影片的初衷是，有四位年轻人，他们用镜头记录下了爷爷奶奶的现实生活，在创作过程中，他们了解到中国当今的老龄化现状，有太多的老人缺少陪伴，于是，他们决定用自己的所学，拍摄这部电影《一切如你》。从年轻人角度出发，讲述了十个“养老、孝老、敬老”的故事。他们的举动得到了老一辈电影艺术家的鼎力支持，这次拍摄是一次难忘的创作历程，更是一次肩负使命的文化传承。

影片的初衷是，有四位年轻人，他们用镜头记录下了爷爷奶奶的现实生活，在创作过程中，他们了解到中国当今的老龄化现状，有太多的老人缺少陪伴，于是，他们决定用自己的所学，拍摄这部电影《一切如你》。从年轻人角度出发，讲述了十个“养老、孝老、敬老”的故事。他们的举动得到了老一辈电影艺术家的鼎力支持，这次拍摄是一次难忘的创作历程，更是一次肩负使命的文化传承。

一部当代喜剧，讲述的是两个人在他们之前的恋情以丑陋的方式破裂时相遇。他们不顾一切地试图重启他们的浪漫命运，罔顾事实，无视比中国阅兵中看到的更多危险信号，只为与彼此重新开始。然后，他们的新生活才过了10天，就开始了，爱的车轮开始以滑稽而又出人意料的方式离开……

苏禾前世因"闺蜜"郑雨琦长期下药致胖、毒哑嗓音，最终被顾城南陷害致死，连累深爱她的未婚夫顾临西一同惨亡。重生后她誓要守护真心爱自己的顾临西，实现歌手梦想。识破郑雨琦的阴谋后，她巧妙反制，在歌唱比赛中以天籁之音一鸣惊人。尽管因肥胖遭受歧视，仍凭实力夺冠并当众揭发郑雨琦下激素、陷害选手等罪行，令其身败名裂！

昭和を代表する歌謡曲の数々をモチーフにした短編オムニバス映画。「解夏」の磯村一路監督が男女の青春を昭和ムードたっぷりに描いた「僕は泣いちっち」、「ウォーターボーイズ」の矢口史靖監督と妻夫木聡が再タッグを組んだ「逢いたくて逢いたくて」、漫画家の蛭子能収が武田真治を主演に迎えた不条理コメディ「いとしのマックス」など、個性あふれる監督陣＆豪華キャストによるバラエティ豊かな11編がそろった。

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

In As You See, Farocki searches for those instances and facts in the history of technology that have been overlooked or ignored, also exploring the ambivalent relationship between technologies developed for civil use and those designed for military purposes. 　　Thus the film for instance describes how in the 1970's workers at the British arms factory Lucas Aerospace attempted to develop socially useful products to replace the company's military output. 　　Rather than following a linear argument, this essay-film juxtaposes disparate images and weaves them into a mosaic-like structure which makes it possible for the viewers to make their own connections between the different images as well as between the images and the commentary.