位于印度西北部的科塔城市是补习学校的中心有着超过200,000名青少年日复一日、年复一年地窝在隔间大小的房间里疯狂背书。为了1%的录取率，这群游子们是否能脱颖而出，成功拿到印度顶尖工程学院的offer？父母的压力，教育机构和同龄人的压力对这群学子来说到底是能够驱动他们奋斗的力量，还是压迫骆驼的最后一根稻草？

位于印度西北部的科塔城市是补习学校的中心有着超过200,000名青少年日复一日、年复一年地窝在隔间大小的房间里疯狂背书。为了1%的录取率，这群游子们是否能脱颖而出，成功拿到印度顶尖工程学院的offer？父母的压力，教育机构和同龄人的压力对这群学子来说到底是能够驱动他们奋斗的力量，还是压迫骆驼的最后一根稻草？

印度家庭喜剧。这是一个温暖人心的家庭故事，一家人如何靠着自己的能力自立更生。

剧组的道具枪射出了真子弹，女演员叶蕙（林芳兵 饰）命丧摄影棚。刑警詹德昌（杨宝河 饰）、李志勇（赵建文 饰）对涉枪人员展开调查。通过了解发现，叶蕙与他人存在三角恋爱关系。曾和叶谈过恋爱的沙晓舟（马晓伟 饰）差点被人毒死，在病房中，他向詹德昌道出原委：在香港的父亲沙丘仁（崔超明 饰）自知不久于人世，曾来信让他继承遗产，他心存矛盾。正与其热恋的叶蕙则怂恿他一定别错过机会，并背着他邀未来的公公和大哥沙之星（洪宇宙 饰）回内地见面。意外的见面使爱慕虚荣的叶蕙投向沙之星的怀抱。詹德昌并没有轻信沙晓舟的一面之词，他把怀疑的目光投向了道具员张小勃（朱晓鸣饰）......

剧组的道具枪射出了真子弹，女演员叶蕙（林芳兵 饰）命丧摄影棚。刑警詹德昌（杨宝河 饰）、李志勇（赵建文 饰）对涉枪人员展开调查。通过了解发现，叶蕙与他人存在三角恋爱关系。曾和叶谈过恋爱的沙晓舟（马晓伟 饰）差点被人毒死，在病房中，他向詹德昌道出原委：在香港的父亲沙丘仁（崔超明 饰）自知不久于人世，曾来信让他继承遗产，他心存矛盾。正与其热恋的叶蕙则怂恿他一定别错过机会，并背着他邀未来的公公和大哥沙之星（洪宇宙 饰）回内地见面。意外的见面使爱慕虚荣的叶蕙投向沙之星的怀抱。詹德昌并没有轻信沙晓舟的一面之词，他把怀疑的目光投向了道具员张小勃（朱晓鸣饰）......

A remarkable and brilliant documentary, with superb photographs of nature in a beautiful landscape. Arne Sucksdorff is a swedish director important in the post-World War II revival of the Swedish cinema because of his internationally acclaimed sensitivity in photographing nature. His patiently photographed flowers, insects, birds, and animals are composed into films in which the rhythm of nature is dominant and man is only one of nature's creatures. 　　Sucksdorff studied natural sciences and then turned to painting at the Reihmann Art School in Berlin, but his main interest was photography. After his first short film, Augustirapsodi (1939), won national awards, he was offered a contract by Svensk Filmindustri (1939–1953), Sweden's leading studio. 　　Sucksdorff's early shorts were marked by the love of nature that had been traditionally characteristic of the finest Swedish silent films. Outstanding among them were: Trut (1944 "The Gull"), an account of a Baltic seabird community with the gull as the villain; Skuggor over snon (1945 "Shadows over the Snow"), about a bear hunt through the forest; Manniskor i stad (1946 "The Rhythm of the City"), won the Academy Award for best short subject; En kloven varld (1948 "A Divided World"); Uppbrott (1948 "The Open Road"), and Vinden och floden (1950 "The Wind and the River"), filmed in India. 　　Sucksdorff wrote, directed, edited, and produced his first feature-length film, Det stora aventyret (1953 "The Great Adventure"), the story of life on a Swedish farm, using no professional actors. It further enhanced his reputation, as did such later features as En djungelsaga (1957 "The Flute and the Arrow"), Pojken i tradet (1961 "The Boy in the Tree"), and Mitt hem ar Copacabana (1965 "My Home Is Copacabana").

A ten-minute study of wild animal life in a Swedish forest; stoat, fox, hare, and owl, who stalk and savage one another, are photographed with extraordinary vividness and intimacy. It is perhaps the most striking of Sucksdorff's animal studies, in spite of an abrupt introduction and ending.

Filmmaker David Lynch goes through the process of creating a unique lamp.

Adapted from Winsor McCay's films and comics of the period, this film follows the established theme: the "Rarebit Fiend" gorges himself on rarebit and thus suffers spectacular hallucinatory dreams.

Adapted from Winsor McCay's films and comics of the period, this film follows the established theme: the "Rarebit Fiend" gorges himself on rarebit and thus suffers spectacular hallucinatory dreams.