Stephen Dedalus is a young man growing up in Ireland in the early part of the twentieth century. His search for knowledge and understanding, and the decline of his family's circumstances, lead him to revelations on the nature of art and politics. His personal renaissance makes him feel unwelcome in his own country, and forces him to decide whether to leave and accept exile, or to stay and fight.

Stephen Dedalus is a young man growing up in Ireland in the early part of the twentieth century. His search for knowledge and understanding, and the decline of his family's circumstances, lead him to revelations on the nature of art and politics. His personal renaissance makes him feel unwelcome in his own country, and forces him to decide whether to leave and accept exile, or to stay and fight.

She purchased a ticket of no return to Berlin-Tegel. She wanted to forget her past, or rather to abandon it like a condemned house. She wanted to concentrate all her energies on one thing, something all her own. To follow her own destiny at last was her only desire. Berlin, a city in which she was a complete stranger, seemed just the place to indulge her passion undisturbed. Her passion was alcohol, she lived to drink and drank to live, the life of a drunkard. Her resolve to live out a narcissistic, pessimistic cult of solitude strengthened during her flight until it reached the level at which it could be lived. The time was ripe to put her plans into action. 　　The movement of transformation in this film has the opposite trajectory as the previous film Madame X. There women come from very specific backgrounds to journey into the unknown, here a woman without a name comes from an unknown place and engages in a most specific sight-seeing tour of Berlin based on her interest in alcoholic beverages. In a sense this project also represents the exploration of the unknown, and death and destruction await her equally at the end of each journey, that to the extreme outer regions of adventure as well as that of total narcissistic retreat into the self.

《青年的力量》是人民日报2019五四运动100周年献礼短视频节目，由杨蓉、黄圣依、张一山、等青年演员；许吉如、黄渊普、李世杰等优秀青年代表向我们展现青年的风采，带来青年的态度。相信青年人，相信年轻的力量。

《青年的力量》是人民日报2019五四运动100周年献礼短视频节目，由杨蓉、黄圣依、张一山、等青年演员；许吉如、黄渊普、李世杰等优秀青年代表向我们展现青年的风采，带来青年的态度。相信青年人，相信年轻的力量。

本片导演赖汶星很喜欢拍女煞星，女王蜂题材的动作电影，里面加入不少飙车戏，本片也不例外，除了打斗就是飙车，故事线特别凌乱。最后阿文的结局也是开车冲上山上，被枪打死。好友程剑平因为收藏脏物罪被判处有期徒刑两年。

《有一个青年》是中央电视台第一部实景拍摄的单本电视剧。 　　当年，扮演顾明华的张铁林和扮演徐薇的方舒进入北京电影学院七八级表演班学习不到一年。此剧播出后，在社会上引起强烈反响，当时在全国歌坛上崭露头角的殷秀梅关贵敏为这部电视剧配唱了一首非常有名的插曲《青春啊，青春》更被年轻人传唱一时，成为经典，而本剧也荣获了全国优秀电视剧评一等奖。

《有一个青年》是中央电视台第一部实景拍摄的单本电视剧。 　　当年，扮演顾明华的张铁林和扮演徐薇的方舒进入北京电影学院七八级表演班学习不到一年。此剧播出后，在社会上引起强烈反响，当时在全国歌坛上崭露头角的殷秀梅关贵敏为这部电视剧配唱了一首非常有名的插曲《青春啊，青春》更被年轻人传唱一时，成为经典，而本剧也荣获了全国优秀电视剧评一等奖。

一个年轻的作曲家出发前往格鲁吉亚的几个城市旅行，非常希望能够采集各地的民谣。但是他的同伴却相信，他是受到一个革命组织派遣，为的是计划未来的行动。影片一开始便笼罩着一股不祥的预兆，像是暴风雨前的宁静。导演与摄影师微妙地在消极的安详和积极的罪行之间，营造出令人不安的张力。这种宁静的张力持续着，但是诡异的气氛却悄悄地扩散，爆炸、火灾、逮捕行动，直到恶运扩及全国。人物的奔走并不意味他们准备反抗，纯粹只是慑服于恐惧的状态中。他们想逃离，却缺乏勇气与时间。他们在等待一个领袖的出现… 　　This Russian drama is set in 1907 just before the Revolution erupted and centers upon a young musician who is trying to record all of the folk songs in his big country. His journey leads him to encounter all types of people. The only shadow is the threat of Czarist troops looking to exterminate those who seem to threaten the crumbling monarchy. The musician finds himself pursued when his map is mistaken by soldiers for a list of possible radicals. All those the musician visited are executed and as the story ends, a community religious celebration becomes a massacre when the troops suddenly move in to seize them en masse 　　改编自Otar Chkeidze小说《无名的风》（Veter, kotoromu net imeni） 　　1986 柏林影展最佳导演奖 　　1985 苏联影展最佳影片、最佳摄影两项大奖

《给青年的信》以书信为载体，聚焦新征程青年奋斗场景，讲述各行各业的青年代表在新时代与党和国家一起经历的进步与变化。