夏母得到一笔巨额的拆迁款，本意是想给两个亲生儿子分的，村长却提醒她俩亲生儿子不一定是真孝顺，反而是养女对夏母真心，村长提议让夏母可以做个测试验证子女真心，但在轮流生活中，夏母却遭受到俩亲生儿子和儿媳的种种恶劣对待，每一次都是大女儿出来维护她，夏母也在一次次的经历中渐渐清醒养儿不一定能防老，只有懂得感恩的人才值得被真心对待！

Civil war died down. The soldiers returned home from the front. 　　A strong friendship links the three comrades, former Red commanders Langovoy, Zheltikov and senior among them, Uncle Sasha. 　　All three friends work in the military headquarters. Uncle Sasha and Zheltikov are bachelors. They dwelt together in one room. Friends often come to visit a cozy apartment of Langovoy and his wife Masha, which married in the years of civil war. Masha was a loyal front Langovoy's comrad. Masha selflessly cared for Langovoy when he was fell ill. Some time later, Masha was leaving a rest to his mother. During her absence Langovoy falls in love with the woman which hi was rescued from the street accident. Langovoy's friends comdemn his behavior. Masha returned from the family grieved the incident. Finally Langovoy decides to return to his wife and ask her forgiveness. 　　Civil war died down. The soldiers returned home from the front. 　　A strong friendship links the three comrades, former Red commanders Langovoy, Zheltikov and senior among them, Uncle Sasha. 　　All three friends work in the military headquarters. Uncle Sasha and Zheltikov are bachelors. They dwelt together in one room. Friends often come to visit a cozy apartment of Langovoy and his wife Masha, which married in the years of civil war. Masha was a loyal front Langovoy's comrad. Masha selflessly cared for Langovoy when he was fell ill. Some time later, Masha was leaving a rest to his mother. During her absence Langovoy falls in love with the woman which hi was rescued from the street accident. Langovoy's friends comdemn his behavior. Masha returned from the family grieved the incident. Finally Langovoy decides to return to his wife and ask her forgiveness.

Civil war died down. The soldiers returned home from the front. 　　A strong friendship links the three comrades, former Red commanders Langovoy, Zheltikov and senior among them, Uncle Sasha. 　　All three friends work in the military headquarters. Uncle Sasha and Zheltikov are bachelors. They dwelt together in one room. Friends often come to visit a cozy apartment of Langovoy and his wife Masha, which married in the years of civil war. Masha was a loyal front Langovoy's comrad. Masha selflessly cared for Langovoy when he was fell ill. Some time later, Masha was leaving a rest to his mother. During her absence Langovoy falls in love with the woman which hi was rescued from the street accident. Langovoy's friends comdemn his behavior. Masha returned from the family grieved the incident. Finally Langovoy decides to return to his wife and ask her forgiveness. 　　Civil war died down. The soldiers returned home from the front. 　　A strong friendship links the three comrades, former Red commanders Langovoy, Zheltikov and senior among them, Uncle Sasha. 　　All three friends work in the military headquarters. Uncle Sasha and Zheltikov are bachelors. They dwelt together in one room. Friends often come to visit a cozy apartment of Langovoy and his wife Masha, which married in the years of civil war. Masha was a loyal front Langovoy's comrad. Masha selflessly cared for Langovoy when he was fell ill. Some time later, Masha was leaving a rest to his mother. During her absence Langovoy falls in love with the woman which hi was rescued from the street accident. Langovoy's friends comdemn his behavior. Masha returned from the family grieved the incident. Finally Langovoy decides to return to his wife and ask her forgiveness.

父母离世后房产拆迁获 300 万补偿款，张世、张梅、张珊三兄妹为此激烈争夺。大哥张世称照料父母五年要 70%，二姐张梅晒转账记录求 50%，二人互相揭短，均被指未尽孝道，温和的小妹张珊劝解反遭质疑。张世拿出公证遗嘱称款归自己，却遭姐姐们质疑。张珊随后道出父母肺癌晚期的 120 万医药费由自己垫付的真相，设局考验二人。最终兄妹二人醒悟，众人按父母真实遗嘱，扣除医药费后平分余款，约定和睦相处、祭扫父母。

This simple story of a mother and daughter finds them struggling to find work and food in Paris. Micheline Bezancon is the expressionless young mother who alone worries about the future of her and her daughter. Filmed in black and white, the directorial approach is as simple as the title. She engages in a poignant narrative about her daily life. Half of the time the screen is black, evoking a feeling of despair that permeates the feature. 　　Shot in 16 mm in Paris & its suburbs and co-produced by French television on a very low budget. This was inspired by an item on the back page of a newspaper. The essence of the film is captured by its first person voice-over commentary, and was considered "one of the few genuine masterpieces in the entire history of cinema" by film theorist Noel Burch. The film is not available in English translation, either dubbed or subtitled. But it works very well in simultaneous translation, if prepared in advance.

This simple story of a mother and daughter finds them struggling to find work and food in Paris. Micheline Bezancon is the expressionless young mother who alone worries about the future of her and her daughter. Filmed in black and white, the directorial approach is as simple as the title. She engages in a poignant narrative about her daily life. Half of the time the screen is black, evoking a feeling of despair that permeates the feature. 　　Shot in 16 mm in Paris & its suburbs and co-produced by French television on a very low budget. This was inspired by an item on the back page of a newspaper. The essence of the film is captured by its first person voice-over commentary, and was considered "one of the few genuine masterpieces in the entire history of cinema" by film theorist Noel Burch. The film is not available in English translation, either dubbed or subtitled. But it works very well in simultaneous translation, if prepared in advance.

安心亚与陈泂江在《简单的婚礼》演出要步入婚姻殿堂的男女朋友，陈泂江饰演殡葬业的型男小开“许诺言”，外形阳光，做事百无禁忌。安心亚则是潜水教练，…

这是一对即将步入婚姻殿堂的男女朋友。型男小开“许诺言”，外形阳光，做事百无禁忌。潜水教练“安纾语”，她的理想是简简单单的婚礼，但男方亲友及自己善妒的好友等人，使得即将来临的婚礼变得一点也不简单。

「使被动观众成为主动观察者、全神贯注等待下一步发展。」─《The Upcoming》网站 　　没有演员，没有剧本，没有虚假的情感。《我们与性的距离》是一部超越虚实的纪录剧情片，导演泰默姜达里 费时四个月，贴身拍摄七名住在德国科隆、介于25 至45 岁的男女，他们主宰自己的命运，并勇敢表现自己的 处境和感受。 苏菲亚搬回家和母亲姊妹同住，失业的她决定从事卖淫；索恩健壮有型并热衷拳击，他在女性床伴之间居无定 所，直到遇见令他心仪的女孩；列妮学习按摩治疗，也和热恋中的女友琵亚开始同居；史黛拉与男友尼克维持 开放式关系，却难掩心中的不安。 四组人物交错发展，在镜头前裸裎坦荡，做爱像呼吸一般自然，但更令人感同身受的，是对人生永不妥协的态 度，以及找到一份获得幸福并全心付出的爱情。只是，爱能否如此简单？性就能拉近彼此距离？

「使被动观众成为主动观察者、全神贯注等待下一步发展。」─《The Upcoming》网站 　　没有演员，没有剧本，没有虚假的情感。《我们与性的距离》是一部超越虚实的纪录剧情片，导演泰默姜达里 费时四个月，贴身拍摄七名住在德国科隆、介于25 至45 岁的男女，他们主宰自己的命运，并勇敢表现自己的 处境和感受。 苏菲亚搬回家和母亲姊妹同住，失业的她决定从事卖淫；索恩健壮有型并热衷拳击，他在女性床伴之间居无定 所，直到遇见令他心仪的女孩；列妮学习按摩治疗，也和热恋中的女友琵亚开始同居；史黛拉与男友尼克维持 开放式关系，却难掩心中的不安。 四组人物交错发展，在镜头前裸裎坦荡，做爱像呼吸一般自然，但更令人感同身受的，是对人生永不妥协的态 度，以及找到一份获得幸福并全心付出的爱情。只是，爱能否如此简单？性就能拉近彼此距离？