했던 그런 언론사이긴 한 걸까?

Billy Summers is a hitman who is looking to retire and takes one last highly lucrative job to feather his nest. The job requires him to embed himself in a quiet town, where he pretends to be an aspiring writer (he actually pours himself into the prose). He sets up in an office with a direct view of where hitman Joel Allen will be delivered to face trial for shooting two men during a poker game. Allen also has committed enough murders for some high-level mobsters to be scared the gunman will incriminate his former employers to lessen his sentence. Summers, a meticulous craftsman, becomes more and more cynical about the mobsters who’ve hired him, and his skepticism is well warranted as things go awry following the job’s completion.

Billy Summers is a hitman who is looking to retire and takes one last highly lucrative job to feather his nest. The job requires him to embed himself in a quiet town, where he pretends to be an aspiring writer (he actually pours himself into the prose). He sets up in an office with a direct view of where hitman Joel Allen will be delivered to face trial for shooting two men during a poker game. Allen also has committed enough murders for some high-level mobsters to be scared the gunman will incriminate his former employers to lessen his sentence. Summers, a meticulous craftsman, becomes more and more cynical about the mobsters who’ve hired him, and his skepticism is well warranted as things go awry following the job’s completion.

记者劳拉尼尔森的母亲惨遭连环杀手的杀害，她自己也倍受折磨，她发现了连环杀手遗留在犯罪现场的唯一证据，一页日记。通过调查研究，她逐渐了解到这个杀人恶魔的病态心理。当她寻找连环杀手的同时，连环杀手也更加靠近她...

艾莲零二年十月接受死刑。但争拗多年来从未终止：精神病患者犯重罪应受死吗？妓女自卫杀人可原谅吗？连环女杀手是否更不得人同情？导演十二年来一直跟艾莲的案件，在纪录片中揭发惊人真相：囚犯认罪只因为厌倦了无止境的审讯，并深信死后会上天堂。这是一部深入精神病患者死囚脑海的纪录，重访她儿时成长的地方，走访她的朋友，尝试用历史的脈络追查她演变成连环杀手的历程。你可嗅到真实的死囚桐的气味，最震撼的不是烦人的盘问，而是女杀手静静坐下来细诉的温柔与激动。像她这样的一个女子，是如何走上喋杀七个男人的血光之途？

艾莲零二年十月接受死刑。但争拗多年来从未终止：精神病患者犯重罪应受死吗？妓女自卫杀人可原谅吗？连环女杀手是否更不得人同情？导演十二年来一直跟艾莲的案件，在纪录片中揭发惊人真相：囚犯认罪只因为厌倦了无止境的审讯，并深信死后会上天堂。这是一部深入精神病患者死囚脑海的纪录，重访她儿时成长的地方，走访她的朋友，尝试用历史的脈络追查她演变成连环杀手的历程。你可嗅到真实的死囚桐的气味，最震撼的不是烦人的盘问，而是女杀手静静坐下来细诉的温柔与激动。像她这样的一个女子，是如何走上喋杀七个男人的血光之途？

A remarkable and brilliant documentary, with superb photographs of nature in a beautiful landscape. Arne Sucksdorff is a swedish director important in the post-World War II revival of the Swedish cinema because of his internationally acclaimed sensitivity in photographing nature. His patiently photographed flowers, insects, birds, and animals are composed into films in which the rhythm of nature is dominant and man is only one of nature's creatures. 　　Sucksdorff studied natural sciences and then turned to painting at the Reihmann Art School in Berlin, but his main interest was photography. After his first short film, Augustirapsodi (1939), won national awards, he was offered a contract by Svensk Filmindustri (1939–1953), Sweden's leading studio. 　　Sucksdorff's early shorts were marked by the love of nature that had been traditionally characteristic of the finest Swedish silent films. Outstanding among them were: Trut (1944 "The Gull"), an account of a Baltic seabird community with the gull as the villain; Skuggor over snon (1945 "Shadows over the Snow"), about a bear hunt through the forest; Manniskor i stad (1946 "The Rhythm of the City"), won the Academy Award for best short subject; En kloven varld (1948 "A Divided World"); Uppbrott (1948 "The Open Road"), and Vinden och floden (1950 "The Wind and the River"), filmed in India. 　　Sucksdorff wrote, directed, edited, and produced his first feature-length film, Det stora aventyret (1953 "The Great Adventure"), the story of life on a Swedish farm, using no professional actors. It further enhanced his reputation, as did such later features as En djungelsaga (1957 "The Flute and the Arrow"), Pojken i tradet (1961 "The Boy in the Tree"), and Mitt hem ar Copacabana (1965 "My Home Is Copacabana").

ふとしたことから、９０００万円もの借金を抱えてしまった新人女優の瑞穂。彼女は返済のために、己の肉体をオークションにかけることにする。

ふとしたことから、９０００万円もの借金を抱えてしまった新人女優の瑞穂。彼女は返済のために、己の肉体をオークションにかけることにする。

一个正在经历离婚困境的作家偶然结识了一位金盆洗手的连环杀手。白天，杀手成为了他的婚姻辅导师，而夜晚则成为了他下一本书的杀人案例顾问。