島本理生の小説を映画化した本作は、「わたし達はおとな」に続く“（not） HEROINE movies”プロジェクトの第2弾作品。顔の左側にアザがある大学院生・前田アイコの成長が描かれる。 　　研究一筋の生活を送っていたアイコだが、「顔にアザや怪我を負った人」のルポルタージュ本の取材を受けて話題となってから状況が一変。その本が映画化されることになり、彼女は友人の編集者の手引きで出会った監督の飛坂逢太に惹かれていく。そして仕事が第一で女性にも不自由しないタイプの飛坂への思いを募らせながら、アイコは自身のコンプレックスと正面から向き合うようになる。

島本理生の小説を映画化した本作は、「わたし達はおとな」に続く“（not） HEROINE movies”プロジェクトの第2弾作品。顔の左側にアザがある大学院生・前田アイコの成長が描かれる。 　　研究一筋の生活を送っていたアイコだが、「顔にアザや怪我を負った人」のルポルタージュ本の取材を受けて話題となってから状況が一変。その本が映画化されることになり、彼女は友人の編集者の手引きで出会った監督の飛坂逢太に惹かれていく。そして仕事が第一で女性にも不自由しないタイプの飛坂への思いを募らせながら、アイコは自身のコンプレックスと正面から向き合うようになる。

Dae-sik comes to Turkey on a business trip with his team leader, while Jeong-wha visits the country for a vacation with her husband. Reluctantly joining a guided tour, Dae-sik unexpectedly crosses paths with Jeong-wha, the woman he had a one-sided crush on back in college, and the situation begins to spiral out of control.

Dae-sik comes to Turkey on a business trip with his team leader, while Jeong-wha visits the country for a vacation with her husband. Reluctantly joining a guided tour, Dae-sik unexpectedly crosses paths with Jeong-wha, the woman he had a one-sided crush on back in college, and the situation begins to spiral out of control.

A hunter is after a bear in the forest. The bear hides in the house of the little girl Goldilocks, who gives him food and plays with him. But then everything changes. 　　As refuge away from a stalking hunter, a bear is summoned into the solitary cabin in the woods by its occupier, a young blonde girl who seemingly lives there alone. The girl takes care of the bear, including feeding it and hiding it from the suspicious hunter. In turn, the bear and the girl become playmates. The true nature of their confined relationship based on the natural order eventually emerges, with the hunter reentering their lives to complete that order, at least from a human perspective. Written by Huggo 　　2012年鹿特丹国际电影节(International Film Festival Rotterdam)入围短片.

A hunter is after a bear in the forest. The bear hides in the house of the little girl Goldilocks, who gives him food and plays with him. But then everything changes. 　　As refuge away from a stalking hunter, a bear is summoned into the solitary cabin in the woods by its occupier, a young blonde girl who seemingly lives there alone. The girl takes care of the bear, including feeding it and hiding it from the suspicious hunter. In turn, the bear and the girl become playmates. The true nature of their confined relationship based on the natural order eventually emerges, with the hunter reentering their lives to complete that order, at least from a human perspective. Written by Huggo 　　2012年鹿特丹国际电影节(International Film Festival Rotterdam)入围短片.

故事发生在北极附近一个前不着村后不着店的小镇，两个年轻人在这里相遇并坠入爱河。

故事发生在北极附近一个前不着村后不着店的小镇，两个年轻人在这里相遇并坠入爱河。

新加坡影片，影片入围第69届戛纳电影节(2016)影评人周单元，本片是新加坡K·华泽高柏的长片处女作，女主由华人黄璐主演。片名即是对于身份的隐喻。新加坡向来是多元种族和谐共处的现代国家典范，然而土生土长的印裔新加坡导演K.Rajagopal却在他的长片处女作中出人意料地将镜头对准了新加坡底层社会，在小印度的地下及不知名的河畔丛林里思考身份、种族与人的命运。

一只价值连城的青花瓷碗引起的各路人马争夺、爱情遭遇情敌，兄弟祸起萧墙；江洋大盗在这场纷争中不慎阴沟翻船，看似不起眼的小贼混混却意外力挽狂澜；亿万富翁摆不平小店老板……当一切尘埃落定之际，青花瓷碗竟然不知所踪，迷雾再起，背后玄机重重……