双叶（芳根京子 饰）和若叶（松井玲奈 饰）是一对相依为命的姐妹，她们自幼由母亲香织（筱原凉子 饰）拉扯长大。因为父亲的缺席，全家的生活重担都落在了香织的身上，埋首于工作的她无可奈何的忽略和女儿们的沟通，可以这么说，若叶一直都是双叶在照顾和陪伴，因此若叶的性格十分的古怪，和母亲之间的关系也格外淡漠。 　　渐渐地，香织意识到不能再任由亲子关系再继续这样恶化下去了，于是，她决定利用做便当来传递自己对孩子们的感情。香织总是将便当做的很可爱，可是若叶偏偏最讨厌可爱的东西，香织的便当让她在学校里受到了同学们的嘲笑。但随着时间的推移，若叶渐渐的从便当上感受到了母亲的爱。

篠原凉子饰演单亲妈妈持丸和芳根京子饰演的女儿双叶，一起生活在八丈岛。读高中的双叶慢慢进入了叛逆期，母女间常常发生冲突。持丸每天设计恶作剧便当来…

A high school girl's secret of hiding her long hair is discovered by her teacher, and she must cut it off according to school regulations. Her dream of dancing is trapped by reality. Is it better to return to the prison-like school and follow the routine, or to stand up and rebel? She is forced to make a choice that night.

A high school girl's secret of hiding her long hair is discovered by her teacher, and she must cut it off according to school regulations. Her dream of dancing is trapped by reality. Is it better to return to the prison-like school and follow the routine, or to stand up and rebel? She is forced to make a choice that night.

影片讲述了在世纪转折期间，意大利都灵被压榨的纺织厂工人开始争取改善工作环境，西尼加利亚教授（马斯杜安尼）被社会主义者派遣到那里帮助工人组织罢工和斗争。

影片讲述了在世纪转折期间，意大利都灵被压榨的纺织厂工人开始争取改善工作环境，西尼加利亚教授（马斯杜安尼）被社会主义者派遣到那里帮助工人组织罢工和斗争。

Lou Diamond Phillips和Fred Gwynne与一群专业罪犯联手，他们拥有抢劫银行所需的一切。他们唯一能做的就是一个警察和他的搭档，他们比他们更愚蠢！当这个团伙进入银行金库时，可以肯定的是，会有组织的疯狂和无组织的犯罪！

"Scar Tissue" is a simple but effective visual essay on gendered body language, contrasting close-up images of strained women's feet in high heels with mid-sections of men, arms crossed in seemingly proprietary and smug comfort. As Amy Taubin says, “Juxtaposed, the two [genders] appear as if from totally different species; the film left me with a yen to see one of those heels planted splat in the middle of one of those bellies".

今時今日問10個人有什麼願望，9個人會答:身體健康！這些日子，疫症肆虐，人人都要增強抵抗力，才能與病毒共存；拉闊點看，人類平均壽命延長了，不好好保養自己等老了體弱多病的話，苦了自己也苦了家人，怎過意得去！

"Scar Tissue" is a simple but effective visual essay on gendered body language, contrasting close-up images of strained women's feet in high heels with mid-sections of men, arms crossed in seemingly proprietary and smug comfort. As Amy Taubin says, “Juxtaposed, the two [genders] appear as if from totally different species; the film left me with a yen to see one of those heels planted splat in the middle of one of those bellies".