Jung-kyoung is looking for her younger sister Hoo-kyoung while Chang is a computer whiz who stays on at the rest stop after losing his job. KIM Bak is a reporter and photographer for the local Tongyeong media who frequents the rest stop. Onna is a famous blogger who works at the rest stop and dreams of a new Asian highway. It is also the virtual journey of the 880-thousand-won generation. They show the sense of loss, loneliness, and communication in this digital age. An older sister searching for a young sister who has run away from home, an animator who wanders around aimlessly after leaving his job, a reporter, and the employees of the rest stop.

《處景花園⼀座》以香港⼀片喧囂中個人與群體的連繫為場景 ，將鏡頭對準當下八組不同年齡和背景的角色，並進而⾏。隨着「實況演出」到糅雜超越現實的瞬間，察看對號入座式的印象與虛實 。期間視角從武斷的分類和定義裏移開， 跨越生活和形塑身分的過程中不願被劃歸的邊界。

二十世纪初，婚礼摄影师佩德罗来到了荒蛮的火地岛，为当地掌权者拍摄婚礼。可他却深深迷上了年轻的准新娘，背叛了当权者所设下的规矩，并因此受到了惩罚。佩德罗无法逃离火地岛，只好被迫成为了一场针对原住民的大屠杀共犯。在他拍摄的相片中，屠杀场面被改为精心设计的摆拍，真相则被遗留在镜头之外。本片取材自真实发生在火地岛的原住民屠杀事件，导演通过虚构主角佩德罗的视角，展现出了这段历史中令人不适的灰色地带。影片荣获了威尼斯电影节地平线单元最佳导演奖及费比西奖。

White on White is the video diary that filmmaker Viera Čákanyová kept while staying at the Polish Antarctic station, where she shot her neural network-led film FREM (2019) in 2017. During her stay, the author talks with a compellingly conversant AI chat bot, driving conversations that touch on the nature of film, art, and the meaning of life, while also revealing a way of thinking which – free from a distinctly human emotionality – forces deep introspection. Footage from her ordinary, everyday life at the station contrasts with lyrical images of the Antarctic’s immaculate scenery and wildlife. Čákanyová complements this with her own probing and intelligent commentary, provoked by the loneliness of the ice-covered landscape.

我曾被青梅竹马的太子和挚友联手背叛，沦为成全庶妹的垫脚石。心如死灰时，镇远大将军携真心而来，许我一生一世一双人。边塞风雪中，我们携手破阴谋、护家国。当真相大白，仇人殒命，我与他并肩看夕阳——那些迟到的深情与公道，虽晚必至。

讲述了最不能忍受游戏或案件调查被卡住的宅女侦探具景伊的搞笑破案剧。具景伊 --- 李英爱 饰警察出身的保险调查官。曾经是有实力的警察，现在是与…

在大齐深宫的朱墙深处，乐安公主沈乐安自幼因生母出身卑微而备受冷眼与欺凌。她的命运与皇帝裴景珩紧密纠缠半生，两人之间既有命运的牵绊，亦有深沉的怨怼，情感错综复杂，爱恨交织。乐安公主曾渴望一份简单安稳的姻缘，远离权谋倾轧，却在现实的洪流中屡屡受挫。一次意外怀孕，让她被安置在京郊别院，远离了那座冰冷的囚笼，也在此邂逅了沉默寡言却情深义重的暗卫谢骁。

女教师到某穷乡僻壤赴任。整个村子村民相互都有姻亲关系。令女教师分外奇怪的是村子里还住着一个游手好闲的无赖汉。原来，这个无赖汉身份特殊，他的任务是满足全村妇女的性要求……某日，等待未婚夫的女教师遭到无赖汉的强暴……

画面上，几个部件衔起一座冷峻、富有工业感的装置，往复运作着，机械的声响搭起漠然的白噪音声景。无人的场景，却无处不是人存在的痕迹。 　　《工业声景》泛着一种莫名荒凉、却又无可名状的能量，令人想起《沙丘》中那个被遗弃星球的某种诡异吸引力。无限运转的器械，逐渐围闭出一套物理法则，原本摸不着头脑的我们，于是也在时间的展开中，恍惚地被吸入其中。