中国联合影业公司 　　一日，某女中一学生丢失了一串珍珠项链，正好国文老师陈教授是个侦探迷，便充当侦探侦破此案。学生朱淑英回到家中后，将此事告之了继母，正巧继母的情夫张炳辉也在，听到了事件经过。第二天，学校接到一封匿名信，揭发朱淑英乃是偷项链的人。陈教授前往朱家调查，在朱淑英房中找到一串珍珠项链。朱淑英百口莫辩，羞愤之中服毒自尽。学生刘惠珠的哥哥刘俊超也是侦探迷，听妹妹讲了窃案经过后觉得非常可疑，便于妹妹来到朱家，正巧救下了本欲自尽的朱淑英。后经刘俊超多方探察，终于发现朱淑英继母与情夫欲借此事除掉朱淑英的罪行，而真正的小偷也找到了，案情真相大白。

《玉昭词》根据时久的同名小说改编，讲述了天宝年间，唐玄宗宠幸杨玉环，并封为皇贵妃，一时间杨家满门得受皇恩眷顾，成为天下无人敢惹的皇亲国戚。时至天宝十四年，玄宗老迈，纵情于饮酒作乐，导致朝政腐败，安史之乱也就此拉开帷幕。杨玉环的哥哥杨昭在乱世中步步为营，杀伐果断的手段无人能及，江山倾覆、狼烟四起。十年前他和她在马嵬驿相遇，十年后时光重来，这结局是否能重新改写。

《玉昭词》根据时久的同名小说改编，讲述了天宝年间，唐玄宗宠幸杨玉环，并封为皇贵妃，一时间杨家满门得受皇恩眷顾，成为天下无人敢惹的皇亲国戚。时至天宝十四年，玄宗老迈，纵情于饮酒作乐，导致朝政腐败，安史之乱也就此拉开帷幕。杨玉环的哥哥杨昭在乱世中步步为营，杀伐果断的手段无人能及，江山倾覆、狼烟四起。十年前他和她在马嵬驿相遇，十年后时光重来，这结局是否能重新改写。

Playing with both a structural principle of the cinematic medium (the synchronization of sound and image) and one of its core dimensions (to function as a machine for the reproduction of ghosts) with boundless gusto, the greatest polymath of the 1970s New York avant-garde devotes this first part of his Hapax Legomena cycle to nostalgia. He sets it, though, in brackets and openly wonders: can we feel nostalgia for the present? Via a sequence of 13 shots, each of which sees a photograph Hollis took of the New York arts scene ritually burned on a stove while the narrator has already moved on to describing the next still, this classicist poet, photographer, sculptor, critic, and filmmaker who set cinema on a new course explores the limits of representation, rescinding and resurrecting the capacity of the image to speak of reality. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1308/15245

Playing with both a structural principle of the cinematic medium (the synchronization of sound and image) and one of its core dimensions (to function as a machine for the reproduction of ghosts) with boundless gusto, the greatest polymath of the 1970s New York avant-garde devotes this first part of his Hapax Legomena cycle to nostalgia. He sets it, though, in brackets and openly wonders: can we feel nostalgia for the present? Via a sequence of 13 shots, each of which sees a photograph Hollis took of the New York arts scene ritually burned on a stove while the narrator has already moved on to describing the next still, this classicist poet, photographer, sculptor, critic, and filmmaker who set cinema on a new course explores the limits of representation, rescinding and resurrecting the capacity of the image to speak of reality. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1308/15245

小学生赵杜一因害怕父母生二胎后不爱自己，而想尽办法吸引父母关注，在好朋友的鼓动下，闹出了很多啼笑皆非的故事，通过自身的经历和观察，在老师的开导下，他理解了亲情、友情的真谛，从中感受到很多关于爱的甜蜜与辛酸，重新享受家庭温暖和爱。在当下鼓励三胎的大环境下，影片从孩子视角来观察家庭生活因为二胎产生的分歧与变化，以及一家人为解决问题付出的努力。

小学生赵杜一因害怕父母生二胎后不爱自己，而想尽办法吸引父母关注，在好朋友的鼓动下，闹出了很多啼笑皆非的故事，通过自身的经历和观察，在老师的开导下，他理解了亲情、友情的真谛，从中感受到很多关于爱的甜蜜与辛酸，重新享受家庭温暖和爱。在当下鼓励三胎的大环境下，影片从孩子视角来观察家庭生活因为二胎产生的分歧与变化，以及一家人为解决问题付出的努力。

中国传媒大学2019届（2015级)动画毕业创作。

Originally shown as three separate films, I. / II. / III. is a triptych portrait of the most intimate proportions. Simple scenes within the domicile become completely entrancing as layer after layer of exposure unfurls onto itself. The movement of the leaves, the light, his father: all become hypnotic in this silent sonata. Projected on 35mm. 　　源自：https://iffr.com/en/iffr/2024/films/i-ii-iii

拖动重物的蚂蚁以为自己是天下最辛苦的人，可是当硕大的汗滴落下时，它才知道，那个背着水晶罐子的鸟人才是最辛苦的人。他熬红的双眼饱含泪水，可一旁的螳螂只是奚落，毫无怜悯。小女孩百无聊赖的抽着烟，后来干脆跳起舞来。舞台更迭不休，舞步变化不定。妖冶的双头连身女人仍旧画着眉眼，鸟人终于吃了些果子果腹。走马灯映出他们各自的神情，张张迥异复杂的面目。镜头回旋，原来，他们都是藏在小女孩心中那本书里的人物，天马行空的，光怪陆离的。当小女孩关上心门的时候，还是那副懒洋洋的样子，吹着弹指即破的泡泡糖，拿着望远镜遥望未来。 　　《一》入闱第15届法国Les Nuits Magiques国际动画节，入闱2005年IDAA International Digital Artist Association国际数码艺术大展。