THREE CHEERS FOR THE WHALE chronicles the history of mankind's relationship with the largest and most majestic of marine mammals, and graphically exposes their slaughter by the fishing industry. Chris Marker's co-director, Mario Ruspoli, descendant of an aristocratic Italian family, had been a journalist, painter and ethnologist before discovering his vocation as a documentary filmmaker. In the Sixties he became one of the founders -along with Jean Rouch, Edgar Morin and Chris Marker- of the "direct cinema" movement, pioneering in the use of new lightweight cameras and synchronous sound recording equipment.

THREE CHEERS FOR THE WHALE chronicles the history of mankind's relationship with the largest and most majestic of marine mammals, and graphically exposes their slaughter by the fishing industry. Chris Marker's co-director, Mario Ruspoli, descendant of an aristocratic Italian family, had been a journalist, painter and ethnologist before discovering his vocation as a documentary filmmaker. In the Sixties he became one of the founders -along with Jean Rouch, Edgar Morin and Chris Marker- of the "direct cinema" movement, pioneering in the use of new lightweight cameras and synchronous sound recording equipment.

Kaveh and Raul are two b-movie co-writers who have suffered a bitter falling out. Kaveh's lost his girlfriend, and spends his days getting high in his apartment, while Raul is off studying at Columbia University. But when one of their films ("Islama-rama 2") is accepted by a film festival, the two ex-friends are forced to tentatively re-connect in order to pitch their script to the mysterious producer, Yukio Tai (James Hong). Along the way, they will have to brave brutish bodyguards, cutthroat colleagues, inept agents, romantic entanglements, prima donna actors, and the trials of their own bitter friendship.

西部警长鲍勃威尔斯准备娶萨莉摩根，但她去喜欢有部分印第安血统的瓦内尼斯，她的种族是个障碍。

浴场宽得像一片海洋，映衬在年轻女孩的眼睛里。本片利用在玻璃上绘画的技术，呈现了一个日本小村庄里，妇女们在澡堂里的故事。作为一个在日本长大的韩国后裔，本片基于导演与母亲一起去浴场的儿时记忆创作。澡堂就像大海，妇人们就像鱼，搓澡就像把鳞片剥落。这些妇人与大洋彼岸血脉相连，而年轻女孩也在鼻孔流出新鲜血液的同时，模糊地意识到了自己的出身。通过裸体妇人们的肢体动作，观众可以瞥见社会与历史的边缘，感受到导演强大的艺术技巧。这部作品通过一个乡村澡堂，展现了一整片玄界滩。本片在日本Image Forum Festival 获得寺山修司奖。

浴场宽得像一片海洋，映衬在年轻女孩的眼睛里。本片利用在玻璃上绘画的技术，呈现了一个日本小村庄里，妇女们在澡堂里的故事。作为一个在日本长大的韩国后裔，本片基于导演与母亲一起去浴场的儿时记忆创作。澡堂就像大海，妇人们就像鱼，搓澡就像把鳞片剥落。这些妇人与大洋彼岸血脉相连，而年轻女孩也在鼻孔流出新鲜血液的同时，模糊地意识到了自己的出身。通过裸体妇人们的肢体动作，观众可以瞥见社会与历史的边缘，感受到导演强大的艺术技巧。这部作品通过一个乡村澡堂，展现了一整片玄界滩。本片在日本Image Forum Festival 获得寺山修司奖。

鲸鱼岛——一座建立在巨鲸背上的未来之城，这里风景秀美，环境宜人，岛民和善，是全世界最适合生存居住的地方，因为...除了这里你也没得选。 　　但是你可以选择他们，鲸鱼岛上的“万能代理人”。无论你遇到什么困难，他们都能为你们排忧解难，你可以委托他们实现任何心愿。

讲述了一只小蜗牛的奇妙旅程，这只小蜗牛渴望看到世界，并设法搭上了一只巨大的座头鲸的尾巴。

讲述了一只小蜗牛的奇妙旅程，这只小蜗牛渴望看到世界，并设法搭上了一只巨大的座头鲸的尾巴。

一对兄妹骑着牛头大马来到海边，象头妹妹奥斯卡劝阻马头哥哥艾利克斯不要下水游泳。可是艾利克斯根本没听妹妹的话，一头跳进海水中独自一人开始游泳。巨浪把他打翻在海里，艾利克斯挣扎着沉了下去。一旁暗自生气的奥斯卡发现哥哥久久未归，开始有些担心。牛头大马一直安慰着她，两人还是决定去寻找哥哥艾利克斯。在海底世界，他们看见了黑色的巨型鲸鱼。奥斯卡上前询问无果。两人爬上了鲸鱼背，钻进鲸鱼的气孔中，来到一个神奇的世界。他们看见深陷沙滩里的海豚，也发现了艾利克斯。然而牛头大马却深陷岩石之中，还失去了手臂。他叫奥斯卡赶紧离开这里，伤心的奥斯卡还是离开了这里。回到现实世界的兄妹，寂寞的漂浮在海面上，正是日落时。 　　这部标新立异的超现实主义动画短片，以其与众不同的画风构建出了一个令人惶惶不安的怪异世界。