公司小透明程序员沈知薇，暗夜里化身IT开发女强人，用网络虚拟身份和暗恋的冷酷霸总蔺思城谈天说地，没想到被蔺总识破真身后却得到了男神的求婚!但沈知薇与霸总男神的同居生活根本不像想象中甜蜜，原来暗夜中的男神才会展现不为人知的危险面……

公司小透明程序员沈知薇，暗夜里化身IT开发女强人，用网络虚拟身份和暗恋的冷酷霸总蔺思城谈天说地，没想到被蔺总识破真身后却得到了男神的求婚!但沈知薇与霸总男神的同居生活根本不像想象中甜蜜，原来暗夜中的男神才会展现不为人知的危险面……

fú píng (“duckweed”) is an essay film that follows a woman as she drifts through memories of home, family and womanhood. Through quiet imagery and poetic voiceover, the film reflects on generational trauma, cultural displacement and the unspoken tension between mothers and daughters—floating between time, language and place.

Since the death of Jesus, Mary Magdalene has withdrawn from the world. Her hair has turned white, she eats berries, drinks rain water and sleeps among the trees. Alone in the heart of the forest, she remembers her lost love. She looks for a way to find him. 　　—— 　　Under the rain, in the wind or in the mist, through forests and caves, little by little, one shot after the other, a deep mystery unfurls. A mystery which is as thick as the cloak that covers Mary Magdalene. Not Mary the great sinner nor the redeemed soul, but the great lover who stays loyal until the end to her passion for Christ. Is this the passion of a believer in God ? Or the one of a lover for a man ? Every cell of her body remembers their radiant encounter which has, since it happened, illuminated every single moment of her life. 　　Damien Manivel's cinematic creation wraps a nebulous aura around its viewers. It is as ascetic in the way it treats its subject as it is sensual in the way it makes us see things. It is particularly attentive to the bodies and to the materiality of space and time, which both carries and passes through every living creature. This dusky movie propels us into a primitive mystique which has nothing to do with candles, thuribles and « Our Father Who art in heaven » prayers, and in which nature and hallucinated visions make human faith go back to its original paganism. The filmmaker and his actress Elsa Wolliaston, whose expressivity is stunning, succeed in transfiguring the character of Mary Magdalene. Together they climb up the steep slopes of Love and Faith in beauty.

上集 　　锦儿与男友大学毕业后留在上海工作，锦儿就职于一家网络公司，男友文辉做科研，一日锦儿与客户谈判，因口红留在杯上，客户公司CEO陈灿留意，陈灿过后对锦儿说其口红太差，像她这样的女孩可以拥有更多更好的东西，锦儿与男友去选口红，因口红太贵，放弃了购买，文辉说以后要亲自为锦儿研制一种口红…… 　　下集 　　锦儿与陈灿接触，逐渐被陈灿吸引。锦儿与男友痛苦分手，准备与陈灿结婚，但意外的发现陈灿背后还有一位女人，锦儿原谅了他，但陈灿却不愿失去富裕的生活，当晚离开锦儿。 　　锦儿回到了以前的生活，一日在街头发现一则宣传广告“锦儿口红”和上面自己的照片，泪如雨下……于是她给制片商打去了电话，详询此事……

Menkes’ spellbinding, formally inventive first feature follows detached sex worker Ida (Tinka Menkes) through the bars, flophouses and swimming pools of East Los Angeles as she moves inextricably towards an unexpected spiritual awakening. Blending poetry by Anne Sexton, Mary Daly and Gertrude Stein, with allusions to Catholicism and mediaeval witch hunts, this stylish and slow-burning psycho-noir builds to a spectacular denouement.

Menkes’ spellbinding, formally inventive first feature follows detached sex worker Ida (Tinka Menkes) through the bars, flophouses and swimming pools of East Los Angeles as she moves inextricably towards an unexpected spiritual awakening. Blending poetry by Anne Sexton, Mary Daly and Gertrude Stein, with allusions to Catholicism and mediaeval witch hunts, this stylish and slow-burning psycho-noir builds to a spectacular denouement.

上集 　　锦儿与男友大学毕业后留在上海工作，锦儿就职于一家网络公司，男友文辉做科研，一日锦儿与客户谈判，因口红留在杯上，客户公司CEO陈灿留意，陈灿过后对锦儿说其口红太差，像她这样的女孩可以拥有更多更好的东西，锦儿与男友去选口红，因口红太贵，放弃了购买，文辉说以后要亲自为锦儿研制一种口红…… 　　下集 　　锦儿与陈灿接触，逐渐被陈灿吸引。锦儿与男友痛苦分手，准备与陈灿结婚，但意外的发现陈灿背后还有一位女人，锦儿原谅了他，但陈灿却不愿失去富裕的生活，当晚离开锦儿。 　　锦儿回到了以前的生活，一日在街头发现一则宣传广告“锦儿口红”和上面自己的照片，泪如雨下……于是她给制片商打去了电话，详询此事……

公元一世纪的圣地，一个年轻女子离开了她的小渔村和传统家庭，加入了一场激进的新社会运动。它的带头人是一个迷人的领袖，拿撒勒的耶稣，他承诺世界正在改变。玛利亚正寻求新的生存方式。玛利亚的精神之旅让她成为故事的重心，她将来到耶路撒冷，直面耶稣的命运，并找寻自己的位置。

公元一世纪的圣地，一个年轻女子离开了她的小渔村和传统家庭，加入了一场激进的新社会运动。它的带头人是一个迷人的领袖，拿撒勒的耶稣，他承诺世界正在改变。玛利亚正寻求新的生存方式。玛利亚的精神之旅让她成为故事的重心，她将来到耶路撒冷，直面耶稣的命运，并找寻自己的位置。