江振华是一位经历曲折的单身父亲，年幼的时候家境贫寒，为了弟弟和妹妹读书，辍学打工，而后，妻子在生孩子之时大出血死亡，江振华凭借自己的力量和智慧培养出三个出色的女儿。正值父亲七十大寿之际，母亲喊江振华带着三个女儿回家，却被弟弟和妹妹歧视，不断刁难，最终，三个女儿的出现，证明了江振华的努力，弟弟妹妹等人也意识到了自己的错误

贺慧兰，一位曾忍受家暴的女性，多年前带着三个孩子逃离了不幸的婚姻。岁月流转，孩子们各自成才，而贺慧兰也终于迎来了三个女儿的姑姑秀秀的婚礼。然而，当她们重返江家时，却遭到了江家人的冷嘲热讽，甚至被误会为争夺拆迁款而来。江家人强硬地逼迫让贺慧兰屈辱下跪，关键时刻，她的三个女儿及时出现，以强硬态度保护母亲，让江家人见识到了她们的实力和差距。 江家的江晚月不甘心失败，便决定在一场珠宝品鉴会上冒充顾家顾清远的救命恩人，企图借此提升自己的地位。贺慧兰试图揭露真相，却被...

A classical ballad motif about an ageing father and his three daughters is quite unusually here set against the backdrop of Czechoslovakia of the 1950s. After having been expropriated, the former landowner Majda seeks refuge with his three daughters whom he had sent to a convent a long time ago. But only the youngest one is able to forgive him and she is willing to take care of him despite the threat of expulsion from the order. 　　Uher’s constant obsession with the national theme was again given voice in Three Daughters, the first introspective film about the most difficult years of Communism. His use of emotion, metaphysics, and surrealism imparted a balladic quality to his work. The confrontation of two ideologies, Catholic and Communist, in the story of nuns being expelled from monasteries at the beginning of the 1950s, bitterly acknowledged that although ideology (history) should serve people, in reality it mercilessly rolled over anyone who got in its way, even if only briefly.

The first story is about Nanda, a young man who leaves Calcutta to work as a postmaster in an isolated malaria-infested village. The postmaster is looked after by a young orphan girl, Ratan. His only solace in the village is in teaching Ratan how to read and write. The second story is about a student, Amulya, who returns to his village after finishing his exams. His widowed mother is very anxious for him to marry, and has already picked out a girl. He rejects his mother's choice and, being forced to choose some girl, marries a lively tomboy who is not ready to give up her freedom.

编剧兼导演阿扎泽·雅各布斯（《法式出口》、《那些爱人》）执导了这部苦乐参半且趣味横生的故事，讲述了一位年迈的家长和三个成年女儿在他生命的最后几天陪伴在他身边的故事。凯蒂（凯莉·库恩饰）是一位控制欲极强的布鲁克林母亲，每日忙于应对处于青春期的叛逆女儿；自由奔放的克里斯蒂娜（伊丽莎白·奥尔森饰）是一位与众不同的母亲，这是她首次与孩子分开；瑞秋（娜塔莎·雷昂饰）是一名体育博彩瘾君子，从未离开过父亲的公寓 — 这令她同父异母的姐姐们非常恼火，因为她们有着不同的母亲和世界观。在三姐妹的日常相处中，雅各布斯继续敏锐地探索亲密空间中的家庭动态，在三天动荡的日子里，在死亡阴影下，怨恨爆发，爱从支离破碎的家庭中渗透出来。

编剧兼导演阿扎泽·雅各布斯（《法式出口》、《那些爱人》）执导了这部苦乐参半且趣味横生的故事，讲述了一位年迈的家长和三个成年女儿在他生命的最后几天陪伴在他身边的故事。凯蒂（凯莉·库恩饰）是一位控制欲极强的布鲁克林母亲，每日忙于应对处于青春期的叛逆女儿；自由奔放的克里斯蒂娜（伊丽莎白·奥尔森饰）是一位与众不同的母亲，这是她首次与孩子分开；瑞秋（娜塔莎·雷昂饰）是一名体育博彩瘾君子，从未离开过父亲的公寓 — 这令她同父异母的姐姐们非常恼火，因为她们有着不同的母亲和世界观。在三姐妹的日常相处中，雅各布斯继续敏锐地探索亲密空间中的家庭动态，在三天动荡的日子里，在死亡阴影下，怨恨爆发，爱从支离破碎的家庭中渗透出来。

一走三十年的丈夫突然回来带着（女配和儿子）要和自己离婚，丈夫也算事业小有成就，看不上女主是一个卖菜的，儿子被上交国家，女配带着儿子打上门，让女主给自己腾位置，女主被赶出家门。

苏荔本是司徒家最受宠的小公主，但为了男友和家中决裂，苏荔愿意为男友付出一切，结果男友却只是在利用她，在得到巨额投资后立刻露出了真实面目，想方设法的甩掉苏荔，要和江城首富女儿陈薇薇在一起。就在苏荔被前男友一家羞辱的时候，三个哥哥从天而降，认回苏荔，开启了打脸渣男的团宠生活，并且还收获了高质量未婚夫一枚。

顾家失散多年的千金小姐，真心错付出轨渣男，婚礼上被婆婆欺辱，被老公背叛，最惨的时候，被三个大佬哥哥找到，从此开始花式打脸渣男