2008年，新版《劳动法》颁布。陕西商洛市一批电信工人因养老诉求未得到解决。他们开始上访维权。2016年，大批即将退休的上访老工人被无辜清退。2017年秋，逼入绝境的56位商洛老工人一纸诉状将中国电信诉至法院。2018年，北京的艺术家王楚禹回到故乡商洛，以行为艺术的方式参与了工人的街头维权行动。一年后，王楚禹带领着一个小型的电影摄制组再次来到商洛，开始了这部纪录片的拍摄。在拍摄过程中重重矛盾逐渐显现，现实并非像艺术家想象的那么简单。

2008年，新版《劳动法》颁布。陕西商洛市一批电信工人因养老诉求未得到解决。他们开始上访维权。2016年，大批即将退休的上访老工人被无辜清退。2017年秋，逼入绝境的56位商洛老工人一纸诉状将中国电信诉至法院。2018年，北京的艺术家王楚禹回到故乡商洛，以行为艺术的方式参与了工人的街头维权行动。一年后，王楚禹带领着一个小型的电影摄制组再次来到商洛，开始了这部纪录片的拍摄。在拍摄过程中重重矛盾逐渐显现，现实并非像艺术家想象的那么简单。

Kigali, Rwanda. 　　“- Everybody talked about it at a certain point. 　　- So, do you think it's true? 　　- I can only describe it from what I've seen on television. A huge pointy element that pierced the ground. And the earth around it... [makes gestures] fell everywhere. Disturbing the peace, disturbing the status quo, the way things are."

Kigali, Rwanda. 　　“- Everybody talked about it at a certain point. 　　- So, do you think it's true? 　　- I can only describe it from what I've seen on television. A huge pointy element that pierced the ground. And the earth around it... [makes gestures] fell everywhere. Disturbing the peace, disturbing the status quo, the way things are."

Bruno Santini passionate ideals of Justice and Equality are put to test when he faces the tasks of adulthood, such as getting a job at an industry in Florence and facing working conditions.

Bruno Santini passionate ideals of Justice and Equality are put to test when he faces the tasks of adulthood, such as getting a job at an industry in Florence and facing working conditions.

Lise, a mentally unbalanced middle-aged woman, travels from her home in Hamburg, Germany to Rome, Italy where she embarks on a fatal destiny that she had helped to arrange for herself – a premeditated search for someone, anyone, with whom she could form a dangerous liaison. Lise meets a variety of people during her journey and stay in Rome who include Bill, a lecherous British businessman that she meets on the plane to Rome who tries to seduce her; Carlo, a young man whom Lise tries to know more about; an elderly Englishwoman named Mrs. Fiedke whom Lise bonds with to go shopping; and Pierre, a Frenchman who picks up Lise hoping to seduce her as well. 　　The film is told in a non-linear narrative as throughout the film are scenes of the local Rome police interviewing all the people that Lise interacted with as well as investigating the reasons for her strange behavior that led up to her own murder.

Lise, a mentally unbalanced middle-aged woman, travels from her home in Hamburg, Germany to Rome, Italy where she embarks on a fatal destiny that she had helped to arrange for herself – a premeditated search for someone, anyone, with whom she could form a dangerous liaison. Lise meets a variety of people during her journey and stay in Rome who include Bill, a lecherous British businessman that she meets on the plane to Rome who tries to seduce her; Carlo, a young man whom Lise tries to know more about; an elderly Englishwoman named Mrs. Fiedke whom Lise bonds with to go shopping; and Pierre, a Frenchman who picks up Lise hoping to seduce her as well. 　　The film is told in a non-linear narrative as throughout the film are scenes of the local Rome police interviewing all the people that Lise interacted with as well as investigating the reasons for her strange behavior that led up to her own murder.

Synopsis 　　Middle-school teacher Myeong-ho (Hwang-hae), who comes from a poor family, and Bu-nam (Yang Hun), whose father is the president of a trading company, attended the same university. When both men develop gastric disordersBu-nam ate too much and Myeong-ho couldn't get enough to eatthe doctor proposes that they exchange lifestyles for two weeks. Living in each other's homes, each young man falls in love with the other's sister, and the two couples get married in a joint wedding ceremony. 　　Notes 　　"The filmization of a stage musical, and the fusion of film and mass entertainment" (Chung Jong-wha) 　　Hyperbolae of Youth lay claim to the title of Korea's first comedy movie, with a cast comprising such comic actors as Yang Hun, Yang Seok-cheon, and Kim Hee-gap. It affords us a glimpse into the cinematic sensibility and generic interest of Han Hyung-mo, who was the most commercially successful director of his day, and falls between The Hand of Destiny (Unmyeong-ui son) and Madame Freedom (Ja-yu bu-in) in his filmography. The movie tells a simple story: a brother and sister from a wealthy family fall in love their opposite-sex counterparts from a poor family, thus mature into well-rounded individuals, and make happy marriages. In this basic synopsis, even the fundamental difference of social status does not pose much of an obstacle. In fact, the extent to which the film straightforwardly endows the improverished brother and sister with positive values makes it seem rather simplistic. However, the movie's main interest does not lie in its story or theme. Instead, it concentrates on making the most of the generic elements of comedy and musical in order to maximize its own entertainment value. This agenda becomes manifestly clear from the film's characterizations. That is, the two male leads are comically rendered as a rich man's son who is sick from eating too much and a poor man's son who is sick from not eating enough. Musical elements are also introduced as a means of reinforcing the film's entertainment value. In the first half, for instance, the film's musical director Park Si-chun, in the role of the doctor, accompanies the nurses on his guitar as they sing a pop song. This scene, which has no relation to the plot, was inserted solely for the purpose of enhancing the movie's generic appeal as a musical. The same holds true for the scene in which Kim Hee-gap appears mid-film as a man carrying a wooden rack on his back to sing a medley of popular Korean songs. Such generic elements boost the film's entertainment value while infusing the whole with a cheerful and upbeat atmosphere. Hyperbolae of Youth may well be called the finest feel-good movie of the 1950s.

Synopsis 　　Middle-school teacher Myeong-ho (Hwang-hae), who comes from a poor family, and Bu-nam (Yang Hun), whose father is the president of a trading company, attended the same university. When both men develop gastric disordersBu-nam ate too much and Myeong-ho couldn't get enough to eatthe doctor proposes that they exchange lifestyles for two weeks. Living in each other's homes, each young man falls in love with the other's sister, and the two couples get married in a joint wedding ceremony. 　　Notes 　　"The filmization of a stage musical, and the fusion of film and mass entertainment" (Chung Jong-wha) 　　Hyperbolae of Youth lay claim to the title of Korea's first comedy movie, with a cast comprising such comic actors as Yang Hun, Yang Seok-cheon, and Kim Hee-gap. It affords us a glimpse into the cinematic sensibility and generic interest of Han Hyung-mo, who was the most commercially successful director of his day, and falls between The Hand of Destiny (Unmyeong-ui son) and Madame Freedom (Ja-yu bu-in) in his filmography. The movie tells a simple story: a brother and sister from a wealthy family fall in love their opposite-sex counterparts from a poor family, thus mature into well-rounded individuals, and make happy marriages. In this basic synopsis, even the fundamental difference of social status does not pose much of an obstacle. In fact, the extent to which the film straightforwardly endows the improverished brother and sister with positive values makes it seem rather simplistic. However, the movie's main interest does not lie in its story or theme. Instead, it concentrates on making the most of the generic elements of comedy and musical in order to maximize its own entertainment value. This agenda becomes manifestly clear from the film's characterizations. That is, the two male leads are comically rendered as a rich man's son who is sick from eating too much and a poor man's son who is sick from not eating enough. Musical elements are also introduced as a means of reinforcing the film's entertainment value. In the first half, for instance, the film's musical director Park Si-chun, in the role of the doctor, accompanies the nurses on his guitar as they sing a pop song. This scene, which has no relation to the plot, was inserted solely for the purpose of enhancing the movie's generic appeal as a musical. The same holds true for the scene in which Kim Hee-gap appears mid-film as a man carrying a wooden rack on his back to sing a medley of popular Korean songs. Such generic elements boost the film's entertainment value while infusing the whole with a cheerful and upbeat atmosphere. Hyperbolae of Youth may well be called the finest feel-good movie of the 1950s.