In late 19th century photography, glass plates were used to capture the negative. Director Siegfried A. Fruhauf finds just such a plate among his friends’ storage equipment. In Vintage Print, he scans and illuminates the photograph anew, intertwines the analogue with the digital, traverses the Modern Age – from photography via film to the digital world. The resulting movement thereby opposes the tranquil meditation within the contemplation of the landscape. In the soundtrack, an almost chronological narrative develops, accompanying the picture in all of its disquietude, like a frame. berlinale 2016

In late 19th century photography, glass plates were used to capture the negative. Director Siegfried A. Fruhauf finds just such a plate among his friends’ storage equipment. In Vintage Print, he scans and illuminates the photograph anew, intertwines the analogue with the digital, traverses the Modern Age – from photography via film to the digital world. The resulting movement thereby opposes the tranquil meditation within the contemplation of the landscape. In the soundtrack, an almost chronological narrative develops, accompanying the picture in all of its disquietude, like a frame. berlinale 2016

小伙在水边钓鱼，鱼竿被莫名生物拉断，水中巨物又屡次挑衅，小伙果断用抽水机开捕！一个执念成魔的钓鱼人，一场人与巨鱼的生死较量。当小亮在村中池塘邂逅一条神秘巨鱼，一次次的失手与逼近，让他陷入无法自拔的追逐。

小伙在水边钓鱼，鱼竿被莫名生物拉断，水中巨物又屡次挑衅，小伙果断用抽水机开捕！一个执念成魔的钓鱼人，一场人与巨鱼的生死较量。当小亮在村中池塘邂逅一条神秘巨鱼，一次次的失手与逼近，让他陷入无法自拔的追逐。

小伙在水边钓鱼，鱼竿被莫名生物拉断，水中巨物又屡次挑衅，小伙果断用抽水机开捕！一个执念成魔的钓鱼人，一场人与巨鱼的生死较量。当小亮在村中池塘邂逅一条神秘巨鱼，一次次的失手与逼近，让他陷入无法自拔的追逐。

小伙在水边钓鱼，鱼竿被莫名生物拉断，水中巨物又屡次挑衅，小伙果断用抽水机开捕！一个执念成魔的钓鱼人，一场人与巨鱼的生死较量。当小亮在村中池塘邂逅一条神秘巨鱼，一次次的失手与逼近，让他陷入无法自拔的追逐。

小伙在水边钓鱼，鱼竿被莫名生物拉断，水中巨物又屡次挑衅，小伙果断用抽水机开捕！一个执念成魔的钓鱼人，一场人与巨鱼的生死较量。当小亮在村中池塘邂逅一条神秘巨鱼，一次次的失手与逼近，让他陷入无法自拔的追逐。

小伙在水边钓鱼，鱼竿被莫名生物拉断，水中巨物又屡次挑衅，小伙果断用抽水机开捕！一个执念成魔的钓鱼人，一场人与巨鱼的生死较量。当小亮在村中池塘邂逅一条神秘巨鱼，一次次的失手与逼近，让他陷入无法自拔的追逐。

小伙在水边钓鱼，鱼竿被莫名生物拉断，水中巨物又屡次挑衅，小伙果断用抽水机开捕！一个执念成魔的钓鱼人，一场人与巨鱼的生死较量。当小亮在村中池塘邂逅一条神秘巨鱼，一次次的失手与逼近，让他陷入无法自拔的追逐。

小伙在水边钓鱼，鱼竿被莫名生物拉断，水中巨物又屡次挑衅，小伙果断用抽水机开捕！一个执念成魔的钓鱼人，一场人与巨鱼的生死较量。当小亮在村中池塘邂逅一条神秘巨鱼，一次次的失手与逼近，让他陷入无法自拔的追逐。