Four gay men on a Friday night out in Los Angeles.

珊卓（莫莉·帕克 Molly Parker 饰）表面看似一名普普通通的女孩，却有着异于常人的爱好。人人避之而不及的冰冷尸体总是能够触动到她内心里最柔软的地方，令其心生爱怜，久而久之，这种特殊嗜好日渐发展壮大，令珊卓深陷其中无法自拔。 　　一次偶然中，珊卓前往殡仪馆送花，震惊的发现这世界上竟然还有给尸体化妆的入殓师这一美差，当即决定以此为目标开始努力。在学习的过程中，珊卓从尸体身上学到了太多活人无法教会她的知识。麦特（彼得·奥特布里奇 Peter Outerbridge 饰）是医学院的学生，他珊卓沉着的气质深深吸引，可随着了解的加深，麦特渐渐发现了珊卓的秘密。

影片聚焦三个孤独症孩子及其家庭的故事。当丈夫难以承受孩子孤独症的命运选择跳楼，当“妈妈”成为无法与外界沟通的孩子宇宙里唯一的词汇，当被悉心照顾成年的孤独症孩子安慰哭泣的母亲“我照顾妈妈”……这些不是故事，是超千万孤独症人士真实的人生切面。

近未来的日本，一个叫做“疏濑”的城市中，市民过着平凡的生活，只不过，在城市的一角，山冈上面耸立着医疗机器制造厂建造的外形酷似熨斗的工厂，每天固定时刻，那个工厂都像刚烫完东西一样散发出大量蒸汽。小学六年级学生直太，与高中女生真见美，直太那个留学的哥哥的女友，一起在河边打发时间。本该是继续平凡的日子，随着传说中的蜜蜂女——睛子驾驶的电车撞上直太而结束了。直太头上长出了奇怪的角！而睛子居然成为直太家的佣人进入了直太家。睛子的秘密与她口中常念起的“FLCL”的含义，令直太的生活有了翻天覆地的改变。

近未来的日本，一个叫做“疏濑”的城市中，市民过着平凡的生活，只不过，在城市的一角，山冈上面耸立着医疗机器制造厂建造的外形酷似熨斗的工厂，每天固定时刻，那个工厂都像刚烫完东西一样散发出大量蒸汽。 　　小学6年级学生直太，与高中女生真见美，直太那个留学的哥哥的女友，一起在河边打发时间。本该是继续平凡的日子，随着传说中的蜜蜂女——睛子驾驶的电车撞上直太而结束了。直太头上长出了奇怪的角！而睛子居然成为直太家的佣人进入了直太家。睛子的秘密与她口中常念起的“FLCL”的含义，令直太的生活有了翻天覆地的改变。

男主女主生活在一起，分别有一个弟弟和一个妹妹，而女主与男主弟弟一见，原来是旧识，但是女主只想做一个安分守己的妻子，不想再提及往事，然而男主却不老实的跟女主的妹妹搞在了一起，得知这一真相后，失落的女主只能选择报复，而报复的渠道也自然投向了这位小叔子....

In 1968, Silvio Amadio directed L'isola delle svedesi (Island of the Swedes) (1969), the story which bordered on the dramatic and erotic genre about two lesbian women and the arrival of a third party in their menage, a young boy, which leads to tragic consequences. The script was by Roberto Natale, who had already worked with Mario Bava and who went on to write Peccati di gioventu (So Young, So Lovely, So Vicious...) for Amadio where the lesbian theme is tackled in a similar way to the previous film. 　　The female “special love” trend was a reality which was already consolidated in European cinema of this genre, following the huge success of Les biches by Claude Chabrol (1968) and Le salamandre by Alberto Cavallone (1969). This was a popular theme with the audiences and in the case of Peccati di gioventu includes the attraction represented by Gloria Guida, an actress who was rising to stardom and who owed her film debut to Silvio Amadio who discovered her and brought out the best in her more than any other director. Alongside Gloria Guida was the beautiful Dagmar Lassander, who also created a chromatic contrast (the blonde Guida, Lassander the red-head), which in the erotic scenes interpreted by them with the wild and contaminated natural landscape of Sardegna (where the film is set) as background, the fascinating vision of everything (it must be mentioned that the images of their “intimate moments” the actresses experienced together in the film were published in many glamour magazines of that time causing a great stir). 　　Silvio Amadio's film, not only in the formal beauty or the exploitation aspect, disguises the interest because even the structure of the psychological nature of the characters and the game played by them are described in great detail by the script written by Roberto Natale. Invisible for many years, Peccati di gioventu can be seen for the first time in home video format, in the original uncut version.

这个标题带有黑色幽默的色彩。皮埃罗和他的女朋友度过了一个激动人心的周末，突然出现了化名令人不安的客人：大猩猩和狐狸。结果，皮耶罗的状况让他几乎只能在一间空房子里观看这场联欢会。三脚架上带摄像头的硬色情片；然而，这是可以接受的。但也令人沮丧和阴险。