夏母得到一笔巨额的拆迁款，本意是想给两个亲生儿子分的，村长却提醒她俩亲生儿子不一定是真孝顺，反而是养女对夏母真心，村长提议让夏母可以做个测试验证子女真心，但在轮流生活中，夏母却遭受到俩亲生儿子和儿媳的种种恶劣对待，每一次都是大女儿出来维护她，夏母也在一次次的经历中渐渐清醒养儿不一定能防老，只有懂得感恩的人才值得被真心对待！

Civil war died down. The soldiers returned home from the front. 　　A strong friendship links the three comrades, former Red commanders Langovoy, Zheltikov and senior among them, Uncle Sasha. 　　All three friends work in the military headquarters. Uncle Sasha and Zheltikov are bachelors. They dwelt together in one room. Friends often come to visit a cozy apartment of Langovoy and his wife Masha, which married in the years of civil war. Masha was a loyal front Langovoy's comrad. Masha selflessly cared for Langovoy when he was fell ill. Some time later, Masha was leaving a rest to his mother. During her absence Langovoy falls in love with the woman which hi was rescued from the street accident. Langovoy's friends comdemn his behavior. Masha returned from the family grieved the incident. Finally Langovoy decides to return to his wife and ask her forgiveness. 　　Civil war died down. The soldiers returned home from the front. 　　A strong friendship links the three comrades, former Red commanders Langovoy, Zheltikov and senior among them, Uncle Sasha. 　　All three friends work in the military headquarters. Uncle Sasha and Zheltikov are bachelors. They dwelt together in one room. Friends often come to visit a cozy apartment of Langovoy and his wife Masha, which married in the years of civil war. Masha was a loyal front Langovoy's comrad. Masha selflessly cared for Langovoy when he was fell ill. Some time later, Masha was leaving a rest to his mother. During her absence Langovoy falls in love with the woman which hi was rescued from the street accident. Langovoy's friends comdemn his behavior. Masha returned from the family grieved the incident. Finally Langovoy decides to return to his wife and ask her forgiveness.

This simple story of a mother and daughter finds them struggling to find work and food in Paris. Micheline Bezancon is the expressionless young mother who alone worries about the future of her and her daughter. Filmed in black and white, the directorial approach is as simple as the title. She engages in a poignant narrative about her daily life. Half of the time the screen is black, evoking a feeling of despair that permeates the feature. 　　Shot in 16 mm in Paris & its suburbs and co-produced by French television on a very low budget. This was inspired by an item on the back page of a newspaper. The essence of the film is captured by its first person voice-over commentary, and was considered "one of the few genuine masterpieces in the entire history of cinema" by film theorist Noel Burch. The film is not available in English translation, either dubbed or subtitled. But it works very well in simultaneous translation, if prepared in advance.

This simple story of a mother and daughter finds them struggling to find work and food in Paris. Micheline Bezancon is the expressionless young mother who alone worries about the future of her and her daughter. Filmed in black and white, the directorial approach is as simple as the title. She engages in a poignant narrative about her daily life. Half of the time the screen is black, evoking a feeling of despair that permeates the feature. 　　Shot in 16 mm in Paris & its suburbs and co-produced by French television on a very low budget. This was inspired by an item on the back page of a newspaper. The essence of the film is captured by its first person voice-over commentary, and was considered "one of the few genuine masterpieces in the entire history of cinema" by film theorist Noel Burch. The film is not available in English translation, either dubbed or subtitled. But it works very well in simultaneous translation, if prepared in advance.

安心亚与陈泂江在《简单的婚礼》演出要步入婚姻殿堂的男女朋友，陈泂江饰演殡葬业的型男小开“许诺言”，外形阳光，做事百无禁忌。安心亚则是潜水教练，…

这是一对即将步入婚姻殿堂的男女朋友。型男小开“许诺言”，外形阳光，做事百无禁忌。潜水教练“安纾语”，她的理想是简简单单的婚礼，但男方亲友及自己善妒的好友等人，使得即将来临的婚礼变得一点也不简单。

「使被动观众成为主动观察者、全神贯注等待下一步发展。」─《The Upcoming》网站 　　没有演员，没有剧本，没有虚假的情感。《我们与性的距离》是一部超越虚实的纪录剧情片，导演泰默姜达里 费时四个月，贴身拍摄七名住在德国科隆、介于25 至45 岁的男女，他们主宰自己的命运，并勇敢表现自己的 处境和感受。 苏菲亚搬回家和母亲姊妹同住，失业的她决定从事卖淫；索恩健壮有型并热衷拳击，他在女性床伴之间居无定 所，直到遇见令他心仪的女孩；列妮学习按摩治疗，也和热恋中的女友琵亚开始同居；史黛拉与男友尼克维持 开放式关系，却难掩心中的不安。 四组人物交错发展，在镜头前裸裎坦荡，做爱像呼吸一般自然，但更令人感同身受的，是对人生永不妥协的态 度，以及找到一份获得幸福并全心付出的爱情。只是，爱能否如此简单？性就能拉近彼此距离？

「使被动观众成为主动观察者、全神贯注等待下一步发展。」─《The Upcoming》网站 　　没有演员，没有剧本，没有虚假的情感。《我们与性的距离》是一部超越虚实的纪录剧情片，导演泰默姜达里 费时四个月，贴身拍摄七名住在德国科隆、介于25 至45 岁的男女，他们主宰自己的命运，并勇敢表现自己的 处境和感受。 苏菲亚搬回家和母亲姊妹同住，失业的她决定从事卖淫；索恩健壮有型并热衷拳击，他在女性床伴之间居无定 所，直到遇见令他心仪的女孩；列妮学习按摩治疗，也和热恋中的女友琵亚开始同居；史黛拉与男友尼克维持 开放式关系，却难掩心中的不安。 四组人物交错发展，在镜头前裸裎坦荡，做爱像呼吸一般自然，但更令人感同身受的，是对人生永不妥协的态 度，以及找到一份获得幸福并全心付出的爱情。只是，爱能否如此简单？性就能拉近彼此距离？

十年前，江市第一商业帝国莫家就此陨落，江市各大家族风云涌动，十年后，言家长女言凌月惨遭妹妹陷害错嫁落魄少爷莫绍白，言凌月在生死一线之际意外获得未来基因系统，言凌月和莫绍白保持初心，远离纷争，携手过上平淡幸福的生活，但就在此时，各大家族少爷纷纷倾羡言凌月，到底谁是真心，谁是假意......

Three down-on-their-luck, twenty-something female roommates are living paycheck to paycheck in a rundown apartment, when one night they stumble across $3 million dollars in a suitcase amidst the bloody aftermath of a drug shootout. Despite wanting to keep the money and smuggle it out of the country, the girls are forced into a final showdown and must face off against seasoned criminals who want the cash for themselves.