为了尝试克服一生的苦涩和怨恨，老太太伊蒂决定爬上苏格兰的一座山，一方面是为了完成她的一个梦想，另一方面，她试图追寻自己生命终点的意义。

1821年，巴西迪亚曼蒂纳山脉，奴隶贩子António回到又大又破的农庄。他的妻子死于难产，他和精神错乱的岳母与成群的黑奴被禁足于这荒无人烟的地方，他娶了死去妻子的12岁侄女Beatriz。不安分的António再次与商队一起远行，年幼的妻子Beatriz却不知如何与黑奴们相处……

A moving portrait of social documentary photographer and trailblazer Tish Murtha, who dedicated her life to documenting the lives of working-class communities in North East England. 　　Paul Sng’s powerful film celebrates the work of Murtha and her commitment to fighting for the communities like the one she grew up in. Born in the northern coastal town of South Shields, she was driven by a fierce conviction to record the impact of Thatcher era de-industrialisation upon local communities. Her striking black and white photos convey a tenderness and intimacy that set her apart from her peers and her work would become a powerful record of a world decimated by a new and ruthless form of capitalism. follows Tish’s daughter Ella as she revisits key moments from her mother’s life and work. She’s accompanied by people who remained close to Tish throughout her life, and who is committed to ensuring her remarkable legacy is recognised. 　　源自：https://sheffdocfest.com/film/tish

Bad things happen to bad people. That's what Ursula, the ring leader of a deranged group of street performers called "The Crows", always says. For no apparent reason, the gang starts to torment Mary and Judy: a young car driver and her dog. Her only crime was not paying attention to the annoying street performers. For Mary, the curtains of the most insane and dangerous show will rise - and fall. The Crows' show is not just about blood. We proudly assure you it will be the scariest, most uncomfortable and grotesque performance you will ever see.

A moving portrait of social documentary photographer and trailblazer Tish Murtha, who dedicated her life to documenting the lives of working-class communities in North East England. 　　Paul Sng’s powerful film celebrates the work of Murtha and her commitment to fighting for the communities like the one she grew up in. Born in the northern coastal town of South Shields, she was driven by a fierce conviction to record the impact of Thatcher era de-industrialisation upon local communities. Her striking black and white photos convey a tenderness and intimacy that set her apart from her peers and her work would become a powerful record of a world decimated by a new and ruthless form of capitalism. follows Tish’s daughter Ella as she revisits key moments from her mother’s life and work. She’s accompanied by people who remained close to Tish throughout her life, and who is committed to ensuring her remarkable legacy is recognised. 　　源自：https://sheffdocfest.com/film/tish

1821年，巴西迪亚曼蒂纳山脉，奴隶贩子António回到又大又破的农庄。他的妻子死于难产，他和精神错乱的岳母与成群的黑奴被禁足于这荒无人烟的地方，他娶…

故事梗概 　　爸爸是一个资深刑警，面临一刀切的退休，再精明强干也得退，退出社会，退出工作的舞台；妈妈在家是贤妻良母，在医院是勤恳有声望的主治大夫，在一个例行的查房的清晨，妈妈突然遭遇二十年前的初恋情人、如今的垂危病人；女儿幼儿园的小老师，花样年华，这个大孩子，渴望成人，渴望成为一个女人。 　　爸爸表面沉着而内心惶惑，不知道如何面对骤然失重的生活。妈妈在家庭和情缘之间挣扎，不知道如何维持来之不易的平衡。女儿，不知道如何处理激情探险后的现实：她爱上了自己班里小朋友的父亲，一个有妇之夫。流年大利，流年不利，每个人都得独自面对。即便是家人，也未必会敞开心扉、交流内心深处最隐秘的疼痛。但是，他们仍互相慰籍着，在沉静中厮守，在日常的琐碎中共同渡过一段段日子。这就是家人的意义。 　　导演阐述 　　这不是一个“电视电影”，这是一部“底成本电影”。 　　一部用高清和DOLBY5.1 技术制作的底成本电影。它将在电影频道播放，也要能够在数字影院放映。 　　这也不是一个“情节的电影”，这是一部“情境的电影”。 　　因为不是动作或言词的，而是内心情状的。 　　影像应是讲究而平实的，讲究到看不出经营的痕迹。 　　音响应有暗示，但是能在正常的环境氛围里找到出处。 　　剪辑要有态度，断还是联，切还是抻，取决于我们对人物的态度。 　　这部片子的形式感要大大让位给内容。 　　这部片子倚重于演员很多。演员的表演是第一位的，摄影、录音、作曲的表演不能夺人眼目。 　　导演要尽可能地隐藏在幕后。 　　分寸感，是这部影片对导演的考量。 　　不要“催人泪下”，但要积蓄起让人心头发紧的力度。 　　要有“静穆的注视”，这应该是一部“厚道”的、“蕴籍”的影片。

影片曾获得1952年奥斯卡最佳纪录片，记录了人类航海史上的一次奇迹。挪威人类学家、探险家托尔·海尔达尔和五名伙伴坐上一艘以太阳神康·蒂基命名的用9根轻型原木制成的原始木筏，从秘鲁出海远航，横渡大西洋，进行洲际间航海探险，101天后成功抵达玻利维亚，创下了航海史上的奇迹。这次活动源于一个传说：在很久以前，他们的祖先太阳神――康·蒂基带领自己的部族，从大洋东岸乘坐木筏，追随太阳移动的方向，漂洋过海…… 　　第24届奥斯卡金像奖(1952)　 奥斯卡奖-最佳纪录长片　 Olle Nordemar 　　第4届英国电影和电视艺术学院奖(1951)　 电影奖-最佳纪录片(提名)

可爱的词作家美秀和她深爱的男人不能幸福的走到一起。而出身在日侨胞2世的职业男模夏元也有自己喜欢的人，但他们的爱情也得不到别人的认可。某天，秀爱给她的爱人打电话，接电话的人却是夏元，原来秀爱的爱人已经去世，手机号已经是夏元在使用。这样秀爱和夏元两个人之间的故事便展开了...