盖伊·马丁受邀到塔尔·贝拉的电影学院时，和学生们一起完成的一个短片，改编自著名先锋电影导演László Moholy-Nagy写的一个剧本构思。（László Moholy-Nagy的原剧本构思介绍：https://blogs.princeton.edu/graphic arts/2010/12/l_moholy-nagy.html）

One of America’s foremost practitioners of the essay film presents a major new work inspired by the writings
 of Gilles Deleuze on cinema. The Thoughts That Once We Had is a richly layered journey through cinematic history, masterfully edited as it playfully moves across decades and genres, and suffused at every turn by the renowned filmmaker and critic’s lifelong passion for the movies.

上世纪50年代，女主角林波儿随养母到香港艰难营生。但她坚持传承南音，在闽南侨胞的帮助下一举成名，被东南亚影迷誉为“一代旦后”的传奇故事。

上世纪50年代，女主角林波儿随养母到香港艰难营生。但她坚持传承南音，在闽南侨胞的帮助下一举成名，被东南亚影迷誉为“一代旦后”的传奇故事。

Saratan is a film made in 2005 by the Kyrgyz director Ernest Abdyjaparov, with financial assistance from Germany, and distributed in the West by a German company. 　　The film was made more than ten years after the demise of the Soviet Union - when the various socialist republics suddenly found themselves with unexpected independence – which brought with it an economic malaise following the withdrawal of Moscow’s subsidies, and an ideological vacuum which together left Kyrgyzstan and its neighbouring Central Asian republics facing economic hardships and social upheavals. 　　It centers on the lives of people in one small Kyrgyz village, a snapshot of life with happy and sad elements side by side. It can also be seen, however, as providing a comment on the country’s history, society and culture in the period following independence, “where the average citizen is struggling with a sheer insurmountable number of difficulties.” 　　Fourteen years into independence, there are several things that just don’t seem to work in this small Kyrgyz village: the farms are not working; the people are poor without prospects for a better future although a few “rich” people have benefited – to the disadvantage of the average villager, employment is virtually non-existant and the little money that is earned is, all too often, spent on vodka. 　　More than 40 characters populate the film and provide a kaleidoscope of personal stories and relationships. Amongst them are: drunkards, thieves, philanderers, hypocrites, adulterers, layabouts, a malicious jester, a shaman, a cheating wife, a mullah who oversleeps and has to rush to conduct morning prayers in which no-one seems to take an interest, a traffic policeman directing non-existent rush-hour traffic in the village square, the local mayor struggling to cope with an apathetic community in which seems to take him seriously, a Jehovah’s Witness missionary who finds an avid in the Communist die-hard as they share a prison cell, a cattle thief and his family who utter an Islamic prayer fused with nomadic gestures when slaughtering a stolen lamb 　　The “heroes” of the film, however, are the “Kyrgyz people” – who, despite the trials and tribulations of everyday life in a depressed economy, nevertheless manage to overcome them and find ways to cope with the apparent hopelessness of their situation. 　　Two phrases used by reviewers in describing it are: ”a happy-sad snapshot” and “tragicomic tales of politics, tradition, modernity, pride and honour”. The humour is underlined by a elements of satire, cynicism, self-mockery, a sense of absurdity and occasional moments of “slapstick”. 　　It was made on a small budget – just USD120,000 – and has been shown in a number of film festivals in Berlin, California, Cardiff, London and Marakesh – where it was the “Golden Star” prize, and in Russia where it has also won prizes. 　　Abdyjaparov says: “As far as context is concerned, this film is about difficulties of Kyrgyzstan for the last 10 years after it became independent from the Soviet Union. I showed it [the history of Kyrgyzstan] through a small Kyrgyz village, its history, people, social, economic and even philosophical issues and developments. I tried to show the whole country’s fate by showing one village,” .

电影《一刀天堂》讲述了一位餐馆老板（段奕宏饰）因失去至亲追凶七年，途中结识了一位身世复杂的少年（史彭元饰），在猜疑与试探中，两人的关系开始朝着意想不到的方向发展。

电影《一刀天堂》讲述了一位餐馆老板（段奕宏饰）因失去至亲追凶七年，途中结识了一位身世复杂的少年（史彭元饰），在猜疑与试探中，两人的关系开始朝着意想不到的方向发展。

一所平凡的中学，1年B组即将迎来春假。不知天高地厚的学生们肆意吵闹，殊不知一场绵亘数月的风暴正向他们袭来。级任教师森口悠子（松隆子 饰）全然无视这片混乱，静静地向学生们做出最后的告白。这个单亲妈妈独自抚养着可爱的女儿（芦田爱菜 饰），然而女儿最终在游泳池中溺水身亡。警察 认定这是一起意外，森口则认定女儿死于班上两个学生之手。她不动声色地指责着犯人A和B，并宣布用自己的方式进行复仇。在此之后，森口辞去教师职务，1年B班的学生也心怀惴惴迎来了春假。新学期开始，残酷的风暴袭向了这群无知无畏的少男少女…… 　　本片根据湊かなえ的原作改编，并成为2010年电影旬报十佳影片；第34届日本电影学院奖最佳作品、最佳导演、最佳剧本和最佳剪辑4项大奖。