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The fairy tale is based on two fairy tales by Božena Němcová, "Righteous Bohumil" and "The Black Princess". It tells the story of a weak king and his wife, whose desire for a child leads her to a conspiracy with the devil. The princess, who grows up under the influence of the "impure" powers, only escapes from their power thanks to her love for the fisherman Radek.

The legend of Caramuru, a Portuguese man that finds a paradise in Brazil, after stranded by a shipwreck, but has his heart tested when the chance to return to his country comes.

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When the princess rejected the Lord of Evil Water, she had no idea how cruel his revenge would be. Water disappeared from the kingdom, and its inhabitants now realize how great a treasure clear, clean water is. You will learn about the courage it took to bring life-giving water back to the kingdom in Jan Jílek's fairy tale.

Une femme voit une apparition près d’une cascade près de chez elle. Obsédée par l’image du fantôme, qui commence naturellement à s’estomper de sa mémoire, elle traque et capture un papillon, espérant que cela fera réapparaître le fantôme.

个关于一个战争英雄失宠并最终获得救赎的老兵故事

For two minutes, all we see are calves, bare feet and asphalt. Every time a foot hits the ground, it makes a slapping sound, accompanied by the runner’s rapid breathing. The rhythm is steady, and yet there is an urgency to the shot. 　　The runner is Félix Bruzzone, a writer who lives near the Campo de Mayo military base on the outskirts of Buenos Aires. His research and experiences serve as the basis for Jonathan Perel’s film Camuflaje. He explains what drives him in voice-over: his mother was disappeared by the military when he was an infant. It was only after purchasing a property close to Campo de Mayo that he learnt that she also died there. 　　What should be done with this wasteland on which the military killed its opponents 45 years ago? Bruzzone speaks with those who live in the area in a series of staged encounters. An estate agent gushes over the rise in property values, a run-in with soldiers turns out better than expected, a survivor of the camp describes how much resistance she faced in trying to erect a memorial, to say nothing of a documentation centre. Bruzzone keeps on running, tirelessly.

For two minutes, all we see are calves, bare feet and asphalt. Every time a foot hits the ground, it makes a slapping sound, accompanied by the runner’s rapid breathing. The rhythm is steady, and yet there is an urgency to the shot. 　　The runner is Félix Bruzzone, a writer who lives near the Campo de Mayo military base on the outskirts of Buenos Aires. His research and experiences serve as the basis for Jonathan Perel’s film Camuflaje. He explains what drives him in voice-over: his mother was disappeared by the military when he was an infant. It was only after purchasing a property close to Campo de Mayo that he learnt that she also died there. 　　What should be done with this wasteland on which the military killed its opponents 45 years ago? Bruzzone speaks with those who live in the area in a series of staged encounters. An estate agent gushes over the rise in property values, a run-in with soldiers turns out better than expected, a survivor of the camp describes how much resistance she faced in trying to erect a memorial, to say nothing of a documentation centre. Bruzzone keeps on running, tirelessly.