1943年夏，为巩固抗日力量，军分区紧急行动，派贾大力回到战略要地牛家村发展新成员和建立新的游击组织。阴差阳错，日军军事专家横山混入沐城时被守军抓…

叶安在公交车给孕妇刘翠花让座后，人生陷入噩梦。刘翠花执意称他是丈夫、腹中孩子是他的，追至其公司造谣，逼得叶安辞职躲避，却仍被纠缠不休。 警局介入后，亲子鉴定显示孩子与叶安匹配，女友愤而分手。叶安拒不相信，再次鉴定竟发现自己与多人基因重合，怪事频发。 就在众人逼迫他负责时，警察道出惊人真相：叶安是机器人，由顶尖科学家刘翠花在爱人周明死后制造，意外流落孤儿院。刘翠花孩子生父另有其人，她只是想借怀孕嫁祸，留住有着周明面容的叶安。 真相大白，刘翠花因污蔑罪或将入狱，叶安洗清骂名却因机器人身份倍感落寞。好在女友回心转意，有关部门愿为他检查更换硬件，叶安决定即便身为机器人，也要好好活在世间，开启别样人生。

苏妍一家因婆婆刘桂兰执意收留远亲，引狼入室导致财物被卷走。此前刘桂兰迷信偏方延误孙女救治、擅闯丈夫单位致其晋升失败，种种"好心"酿成连环悲剧。当家徒四壁时，刘桂兰在梦中见证全家离散的终局，终于惊醒痛哭，意识到以爱为名的专制才是祸根。

此剧讲述了得知患上癌症的女人，她觉得“既然要死就杀个坏人再死”，然后遇见了人生最珍贵的一个人而展开的故事。

他的工作离不开金钱、欲望与凶险，她则是富商的秘密情人，富商病危住院中，她却完全见不到爱人。当皮条客阿龙遇上艺廊经理乃文，孤独的两人搭上彼此，每一次激情都是对现实的逃避：阿龙有青梅竹马的金莎要照顾，乃文也得决定肚子里的孩子何去何从。这是夜都会的红男绿女愁语，拥有自我是奢谈，真情自然短缺。 莫允雯 、 范少勋 演出突破尺度， 温贞菱的奔放不羁更是抢戏亮点。

他的工作离不开金钱、欲望与凶险，她则是富商的秘密情人，富商病危住院中，她却完全见不到爱人。当皮条客阿龙遇上艺廊经理乃文，孤独的两人搭上彼此，每一次激情都是对现实的逃避：阿龙有青梅竹马的金莎要照顾，乃文也得决定肚子里的孩子何去何从。这是夜都会的红男绿女愁语，拥有自我是奢谈，真情自然短缺。 莫允雯 、 范少勋 演出突破尺度， 温贞菱的奔放不羁更是抢戏亮点。

傅子杰（刘以豪 饰）拥有着过人的烹饪天赋，因为心思格外的细腻敏感，所以傅子杰总是能够察觉到食客的所思所想，对应着做出直达心灵的美味料理。傅子杰的父亲经营着一家高级法国餐厅，父亲希望远在法国的儿子能够回到自己的身边，隐姓埋名在餐厅中实习一个月，向来听话孝顺的傅子杰答应了父亲的要求。 　　回国后的傅子杰和童年时代青梅竹马的玩伴杜凯琪（郭雪芙 饰）重逢了。杜凯琪发现，只要自己一和傅子杰扯上点什么关系，就好像会发生倒霉的事情。杜凯琪一直仰慕着一位身份神秘的厨师路易斯，让她没有想到的是，浮现出来的种种线索都在告诉她，路易斯的真实身份就是傅子杰。

傅子杰（刘以豪 饰）拥有着过人的烹饪天赋，因为心思格外的细腻敏感，所以傅子杰总是能够察觉到食客的所思所想，对应着做出直达心灵的美味料理。傅子杰的父亲经营着一家高级法国餐厅，父亲希望远在法国的儿子能够回到自己的身边，隐姓埋名在餐厅中实习一个月，向来听话孝顺的傅子杰答应了父亲的要求。 　　回国后的傅子杰和童年时代青梅竹马的玩伴杜凯琪（郭雪芙 饰）重逢了。杜凯琪发现，只要自己一和傅子杰扯上点什么关系，就好像会发生倒霉的事情。杜凯琪一直仰慕着一位身份神秘的厨师路易斯，让她没有想到的是，浮现出来的种种线索都在告诉她，路易斯的真实身份就是傅子杰。

A black & white short film Alexander Hemming shot for Portishead in 1994. An espionage takeoff, the 10-minute short starred the band members and featured the song "Theme From To Kill A Dead Man". Scenes from the film eventually became the video for "Sour Times". 　　A shifty-looking loner in a trench coat (Barrow) is hired to assassinate a dignitary while the dignitary's wife (Gibbons) looks on. A shot is fired, the dignitary goes down, and the wife becomes hysterical. Carted off to an asylum, she is sedated and forced to watch replays of the assassination. After her discharge, she engages in a symbolic game of chess. She then hires the same assassin to kill the dignitary, since the dignitary faked his death hoping to drive his wife insane. For the film's classic denouement, the wife's car pulls up to the dignitary's Mercedes. He glances over at her and then puts his hand over his face, realizing that the man he just let into his car is going to kill him. She closes her window and drives away, avenged. 　　Geoff Barrow: "When I look at To Kill a Dead Man, I can't stand it. I think it was a dreadful piece of film. Basically, it was done so that we could write some film music. Not to put down anyone involved with the film, but we should have done it with pure images, rather than having us in it. It was misunderstood, what we wanted to get out of it. It created an image, and the whole idea was for it not to." 　　Still, Geoff's happy Portishead made the film, since it was, after all, a practical decision. "We made a tenminute film, wrote a soundtrack to it, got all the artwork for the album and used it as a big promotional video all for the cost of making a mediumpriced video... And all without having to wear any trendy clothes."

Alone and far from home, The Kid makes his way through a strange city looking for the means to get through his day. Surrounded by predators he is forced to make compromises merely to survive, his life of exile grows one day longer.