HyperNormalisation tells the extraordinary story of how we got to this strange time of great uncertainty and confusion - where those who are supposed to be in power are paralysed - and have no idea what to do. And, where events keep happening that seem inexplicable and out of control - from Donald Trump to Brexit, the War in Syria, the endless migrant crisis, and random bomb attacks. It explains not only why these chaotic events are happening - but also why we, and our politicians, cannot understand them. 　　The film shows that what has happened is that all of us in the West - not just the politicians and the journalists and the experts, but we ourselves - have retreated into a simplified, and often completely fake version of the world. But because it is all around us, we accept it as normal. 　　HyperNormalisation has been made specifically for BBC iPlayer. It tells an epic narrative spanning 40 years, with an extraordinary cast of characters. They include the Assad dynasty, Donald Trump, Henry Kissinger, Patti Smith, the early performance artists in New York, President Putin, intelligent machines, Japanese gangsters, suicide bombers - and the extraordinary untold story of the rise, fall, rise again, and finally the assassination of Colonel Gaddafi. 　　All these stories are woven together to show how today’s fake and hollow world was created. Part of it was done by those in power - politicians, financiers and technological utopians. Rather than face up to the real complexities of the world, they retreated. And instead constructed a simpler version of the world in order to hang onto power. 　　But it wasn’t just those in power. The film shows how this strange world was built by all of us. We all went along with it because the simplicity was reassuring. And that included the left and the radicals who thought they were attacking the system. The film reveals how they too retreated into this make-believe world - which is why their opposition today has no effect, and nothing ever changes.

与 此同时，整个夏天，Jack Smith都在拍摄Normal Love，他自己在Flaming Creatures后的“商业片”。作为完美主义者的他装了一卡车的恐怖电影俗套道具（狼人，黄女巫，黑蜘蛛，白蝙蝠，美人鱼）开过新泽西到Fire Island，寻找拍摄某个场景的完美外景：仅寻找绿翡翠木乃伊奸杀Cobra Woman（Maria Montez曾主演过同名影片）的沼泽就花了四个星期。有人回忆说每场戏都如一个大派对，大家数小时数小时的化妆，穿戏服，搭布景。 　　Normal Love照旧在过期胶片上拍摄，因此影片充斥了大堆的粉色，黄色和绿色的色块，让它看上去比Flaming Creatures更华丽。到8月份的时候Gramercy Arts剧院里已经充斥了关于此片的传闻（Village Voice的广告上说“At last! An evening of Baudelairean cinema”）。午夜的正常放映结束后，或者在Lispenard Street的Ron Rice的阁楼里，Jack Smith会放映Normal Love的毛片（Rice此时已经暂时放下The Queen of Sheba，转而拍摄影片Chumlum）。据Sitney说，这些放映是电影人，演员，和影评人的重要会议。Mekas已经开始做宣传。夏末他参加了 Flaherty电影研讨会。这是一个在Vermont州的Brattleboro举办的关于Cinema verite的国际电影回顾。Mekas带了Blonde Cobra和Flaming Creatures去，但是直到午夜才设法放映了影片。Mekas在专栏里写道“我的老天，即使在Flaherty我们也感觉是搞地下电影的。”

如果你的家人被指控谋杀，你会怎么做？该剧根据瑞典同名畅销书改编。

如果你的家人被指控谋杀，你会怎么做？该剧根据瑞典同名畅销书改编。

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